Art and Visual Perception |
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Page vi
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Page xiii
Rudolf Arnheim. CONTENTS I BALANCE II SHAPE III FORM 32 82 IV GROWTH 155 V SPACE 213 VI LIGHT 292 VII COLOR 323 VIII MOVEMENT 360 IX TENSION 397 X EXPRESSION 425 NOTES 445 BIBLIOGRAPHY 471.
Rudolf Arnheim. CONTENTS I BALANCE II SHAPE III FORM 32 82 IV GROWTH 155 V SPACE 213 VI LIGHT 292 VII COLOR 323 VIII MOVEMENT 360 IX TENSION 397 X EXPRESSION 425 NOTES 445 BIBLIOGRAPHY 471.
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Page 14
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Page 27
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Contents
BALANCE | 1 |
SHAPE | 32 |
FORM | 82 |
GROWTH | 155 |
SPACE | 213 |
LIGHT | 292 |
COLOR | 323 |
MOVEMENT | 360 |
TENSION | 397 |
EXPRESSION | 425 |
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric Goethe ground horizontal hues human figure kinesthetic light look Matisse means medium motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue