A Book of Seventeenth Century Lyrics |
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Page xi
... Jonson , had set him in trans- lating some of the more objectionable epigrams of Martial , which has given us , in Herrick , a garden of the Hesperides foul in places with the filth of the kennel . These things are not wholly to be laid ...
... Jonson , had set him in trans- lating some of the more objectionable epigrams of Martial , which has given us , in Herrick , a garden of the Hesperides foul in places with the filth of the kennel . These things are not wholly to be laid ...
Page xv
... Jonson and Donne , and that the older influence of Spenser continued to animate poet after poet , has been repeated again and again , and may be accepted as substantially true . It seems well , under the circumstances , briefly to ...
... Jonson and Donne , and that the older influence of Spenser continued to animate poet after poet , has been repeated again and again , and may be accepted as substantially true . It seems well , under the circumstances , briefly to ...
Page xvii
... " ) 1 we may suspect were not altogether luminous to the casual reader of Milton's own day , despite his " greater 1 See note on this passage , p . 243 , below . Almeisille analysis y Jonson's art wont " in the classics INTRODUCTION . xvii.
... " ) 1 we may suspect were not altogether luminous to the casual reader of Milton's own day , despite his " greater 1 See note on this passage , p . 243 , below . Almeisille analysis y Jonson's art wont " in the classics INTRODUCTION . xvii.
Page xviii
Felix Emmanuel Schelling. Almeisille analysis y Jonson's art wont " in the classics . - Milton's evident delight in ... Jonson , more espe- cially to his lyrical verse , the first thing that we note is a sense of form , not merely in ...
Felix Emmanuel Schelling. Almeisille analysis y Jonson's art wont " in the classics . - Milton's evident delight in ... Jonson , more espe- cially to his lyrical verse , the first thing that we note is a sense of form , not merely in ...
Page xix
... Jonson seeks to realize her perfections by means of constructive excellence , not by entranced passion . It concerns itself with choiceness in diction , selectiveness in style , with the repression of wander- ing ideas and loosely ...
... Jonson seeks to realize her perfections by means of constructive excellence , not by entranced passion . It concerns itself with choiceness in diction , selectiveness in style , with the repression of wander- ing ideas and loosely ...
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Common terms and phrases
Amoret appears beauty Ben Jonson bright Carew Castara century Charles Charles Cotton charming Clorinda conceit Cowley Crashaw crown Dean Prior dear death delight devotional Donne Donne's dost doth earth edition EDMUND WALLER Elizabethan Lyrics English eyes face fair fate flame flowers glory grace Grosart hast hath heart heaven Herbert Herrick Hesperides JAMES SHIRLEY Jasper Mayne JOHN DRYDEN JOHN MILTON Jonson King kiss Lady light literature live Lord Love's lover Milton mistress night passion Pattison Phyllis play poem poetical poetry poets praise prose Quarles Queen reads reign RICHARD CRASHAW ROBERT HERRICK rose Sandys shade Shakespeare sing smile SONG sonnet soul Spenser spring stanza stars stay sweet baby sleep tears thee thine things Thomas Carew THOMAS FLATMAN thou thought Thyrsis unto Vaughan verse Waller whilst WILLIAM HABINGTON wings Wit's Recreations Wither word written youth ΙΟ
Popular passages
Page 169 - Dear, beauteous death; the Jewel of the Just! Shining nowhere but in the dark; What mysteries do lie beyond thy dust, Could man outlook that mark!
Page 80 - You haste away so soon: As yet the early-rising Sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a Spring; As quick a growth to meet decay As you, or any thing.
Page 134 - WHEN Love with unconfined wings Hovers within my gates, And my divine Althea brings To whisper at the grates — When I lie tangled in her hair And fettered to her eye, The birds that wanton in the air Know no such liberty.
Page 22 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving; And, so sepulchred, in such pomp dost lie, That kings for such a tomb would wish to die.
Page 217 - From harmony, from heavenly harmony This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Page 159 - Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life.
Page 218 - Grand Chorus As from the power of sacred lays The spheres began to move, And sung the great Creator's praise To all the Blest above; So, when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky.
Page 21 - Now the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail, bounteous May, that dost inspire Mirth and youth and warm desire ; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And welcome thee, and wish thee long.
Page 12 - Come, let us go while we are in our prime, And take the harmless folly of the time We shall grow old apace, and die Before we know our liberty. Our life is short, and our days run As fast away as does the sun; And as a vapour or a drop of rain Once lost, can ne'er be found again; So when or you or I are made A fable, song, or fleeting shade, All love, all liking, all delight Lies drowned with us in endless night.
Page 23 - Yet be it less or more, or soon or slow, It shall be still in strictest measure even...