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interest from the simplicity of his career. the end it stands out adequately from the crowded canvas, and we see the real proportions and relations of those under its influence. Vain, coquettish Kate was a poor ideal for such a man, but even she is the better at last for having been idealized. The crosspurposes of life have often been more graphically dealt with, but seldom in a more thoughtful spirit; and we feel that if our author has a keen perception of the mistakes and weaknesses of human nature, she has also a just view of the tardy compensations of the world. While in its main purpose the book is a wholesome and suggestive one, its execution indicates the possession of some literary ability. We have noticed certain of its defects—an exaggeration of the sound principle of carefulness in detail, leading to occasional tediousness and the undue prominence of trifles,-an excessive multiplicity of actors, whose parts, though never absurd, are often trivial, and a lack of vigour of style and eloquence of expression; but it contains not a few passages showing descriptive power, and nowhere is it marred by bad taste or vulgarity. The discovery of Dick Baxter's body in the garden turret by the unusual activity of the birds about the open window, and the scene in which the elder Baxter is acquainted with the news of this other son's miserable end, are instances of ability. We are confident that there are good hopes of Mrs. Hooper, and have, therefore, been at some pains to be candid in pointing out her defects.
Lady Verney gives us in her volume a picturesque tale of Welsh rural life at the beginning of the century. Coming into such close juxtaposition with Mr. Black's novel, it provokes comparisons which are rather trying, in regard to descriptions of wild scenery and of the life of a simple population. In these points we may fairly say that Lady Verney's work is good, even tried by so high a standard. The other features of the tale are so dissimilar as not to admit of such comparison. The farmer of Llanaly, a hill farm on an island promontory jutting out into a stormy bit of the Atlantic, with his household of natural and adopted relations, is settled on the ancestral acres, which have belonged to the family time out of mind, and which, joined to his old blood and comparative prosperity, render him an object of affectionate admiration among his simple-minded neighbours. Owen is a Welshman of the better type: warm-hearted, honest, and hospitable; prejudiced, of course, against the Saessenag, his experience of whom is certainly unfavourable; and litigious on principle, regarding his feud with David Hughes about the Quillet, an infinitesimal piece of waste land, to which he clings with the true Celtic attachment to the soil, as a sacred trust bequeathed him by his forefathers, the due fulfilment of which is his central point of honour, more valuable to him than life itself. His family consists of his maiden sister, Bridget, a shrewd managing housewife, whose one anxiety is her brother's hobby of the lawsuit; Grace, her niece, a gentlewoman in her simple courtesy and kindliness of heart; Gwen, the handmaid; and Winifred Caladine, an English orphan girl, to whom the good Welsh farmer has constituted himself guardian and protector. When poor John Caladine was cast up drowned on the Llanaly reef, and
Owen learned the tale of his widow's wrongs and desolation, he promised at her death to be a father to the girl. Winifred, accordingly, much against her will, is brought from the northern town in which she was exposed to some danger at the hands of those who had ruined her parents' worldly prosperity, and takes up her abode in a place which she regards as the acme of desolation, and among people upon whom she looks down with the contempt of ignorance for the novelty of their speech and manners. She has not outgrown this girlish shallowness when Piers, her host's cousin from Liverpool, a master mariner, and a man who has seen the world, comes to break the monotony of life at the sequestered farm. Piers is at first rather repelled, then curiously attracted by Winifred, whose angularities are more piquant to him than the steady excellence of his loving cousin, Grace; so they spar and quarrel, interesting one another, and teaching unconsciously a good many lessons to each other. Before he goes to sea, Piers brings things to a climax, and is considerably crushed by a refusal. Winifred has been playing at love already, and thinks she left her heart in the Black Country, in the keeping of one Fred Harrison, son of the old wharfinger, who foreclosed and ruined her parents. A strange fate brings him to Llanaly on the very day she has rejected Piers. On seeing him again her eyes are opened. His brisk vulgarity is out of place among the mountains; and she discovers, too, the purely commercial nature of the bargain he proposes for her acceptance. There are, in fact, awkwardnesses in the pecuniary relations between the Harrison firm and the orphan, which make it worth his while to recollect the old love passages. So Piers is rejected for Harrison, and Harrison for Piers. The true lover departs on a long voyage with bitterness in his heart, and Winifred remains to learn at leisure the real sentiments of her own. The process is well described, and is the leading motive of the remainder of the story, which is diversified also by the wreck and hardships of poor Piers (sent to Valparaiso in a coffin, heavily insured); the changed fortunes of Owen, who loses his lawsuit; and the visit of Winifred to the enemy's camp, the home of her relations, the Hugheses. These curious specimens of the Principality are in every respect a great contrast to her earlier friends; Mrs. Hughes, with her high English and robes of state, and her nephew, David, the "widowman," who is "creat for the chapel," both do their best to keep Winifred among them, and the wooing of the latter is highly amusing. In the end, of course, all things turn out well. Piers returns; certain documents of importance to Winifred's fortunes are discovered by Owen in a wrecker's cottage, where they had lain since her father was washed up on that shore; and, but for the disappointment of Grace, who is worth a hundred of Winifred, the story closes happily. Among many excellent descriptive scenes, we may mention the Crossing of the Herds (i.e., the swimming of the cattle across the straits before the bridge was built); the narrow escape of Piers from being engulphed in the sands of the same estuary; and the interview of Owen with the old Welsh crone about the deeds. The two latter incidents, remind us a little of similar ones in 'Redgauntlet' and The Antiquary.' On the whole, this novel
will be read with pleasure by all who can ap preciate an unha ckneyed subject and a graphic pen.
With characteristic audacity Mr. Mortimer Collins has struck out a new line, and enlarged the field of fiction to a degree which should be highly acceptable to embarrassed novelists. Hitherto death or matrimony has been the recognized end at which all writers aim, and when either goal has been attained, the pleasure or the toil of both the author and his readers is supposed to be complete. Mr. Collins disdains such limits, and, killing his hero and heroine at the end of the first volume, gives us in the second the hero's experience of another world, and in the third brings him back to earth, on Pythagorean principles, to be united happily to his early love, who re-appears as her own grand-daughter! As the planet Mars, to which Sir Edward Ellesmere retires during his season of obscurity, is a festive place, a good deal like earth, without the ordinary difficulties of existence, we experience no thrills of awe or misgiving as to the profanity of thus transcending the ordinary limits of experience, the only drawback to the enjoyment of the excellent company we meet in that rendezvous of poets and bons vivants being, that we do not quite escape the influence of modern slang, which sits somewhat strangely upon Homeric gods and heroes, and seems out of place in windy-streeted Troy. As there is a thread of plot running through this curious medley of extravagance, we may observe that the autobiographer whose history is unfolded to us. begins his strange career as a man of fashion in the reign of George the Third, and that the opening volume contains a narrative of his adventures during the primary stage of his existence. In the first scene of the triptych, if we may so call it, though it contains a great deal of the balderdash and swagger for which our author is notorious, his better side comes out in stronger relief than usual. In the next volume Mr. Collins gets rid of his body, which is
always a little too much for him, and, stimulated by the company of all the creative geniuses of the past, runs riot in the wildest freaks of fancy. If anything further is required for aliment in Mars than the feast of reason and the flow of soul, it is found in the admirable pills of that planet, which contain one or two oxen boiled down in each, and in the marvellous pyrogenic water, a draught of which contains all the properties of all the hock, champagne, claret, burgundy, and beer which poets have swilled, in fact or fancy, since the creation of our world. How great a gain to the continuity of the narrative is involved in this provision, Mr. Collins's readers may imagine. In other respects, as we have hinted, there is a strong family likeness between Mars and Earth. Its pleasures consist chiefly in an open-air life and cheerful conversation, much freedom of manners, and an absence of anything like toil or trouble. It is not, perhaps, the highest conceivable Paradise, but is clearly adapted to the author's taste. Three remarkable peculiarities are to be noted. In the first place, there is no Saturday Review—an exemption which, if we mistake not, Mr. Spurgeon has also regarded as a desirable probability. Next, there is no curios y in Mars; analytical philosophers have, therefore, no place in that Valhalla, and mechanical inventions are but little esteemed. Lastly, ingratitude is impos
sible, for every wish being immediately gratified, and money being unknown, there is nothing to be grateful for. During Ellesmere's planetary existence, he is gratified with a sort of delirious dissolving-view of past ages and countries, and holds interviews with the most incongruous groups of heroic and poetical worthies. He talks Lempriere with Paris, hendecasyllables with Catullus, prophecy with Cassandra, mysticism with Epimenides and Merlin. We cannot say that we gain much from their utterances, or that the information they bestow transcends in value that of similar great spirits at a modern séance. Indeed, like the familiars of the tea-table, they are occasionally inaccurate, as in the confusion about Achilles. However, they are genial spirits, and the scenery of their present abodes delicious in the extreme. It is not our purpose to enter in detail into the third phase of our hero's transmigration. Catching sight of earth one day he wishes himself back, and instantly finds himself an infant, and, as he has the benefit of former experience, he avoids his former follies, and benefits by having already passed a lifetime on earth.
