The Origin of Nations: In Two Parts: On Early Civilisations. On Ethnic Affinities, Etc

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Scribner, 1881 - Civilization, Ancient - 283 pages

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Page 210 - He was a mighty hunter before the Lord: wherefore it is said, Even as Nimrod the mighty hunter before the Lord.
Page 9 - Two of far nobler shape, erect and tall, Godlike erect, with native honour clad In naked majesty seem'd lords of all : And worthy seem'd ; for in their looks divine The image of their glorious Maker shone...
Page 245 - And unto Eber were born two sons: the name of one was Peleg; for in his days was the earth divided; and his brother's name was Joktan.
Page 9 - Two of far nobler shape erect and tall, Godlike erect, with native honour clad In naked majesty seemed lords of all, And worthy seemed, for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom placed; Whence true authority in men...
Page 53 - The son of a woman of the daughters of Dan, and his father was a man of Tyre, skilful to work in gold, and in silver, in brass, in iron, in stone, and in timber, in purple, in blue, and in fine linen, and in crimson; also to grave any manner of graving, and to find out every device which shall be put to him, with thy cunning men, and with the cunning men of my lord David thy father.
Page 93 - In the sculpture it is the actual — the historically true — which the artist strives to represent. Unless in the case of a few mythic figures connected with the religion of the country, there is nothing in the Assyrian basreliefs which is not imitated from nature. The imitation is always laborious, and often most accurate and exact. The laws of representation, as we understand them, are sometimes departed from, but it is always to impress the spectator with ideas in accordance with truth. Thus...
Page 228 - Unto Shem also, the father of all the children of Eber, the brother of Japheth the elder, even to him were children born.
Page 95 - With no attempt to idealize or go beyond nature, there is a growing power of depicting things as they are — an increased grace and delicacy of execution, showing that Assyrian art was progressive, not stationary, and giving a promise of still higher excellence, had circumstances permitted its development.

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