Thou'rt pinch'd for't now, Sebaftian.-Flesh and blood, That now lie foul and muddy. Not one of them, I will dif-cafe me, and myself prefent, As I was fometime Milan:-quickly, fpirit; [Exit ARIEL. ARIEL re-enters, finging, and helps to attire PROSPERO. ARI. Where the bee fucks, there fuck I; In a cowflip's bell I lie: There I couch when owls do cry. On the bat's back I do fly, After fummer, merrily: Merrily, merrily, shall I live now, Under the bloom that hangs on the bough. 6 Pro. Why, that's my dainty Ariel: I fhall mifs thee, But yet thou shalt have freedom: fo, fo, fo. To the king's fhip, invisible as thou art: 'There fhalt thou find the mariners asleep Under the hatches; the master, and the boatfwain, Being awake, enforce them to this place; And prefently, I pr'ythee. Ari. I drink the air before me, and return Or e'er your pulse twice beat. [Exit ARIEL. Gon. 5 Remorfe is by our author and the contemporary writers generally used for pity, or tenderness of heart. Nature is natural affection. MALONE. 6 This thought is not thrown out at random. It compofed a part of the magical fyftem of thefe days. The idea was probably first suggested by the defcription of the venerable elm which Virgil planted at the entrance of the infernal fhades. HOLT WHITE. 7 To drink the air-is an expreffion of fwiftnefs of the fame kind as to devour the way in K. Henry VI. JOHNSON. Gon. All torment, trouble, wonder, and amazement Pro. Behold, fir king, The wronged duke of Milan, Profpero: For more affurance that a living prince A hearty welcome. Alon. Whe'r thou beeft he, or no, Or fome inchanted trifle to abuse me, As late I have been, I not know thy pulfe : Beats, as of flesh and blood; and, fince I faw thee, I fear, a madness held me: this must crave (An if this be at all,) a most strange story. Thy dukedom I refign; 9 and do intreat Thou pardon me my wrongs:-But how fhould Profpero Be living, and be here? Pro. Let me embrace thine First, noble friend, age; whofe honor cannot Whether this be, You do yet tafte Or be not, I'll not fwear. Pro. Some fubtilties o' the ifle, that will not let you Believe things certain:-Welcome, my friends all :- [Afide to SE B. and ANT. I here 8 Whe'r for whether, is an abbreviation frequently used both by Shakfpeare and Jonfon. M. MASON. 9 The duchy of Milan being through the treachery of Antonio made feudatory to the crown of Naples, Alonzo promises to refign his claim of fovereignty for the future. STEEVENS. 2 You do yet tafte Some fubtilties o' the ifle,] This is a phrafe adopted from ancient cookery and confectionary. When a difh was fo contrived as to appear unlike what it really was, they called it a fubtilty. Dragons, cafties, trees, &c. made out of fugar, had the like denomination. See Dr. Pegge's gloffary to the Form of Cury, &c. Article Sotiltees. Froiffard complains much of this practice, which often led him into mistakes at dinner. STEEVENS. E 3 I here could pluck his highnefs' frown upon you, I'll tell no tales. Seb. The devil fpeaks in him. Pro. No: For you, moft wicked fir, whom to call brother Alon. If thou beeft Profpero, How thou haft met us here, who three hours fince 3 Pro. I am woe for't, fir.4 Alan. Irrepairable is the lofs; and patience Says, it is past her cure. Pro. I rather think, You have not fought her help; of whofe foft grace, And reft myself content. Alon. You the like lofs? [Afide. Pro 3who three hours fince-] The unity of time is most rigidly obferved in this piece. The fable fcarcely takes up a greater number of hours than are employed in the representation; and from the very particular care which our author takes to point out this circumftance in fo many other paffages, as well as here, it should feem as if it were not accidental, but purpofely defigned to fhew the admirers of Ben Jonfon's art, and the cavillers of the time, that he too could write a play within all the strictest laws of regularity, when he chofe to load himfelf with the critick's fetters. The Boatfwain marks the progrefs of the day again-which but three glaffes fince, &c. and at the beginning of this act the duration of the time employed on the ftage is particularly afcertained; and it refers to a paffage in the first act, of the fame tendency. The ftorm was raised at least two glaffes after mid day, and Ariel was promifed that the work should ceafe at the fixth bour. STEEVENS. 4 i. e. I am forry for it. To be woe, is often ufed by old writers to fignify, to be forry. Pro. As great to me, as late; 5 and, portable Alon. A daughter? O heavens! that they were living both in Naples, Where my fon lies. When did you lofe your daughter? That they devour their reason; and fcarce think Which was thruft forth of Milan; who most strangely Not a relation for a breakfast, nor Befitting this first meeting. Welcome, fir; The entrance of the cell opens, and difcovers FERDINAND and MIRANDA playing at chefs. Mira. Sweet lord, you play me false. Fer. I would not for the world. No, my deareft love, Mira. Yes, for a score of kingdoms," you should wrangle, 5 My lofs is as great as yours, and has as lately happened to me. And JOHNSON. 6 I take the fenfe to be only this: Ferdinand would not, he fays, play her falfe for the world: yes, anfwers fhe, I would allow you to do it for E 4 fomething If this prove And I would call it fair play. A vifion of the island, one dear fon Shall I twice lofe. Seb. A moft high miracle! Fer. Though the feas threaten, they are merciful: I have curs'd them without caufe. Alon. [FERD. kneels to ALON Now all the bleffings Of a glad father compafs thee about! Mira. O! wonder! Pro. 'Tis new to thee. Alon. What is this maid, with whom thou waft at play Your eld'ft acquaintance cannot be three hours: Is the the goddess that hath fever'd us, And brought us thus together? Fer. Alon. Pro. There, fir, ftop; Let us not burden our remembrances With a heaviness that's gone. Gon. Or fhould have fpoke ere this. I have inly wept, Look down, you gods, And fomething less than the world, for twenty kingdoms, and I wish you well enough to allow you, after a little wrangle, that your play was fair. Se likewife Dr. Grey. JOHNSON. |