THE LITERATURE OF RUSSIA IN 1873. SOME of the Russian journals are doing a very useful thing in the way of literary statistics, by publishing not only the number of their subscriptions, but the residences of the subscribers, and thus enabling us to learn something of the comparative enlightenment and the tendencies of inhabitants of various districts. I have passed through whole provinces of Russia where the chief newspaper taken was the St. Petersburg Gazette, through others where rarely anything could be found except the Son of the Fatherland. The Messenger of Europe, by far the best monthly journal, for the present year issued 6,958 copies of each number, of which 131 were sent abroad. In 1872 the issue was 8,003 copies, with 102 sent abroad. The cause of the falling off is that the journal has now received two warnings, and that people are afraid to subscribe for fear another warning should be given which would stop it, and they should thus lose their journal and their money. The Russian Past, an historical monthly, on the contrary, has constantly increased in circulation since it started. In 1870 its circulation was 2,600 copies; in 1871, 3,500; in 1872, 4,252; and in the present year 4,920 copies. The comparatively great subscription-list of this journal, as well as of the Russian Archives and the numerous publications of the various historical societies, are proofs of the increase of a taste for history. On the 6th of December, at the unveiling of the statue of Catherine the Second, a decree of the Emperor was issued to the Cesarevitch, as President of the Russian Historical Society, thanking him for his services, and authorizing the Society to add to its name the title "Imperial." On the same day the Society published the eleventh and twelfth volumes of its Proceedings, the former containing letters of Peter the Great, and the latter containing the first part of the despatches from the British ambassadors during the reign of Catherine the Second, from 1762 to 1769, to which reference has already been made in the Athenæum. The despatches are
printed in both English and Russian, and as pictures of court life and court intrigue, they are of the highest interest. It is easy, however, to see that the ambassadors knew nothing of Russia outside of the Court circle. Another book called out by the same occasion is the collection of letters of Catherine preserved in the Imperial Public Library, published by Bytchkoff. Unfortunately for literature, there are many collectors of historical materials, but few writers of history. The time has not yet come in Russia to write even the history of the last century, to say nothing of this. But the materials are becoming accessible to the student. Such are the fifth volume of the 'Vorontsoff Archives,' relating to the time of Elizabeth; the Archives of South-West Russia'; Prof. Gerye's 'Collection of Letters and Papers of Leibnitz relating to Russia and Peter the Great'; the memoirs of General Mayefsky, entitled 'My Time'; and those of Prof. Berg, relating to the Polish insurrections. The monograph of Zabielin on the history of Kuntsovo, though interesting reading, must be considered as material; the second volume of his 'Essays' is better as literature. The twenty-third volume of Solovief's History of Russia,' though it perhaps fulfils its end in giving us something to read in the way of a chronicle of the reign of Elizabeth, from 1749 to 1755, is hardly more than a transcript of materials. We must read it because we have nothing else; and yet we had almost rather remain in ignorance, so dry and disagreeable is Solovief's style. Kostomarof, on the contrary, writes history that can be read with pleasure, and we welcome his new book, 'Russian History in the Lives of its Chief Actors,' as a great boon. The first part covers from the tenth to the fourteenth centuries, in twelve vivid sketches. Kostomarof writes for general readers, and gives no place to theories or discussions, but, in a simple and flowing style, tells the early history of Russia as his severe studies and earlier investigations have made him understand it. He very sensibly begins with Vladimir, and leaves entirely out of sight the untrustworthy traditions of Rurik. Prof. Kostomarof's pen is never idle, and during the year, besides other things, he has also published an excellent monograph on the Traditions of the Earliest Russian Chronicle.' Among other historical works, we may mention the second volume of the History of the Academy of Sciences,' by the late Mr. of the Academy of Sciences,' by the late Mr. Pekarsky, containing interesting biographies of Tredyakofsky and Lomonossof; the History of the Reunion of the West-Russian Uniates in Old Times,' by the well-known archæologist Koyalovitch, chiefly from unpublished manuscripts; the monograph of D. Y. Samokvasof on Ancient Russian Cities,' an attempt to investigate the origin of the Russian "town," in which the author's zeal for his subject seems to outrun his discretion; the studies on the 'Posen Poles in 1848,' and on Galicia, published in the European Messenger, and the valuable 'Russian Genealogies,' destined to fill in part the omissions in the imperfect work of Prince Dolgoruky. Another book of great use to the historian and student is the 'Index to the Names of Persons and Places occurring in the Collection of Russian Laws from 1649 to 1825.'
Turning from history to law, we find what
is, perhaps, the capital book of the year, and which should speedily find a French or German translator, Consuls and Consular Jurisdiction in the East,' by F. Martens, Professor of International Law in the University of St. Petersburg. It is an historical treatise on the origin and history of the consular institution, and the powers which by custom and treaty have been given to consuls in the East. Mr. Martens criticizes the judicial reforms in Turkey and Egypt, and endeavours to answer the question as to what should be the necessary powers of a consul in the East at present. At a time when the Egyptian Government is using all its efforts to have the consular jurisdiction abolished, such a book as this of Mr. Martens is invaluable. Mr. Znamensky, in a thick book published at Kazan, on 'The Parish Clergy in Russia since the Reform of Peter,' shows the gradual decline of the system of leaving the election of the clergy to the parish, and treats of the radical reforms of the last years, which go back nearly to the first principles of Russian church government.
