The Journal of the Bihar Research Society, Volume 9 |
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Page 25
... father of Akbar , had painters working under his patronage and was himself a contemporary of the great Persian Master , Behizad , who flourished at the end of the 15th and the begin- ning of the 16th century . The enlightened though ...
... father of Akbar , had painters working under his patronage and was himself a contemporary of the great Persian Master , Behizad , who flourished at the end of the 15th and the begin- ning of the 16th century . The enlightened though ...
Page 59
... father of Lassen's 3 rhapsodists and comediens . ( viii ) Kautilya's Kusilavas carried the line further and lower , Before him , though meant for the enjoyment of all , the actual acting was restricted to Brahmanas . Henceforth the ...
... father of Lassen's 3 rhapsodists and comediens . ( viii ) Kautilya's Kusilavas carried the line further and lower , Before him , though meant for the enjoyment of all , the actual acting was restricted to Brahmanas . Henceforth the ...
Page 63
... father applies it to King Udayana and in Balacarita , Ugrasena's servant to Vasudeva , as an expression of respect for Vasavadattā and Devaki respectively . ( vi ) Bharata lays down that " no battle , abdication or invasion to be shown ...
... father applies it to King Udayana and in Balacarita , Ugrasena's servant to Vasudeva , as an expression of respect for Vasavadattā and Devaki respectively . ( vi ) Bharata lays down that " no battle , abdication or invasion to be shown ...
Page 76
... father is hundred times more venerable than the teacher , but the mother a thousand times more than the father " , II . 1455. Bhāsa calls this " the accepted rules of conduct " in Pratima , Act III . page 54. To him , however , " a ...
... father is hundred times more venerable than the teacher , but the mother a thousand times more than the father " , II . 1455. Bhāsa calls this " the accepted rules of conduct " in Pratima , Act III . page 54. To him , however , " a ...
Page 113
... fathers on their crown when represented in art . The Dhyani Buddhas are five in number to which a sixth , Vajrasattva , is sometimes added . They are : - 1. Amitabha . 2. Akṣobhya . 3. Vairocana . 4. Ratnasambhava . 5. Amoghasiddhi ...
... fathers on their crown when represented in art . The Dhyani Buddhas are five in number to which a sixth , Vajrasattva , is sometimes added . They are : - 1. Amitabha . 2. Akṣobhya . 3. Vairocana . 4. Ratnasambhava . 5. Amoghasiddhi ...
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Common terms and phrases
5th-6th century 7th-8th century A.D. Abdullah Khan Ahmad Shah Durranee Amirul Umra appointed army Aśoka Asvaghosa Avestan Bahadur Berad bhālā Bharata Bhāsa bhut Bihar Bihar and Orissa Bodhisatva Buddha Buddhist chhōṛu māyā mōh Deccan Dravidian dynasty Farrukh Siyar Ganga Ghaziuddin Khan guru sumirānā karu Harṣa Hindu Hiuen Tsang Hon'ble Ibid India inscription Jātaka Jayaswal Kālidāsa Kalinga Kāma Kapila karu guru sumirānā Kautilya King Lahore lākā Lambhur Lambi language later letter literature Magadhi Magha Mahrattas mainā Manu mātā māyā Mirza Mohammad Shah monastery Mughal Nadir Shah Najaf Khan Nalanda Nanyadeva Nepal Nizam-ul-Mulk origin Orissa Orissa Research Society painting Pāṇini Patanjali Patna Phasso Pidia Pischel Pratijñā Raja saka Samkhya Samsamuddaulah Sanskrit Shahjahanabad Singh slaves stupa sumirānā karu deo Sumirānā karu guru sumiro sūn deo bhāi Sutanukā sutras third century A.D. thithi Umra Vedanā Vedic Viññānam Vipassi Wazier Wazirul Mumalik words