In general literature the year just past has been poorer than any for a long time. None of the great writers has published anythingat least, worthy of himself-and we have had only the productions of authors of the second or third class, and of some new men whose rank in literature is yet to be determined. The preference is, perhaps, to be given to Soltykof, who writes under the pseudonym of Stchedrin. He is a satirist of the first order, but it is to be regretted that his talents are entirely at the service of a certain party or school, which prevents him from taking broad enough views to write a really great work. His Tashkentians' struck a vein, and had a great success. The Tashkent of Stchedrin has nothing to do with Central Asia, but lies everywhere, and his Tashkentian is a synonym for a diffuser of enlightenment without education or basis, a civilizer for the personal and practical advantages to be obtained by the work. Curiously enough, Tashkentians in this sense are as numerous in America as in Russia, though there they are called "mere sound on the main question." "Fompadours" are, however, rarely to be
found out of Russia. This is another of the terms invented by Stchedrin, which immediately hit the popular sense, and forms the theme of his last book. It is impossible to translate it, but a short journey in the interior, with proper introductions to the authorities, would soon enable one to comprehend its meaning. Count Salhias is a new writer, but his two tales, "The Deserters' and 'Germans and Countrymen,' forming a single romance of the times of the rebel Pugatcheff, show that he has considerable talent in the style of Count Leo Tolstoi and Flanbert. His name will doubtless be heard again. The tendency toward taking the scenes of novels from low or middle life has nearly run its course, and Markevitch, in his Marina, comes back again to the nobility. His story, though good, is not equal to his last. Karazin, in his Hunt for Luck,' brings in some of the same characters as in his previous novel, 'On the Distant Frontiers,' though the faults of that book are exaggerated in the present. Karazin is a man of undoubted talent, though he is an artist rather than a novelist or a dramatist. Consequently, his books are a series of excellent
pictures of Central Asiatic life, but utterly disjointed and lacking unity. Their truth is wonderful, and in spite of the changes in Tashkent life, many of the characters and scenes can be recognized at once. If Karazin would only write carefully for five years under a severe yet sympathetic criticism, he would probably stand in the front rank of Russian writers. The books of Avseenko, Dmitrief, and Boborykin, hardly call for serious criticism.
In the drama, we have this year two plays by Ostrofsky, 'Late Love' and 'Snowhand,' the latter a dull piece of bad verse, more like a ballet programme than a serious play. Palm has published a play of some merit, called 'The Old Gentleman'; Averkief, a new historical drama in verse, 'Temnii and Shemakha,' which lacks the freshness of his other pieces; and Pisemsky, a play, called 'Baal.' This last has elicited much adverse criticism, but is, nevertheless, a remarkable production. Its theme is, of course, the power of money, but its treatment is unusual, and more suited, perhaps, to the present age, for money conquers, while honest probity is discomfited. Except some short ballads of Count Alexis Tolstoi, the only poetry of the year worth mentioning is Russian Women,' by Nekrassof, which is almost equal to his earlier works. A 'Chrestomathy' of Russian poets, by Gerbel, is an attempt to make an anthology which will be historically interesting and suit all Selections are given from 120 poets. The complete edition of the works of Khemnitzer by Grot, with a biography, should be mentioned here, and also the remarkable essays on Pushkin, by Annenkof, as well as the 'Materials for Pushkin's Biography,' by the same author.
Of popular poetry, we have a large instalment in the Onega Ballads,' collected by the late Prof. Hilferding, who unfortunately died in the midst of his labours. Afanasief's collection of 'Popular Tales' has long been a rarity, and we are glad to welcome a new edition, entirely re-arranged. It had been prepared for the press before the author's death. Other works on the subject of folklore are Buslaef's, The Comparative Study of Folk Life and Poetry,' and an 'Essay on the Comparative Study of the Western and the Russian Epos,' by A. Kirpitchnikof. The book of Pypin, Characteristics of Literary Opinions of the Present Century in Russia,' has now appeared entire, after having had the misfortune to procure for the European Messenger a second warning, and to cause the election of its author to the Academy to be cancelled. It is a most interesting and remarkable book. The Religions of the East,' by Prof. Vassilief, treats of Buddhism, Daosism and Lamaism, and their present
Political literature is increasing in Russia. The National Question in History and Literature,' by A. Gradofsky, may be taken as an exposition of the views of the Slavonophiles. The 'Sketches of Our Administrative, Judicial and Public Systems,' by E. Karnovitch, have been previously published in various newspapers as leading articles, and are carefully and conscientiously written, forming a valuable contribution to the study of the questions of the day. 'Questions of State Economy,' by A. Golovatchef, the author of the remarkable
book, 'Ten Years of Reforms,' consists of collected articles on the budget and financial subjects. The book on the "Theory and Practice of Banking,' by a young writer, J. Kaufmann, is for Russia a very extraordinary book. But the most noteworthy book on political subjects is the 'War and Revolution,' by the Academician Bezobrazof, which is not only a study of the French Revolution but a true treatise on contemporary politics. Besides this we should speak of Our School Question,' by Baron Korf, and 'Our Military Questions,' by General Fadeief. The second volume of the thorough and careful work of Matthäi, 'Die Industrie Russlands,' has also appeared.
Two or three volumes of the new Russian Encyclopædia have been issued; but the articles on Russian subjects are not so good as they should be. as they should be. We cannot help looking with more anxiety for the Dictionary of Russian Contemporaries,' by Suvorin, which is already announced as in the press.
The 'Philological Investigations,' by Grot, forms a valuable contribution to Russian philology. Mezhof's various catalogues and monographs must not be forgotten by anyone interested in Russian bibliography.
In the literature of travel we have the first volume of the travels in Turkestan and Central Asia of the naturalist Severtzof,—a book of travel in Spain, Egypt, Arabia, and India, by Skalkovsky; and the entertaining story of 'A Russian Workman on an American Plantation.' The Imperial Russian Geographical Society on the occasion of its jubilee published an account of its twenty-five years' activity. A new volume of the Geographical Dictionary of the Russian Empire,' edited by Semenof, and two volumes on the juridical customs of South-West Russia, are among its other publications. Since 1856 the Geographical Society has been issuing a translation of so much of Ritter's 'Erdkunde' as relates to Asia, with notes and additions bringing it down to the present time. The first three volumes were edited by Semenof; the last two on Kabulistan and Kafiristan, and on Eastern Turkestan, by the well-known orientalist Grigorief. We have now another volume of this series by Grigorief, which is, however, entirely original, and should properly bear the title of 'A History of Eastern Turkestan from the Earliest Times to the Present.' This book deserves to be translated into English, especially at a time when the English are so much occupied with Kashgar, of the importance and wealth of which they have, by the way, most erroneous and exaggerated notions. Grigorief published also during the year an amusing sketch of a fantastic campaign against Khiva, written under the pseudonym of a Kirghiz Sultan. It was directed against the Khivan Expedition, and events showed that the author's views were right. Col. Veninkof, the Secretary of the Geographical Society, has published, in one volume, his lectures before the Staff Academy and his articles in the Military Review 'On the Russian Boundaries in Asia.' It is furnished with maps, and is important not only for geography, but more so for the history of Russian advance in Asia.
Russian literature has this year suffered a loss in Fedor Ivanovitch Tutchef, a graceful and pleasing poet, and a warm friend of literature. He wrote little, but that little is good. He died in July, at the age of seventy. His
early life was passed abroad in the diplomatic service, and since 1857 he was at the head of the foreign censorship. The death of Prof. Katchenofsky, of Kharkof, a well-known writer on international law and kindred subjects, will also be felt.
Poems. By W. D. Howells. Dreamland, and other Poems. Osgood & Co.) (Longmans & Co.) The Song of a Pilgrim: Home and other Poems. By John Dawson Hull, B.A. (Nisbet & Co.) Loose Pebbles. By Thos. Farrar, jun. (Sutcliffe.) The Shepherd's Garden. By William Davies. Hints of Horace. By Horatio E. Maddeling. (Low & Co.) (Pickering.) Obiter; or, Wayside Verses. By R. K. Bolton. (Bemrose & Sons.)
(Boston, U.S., By R. Phillips.
Poems. By Isa Blagden. (Blackwood & Sons.) WE have lately had several little volumes of very satisfactory verse from America, among whose authors Mr. Howells seems to us worthy of honourable mention. He cannot be looked upon, indeed, as the founder of any new style of poetry, and the following extracts will show who may be regarded as his masters :
Mr. Phillips, when at his best, gives us diluted Morris, a very uninebriating sort of entertainment. He is very fond of a full stop in the middle of the line, and makes great play with "ruth" and "bale," auxiliary verbs and double negatives, and the other forms of speech peculiar to the style. A course of Chaucer would do him good.
What possible commendation can we give Mr. Hull's poems, except that they are exceedingly wellintentioned, and that, being also exceedingly pious, the author's good intentions will, we are sure, come to no bad end. There is a trace of liberality about the book, for Mr. Hull speaks of Pascal the Catholic, and Newton and Milton the Arians, as among those who have embraced the necessary "scheme of faith." There is also a touch of originality, as where he says of the Bible,The Banian of books, it roots O'er all the earth perennial shoots. For the rest, we have only to add that there is such a dead level of merit in the poems, that it is difficult to select any one passage for quotation. The fairest course will be to open the book at hap-hazard, and see what comes. This is our first find,
If, as we travel in the train,
The landscape through one window-pane
We straightway through another look, &c.
That, perhaps, is enough; but we will try once This time it is a sonnet on 'The Happy.' We can only give four lines,
When I reflect upon a phase of things
So full of care, disquiet, and turmoil,
Of deeds that canse one's very blood to boil,
On the whole, this last seems rather a favourable specimen, and we can conscientiously recommend the book, with its 228 pages, to all, who are satisfied with verses of the same calibre. The list of "Corrigenda" is sadly large, and not particularly creditable to author or to printer.
Mr. Farrar is also one of those writers whom we prefer to judge out of their own mouths. Here are some stanzas from a piece headed (most appropriately) "Suggestive Lines":-
But when they neared the British Isles,
Their mighty fleet was gone.
(Please observe the use of the comma.)
They stoved their sides, and quickly sank
Long ere our noble countrymen,
Could lend a hand to save.
If you but train your mind aright,
You very soon will learn,
In meanest scenes of every day,
We fear it would take a great deal of training to
We hardly know what to say of 'The Shepherd's Garden.' It does not profess to be more than a close imitation of the purely artificial style of the end of the sixteenth and beginning of the seventeenth centuries. As such it is exceedingly successful, and many of the shorter pieces would have a charming effect set to music by Mr. Sullivan or Signor Pinsuti, and sung by Mr. Leslie's choir. But it is only poetry in the sense in which a Latin or Greek prize poem may be so called, for even if its language be nearer akin to our own than that of Sophocles or Virgil, it has no touch of nature like those which make all true poetry akin in all ages. How far the "pastoral style" was ever a real exponent of the existing lines of thought or imagination is hard to say; but it certainly has no place in the nineteenth century.
Who "Horatio E. Maddeling" may be "when he is at home," we do not know; but, from his style and matter, we are inclined to connect him closely with the author of a volume of verses called 'Sick Rhymes for Sad Times,' or something of that kind, which we reviewed some three years ago. Of 'Hints of Horace' we can only say that, as far as we can get any idea out of its exceeding obscurity, it seems to consist chiefly of personal and scurrilous attacks on the Bishops, from which
we infer that its author is a Ritualist. The last piece of doggerel in the book, having reference to a bishop lately deceased, is in the most execrable taste, made none the less so by the absence of the buffoonery which characterizes the rest of the book, and which in this is replaced by an appearance of seriousness. Unhappily, gentlemanly feeling has almost disappeared from the humorous productions of the only ecclesiastical party which still has any humour left in it; nor is their wit ever so scurrilous as when directed against those whom all their principles should lead them to reverence, the Bishops. There is very little of the "vafer Flaccus" about the pseudonymous lampooner who takes his name.
Mr. Bolton's religious poetry is such as might naturally be written by a clergyman possessed of a turn for metre. We have no fault to find with it, unless it be that it shows rather too strongly the influence of the late Father Faber, whose somewhat mawkish sentimentality has, for a certain class of minds, and that no exceptional one, an attraction which is far from healthy, and which we do not desire to see extended. Number 17 of the volume before us shows this influence in a very marked manner; and in others the author himself seems to be conscious of it. A smaller matter, but one which we hope he will look to in future, is the abominable Americanism of writing "labor," "Savior," and so forth. If we must put up with this in American books, we will at least
do what little we can to keep it from becoming
interest with which the reader will follow Bill in his artistic efforts, and his sister Bessie in her unBlag-pretending genuine self-denial, will not flag. The poor old hard-working mother, whose virtues are the foundation of the success of her children, though she would rather have seen them like herself, when no book would ever have been written about them, is quite as interesting to the reader as the children who so much perplex her. More work might have been put into the tale with advantage. It is too slight and unfinished to carry out the design to its full effect.
The Robin's Nest; and where do you think they Built It? A Truthful Tale, by a Clergyman's Wife. (Griffith & Farran.)-These robins built their nest inside the big Bible in the reading-desk of an old church. A pretty story might have been made of the materials, but the authoress has overlaid her tale with so much rubbish and so much affectation, that we fear all the little children who receive this book will feel as much ill used as if they were to find rules of grammar and questions of geography on the top of a Twelfth Cake! The good lady preaches in season and out of season, and is generally foolish in what she says.
Jackson & Halliday.)-Easydale' is an interestEasydale: a Story. By Edis Searle. (Seeley, ing novelette, with quite as much love and marriage as is good for young people. It is about many other things besides, and it may be useful as well as pleasant to the young girls for whom it seems to have been chiefly written. With
Sweet Flowers. By Mrs. Mackarness. Coloured Illustrations. (Routledge & Sons.)These are little stories, each one with a flower for its text or title. The last, which bears the portenlike the best; but Mrs. Mackarness must take tous name of 'Deadly Nightshade,' is the one we care to keep her stories for children clear of all that would take them into the domain of novels. She bas a little tendency to stray in that direction. (Hat
Eighty Years Ago. By H. Cave. chards.) Eighty Years Ago' is a tolerably interesting and a perfectly safe story to give young persons of about fifteen, if, in these days, young people can be found who will read anything sober and unsensational, like this work, with a great deal of good sense in it, and a little bit of fiction, just enough to carry on the reader's interest in the personages. For girls who are at all tempted to be led astray by the attractions of Ritualism and Sisterhoods, this story may prove a counteracting influence. The intention of the work is to warn
girls against the doctrines of Romanism, and the temptation of seeking picturesque-looking work out of the sphere of home and parents, instead of doing the duties assigned to them in that state of life to which they have been born. The arguments against Romanism will seem good, sound and convincing to those who are not Roman Catholics to begin with: we hardly think Roman Catholics will be turned by them to a different way of thinking. There is a slight running thread of allusion to the events of the first French Revolution, but there is not much local colouring to make 'Eighty Years Ago' different from to-day.
Except Mr. Howells's little volume, Miss
BOOKS FOR CHILDREN.
The Little People; and other Tales. By Lady Pollock, W. K. Clifford, and Walter Herries Pollock. With Illustrations by John Collier. (Chapman & Hall.) These are lively fantastic nonsense stories, intended quite as much for the grown-up persons of the authors' acquaintance as for the little people of the nursery. The "little people" in the book are fairies, and they go about and talk and think very much like human beings seen under the glass of good-natured ridicule. It seems as though we had read something like the "Ball" amongst the "Flowers in the Conservatory" in one of Hans Andersen's stories long ago. The peculiar delicate quaint breath of raillery, which he has caught and echoed like a note of music, cannot be imitated with advantage. Those who try to reproduce it always indulge in exaggeration, which results in a touch of vulgarity intended to be comic, and fairy tales ought not to take any mortal mixture into their delicate fabric. The story by Lady Pollock, called 'Twitterings at the Fountain,' is the prettiest in the book.
as well as fun.
The Stories they Tell Me; or, Sue and I. By Mrs. Robert O'Reilly. (Gardner.) A thoroughly delightful book, full of sound wisdom The book contains the story of the childhood and girlhood of two sisters, told as recollections, by the elder one, to her own children in after years the different little histories being recalled to memory by the sight of some object with which the incidents were associated, such as the "Kettle," "Violets," "Sixpences," and "Cow slips." Almost everything has some connexion with long-ago events which happened in youth, and which now shine with a fairy brightness from the domains of tender memory, the real and only fairy land of life.
The Violets of Montmartre; and other Stories.
A Needle and Thread: a Tale for Girls. By
LIST OF NEW BOOKS.
Blackwood's (S. A.) Victory of Faith, cr. 8vo. 2 cl. lp.
Taylor's (Rev. C.) Dirge of Coheleth, in Ecclesiastes xii., 8vo. 3
Sacred Songs, Ancient and Modern, ed. by J. Hiles, roy. 8vo. 26
Sacred Songs, edited by J. Hiles, royal 8vo. 4' cl.
Curwen's (H.) History of Booksellers, cr. 8vo. 7/6 cl.
Pelton's Illustrated Guide to Tunbridge Wells, cr. 8vo. 1/ swd.
Hahn's (F) Child's French Book, 3rd edit. royal 16mo. 3 cl.
Armour's Iron and Heat, 2nd edit. 12mo. 2/6 cl. lp. (Weale's
Argosy, Vol. July to December, 1873, 8vo. 5/ cl.
Child of the Chosen People, cr. 8vo. 5/ cl.
Garden Oracle, 1874, 12mo. 1/ swd.
COPYRIGHT IN TITLES.
Medical Directory, 1874, 8vo. 10/6 cl.
2nd edit. cr. 8vo. 12/6 cl.
You have, on various occasions, opened your columns to communications complaining of the Rankine's (W. J. M.) Manual of Machinery and Millwork, difficulties and perplexities arising out of the absence of any available register of titles. The letter of "A Novelist," in your number for December 20, only narrates a very common experience. There is, at present, no mode of ascertaining whether a title has been forestalled except the clumsy aud inadequate one of inquiring, amongst the booksellers in the Row, whether they know it or not. The Stationers' Company take our registration-fee and make no return; for their register is so kept as to be absolutely worthless for purThe poses of reference. consequence is that authors and publishers are constantly mulcted in People's Magazine, Vol. July to December, 1873, roy. 8vo. 4/6 cl. heavy sums for their unconscious infringement of copyright and certain firms, of evil repute in the trade, have been accustomed to levy black mail all who, however innocently, have had the misfortune to put thamselves within their grasp. Having been myself a sufferer on more than one occasion, I venture to suggest the following arrangement as likely to meet the case :
Good Stories, Vol. 1873, cr. 8vo. 5/ cl.
Lilly white's (Jas.) Cricketer's Annual, 1874, cr 8vo. 1/ cl. swd.
Planché's (J. R.) Pursuivant of Arms, cr. 8vo. 7/6 cl.
1. Make the registration of title, at or before the time of publication, necessary to the acquisition of copyright. At present this is left doubtful in the Act itself, and depends upon the construction put upon it by Vice-Chancellor Kindersley.
2. In consideration of the increase of income which would thus accrue to the Stationers' Company, reduce the existing registration-fee, say,
Field's (M. B.) Memories of Many Men, cr. 8vo. 10 6 cl.
Good Stories, 30th Series, cr. 8vo. 1/6 cl. limp.
M. FRANÇOIS VICTOR HUGO.
It is but just that we should notice M. François Victor Hugo, the translator of Shakspeare, who died last week, in the prime of his life, after a prolonged and painful illness. The Hugos have been, indeed, heavily afflicted: Eugène, the poet's younger brother, died in a mad-house, after giving promise of a brilliant future. M. Victor Hugo has lost successively his only remaining brother, his daughter, his wife, and his two sons; so that towards the close of a magnificent career he remains alone amidst the tombs of those he cherished. All will sympathize with his affliction. François Victor Hugo, his last remaining son, was born in 1828. But for the overwhelming burden of his name, he might have taken rank among the most
earnest and conscientious writers of his time. His first attempt in literature was in a paper founded by M. Victor Hugo.
François Victor followed his father to Guernsey, and there, during long years of melancholy exile, he devoted himself wholly to a work which will preserve his name to posterity. He was for twelve years engaged on his translation of Shakspeare's complete works; and he at length gave to his countrymen a rendering of our great poet which in all respects surpassed previous attempts, not excluding M. Emile Montegut's translation, which is saying not a little. From 1867 to within two years of his death, he was one of the most thoughtful and effective contributors of the Rappel. So free from all ideas other than those of the highest kind were his pleadings in favour of the Republic, that the Empire could never find a plausible pretext for proceeding against him. Beyond the works we have mentioned, and an interesting history of Jersey and its monuments, his productions are few and of little importance. But this apparent sterility explains itself: to have translated Shakspeare so admirably as François Victor Hugo did is enough to occupy the life of a writer of
merit. It is a noble task, but as arduous and painful as would be that of translating the Comédie Humaine' into English. Few men could carry it out, and François Victor deserves the gratitude of France for the fervent devotion with which he completed the work.
Mr. Swinburne has kindly sent us the following sonnet. Our readers will understand that the
allusion in the first two lines is to Prometheus::
TO VICTOR HUGO.
He had no children, who for love of men,
Save this of some strange god's that bends it now
3. Require the Stationers' Company to keep an alphabetical register of titles, with the date of registration and name of the publisher; such alphabetical register to be open for search on payment of the present shilling fee.
4. To prevent the wholesale, indiscriminate entry of mere phantom titles on the chance of their being used some day, if the book be not published within one year of the date of registration such entry to be null and void.
I have discussed this plan with various publishers and editors, and find that it meets with general approval. A Member of Parliament, who takes a deep interest in literary matters, thinks that such a measure would be likely to gain legislative sanction, and is prepared to submit a bill to this effect in the forthcoming session if supported by an expression of feeling in its favour by the S. M. parties interested in it.
in the most remote degree, connected with the Afghans. They are a Jat () tribe, and a most cantankerous one; and are located in the Gugariah district of the Panjab, between the Rawi and the Sutlaj. There was no one better. able to tell the writer, or writers, who and what the Khar'ls are, and where located, than Sir Robert Montgomery, K.C.B., G.C.S.I., Member of the Council of India.
"THE PEOPLE OF INDIA.'
at the mine of errors disclosed in Vols. V. and VI.
Afghan tribe, and, if it is not corrected, we shall
Their correct name, as written by themselves, is Khar'l, J; the r being the Sanskrit . They are not a frontier tribe, nor an Afghan tribe, nor,
The "nominal," or any other capital of the Dooranee (Durání) empire was never either Sarmacand or any other cand, and can only exist in the writer's imagination; and "the dynasty, commonly called the Stavelings," is equally imaginary. The Abdalis take their name from their great ancestor, Malik Abdal, who lived centuries before Ahmad Shah. Early in the sixteenth century the chief town of the Abdalīs was Shahr-i-Saffa; and early in the seventeenth century Hirat was their capital, and they held it till ousted by Nadir Shāh. H. G. RAVERTY, Major, Bombay Army (retired).
UNLIKE the 'Venus and Adonis' and the
Lucrece,' which were evidently printed from the press with tolerable accuracy, the Sonnets unsophisticated manuscript, and passed through carry all the appearance of having been put in type from copy much damaged, and in many places illegible. This would be the natural condition of writings which had been copied and re-copied for a dozen years, as we know these were, perhaps by a hundred scribes, for distribution among the author's private friends. At the same time, they do not appear to have been sent to The metrical arrangement is remarkably free from press without examination by a qualified person.
error, and it would seem as if the editor had taken some pains to supply the deficiencies of the manuscript in other respects, although the endeavour, in most cases, ends in giving a mistaken or enfeebled meaning. The character of the misprints, indeed, points to their origin. They are seldom utterly nonsensical, or absolutely unintelligible, topographer, but the true expression, or what we like the blunders of a stupid or negligent tymay suppose to have been so, is superseded by another, more or less resembling it in form, but carrying a widely different signification.
The earliest Sonnets are devoted to the purpose of persuading the poet's friend to marry. The theme, infinitely diversified in expression, being that which Venus expatiates on to Adonis:
UNSUSPECTED CORRUPTIONS OF SHAKSPEARE'S
Upon the earth's increase why shouldst thou feed
Music to hear, why hear'st thou music sadly?
Whose speechless song, being many, seeming one,