The Journal of the Bihar Research Society, Volume 9 |
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... Languages 30-39 300-310 23-29 311-325 416 417-418 ... ... 419-420 1-22 ... ... 179-208 11. Roy , Sarat Chandra , M.A. , Rai Bahadur.- Exorcism in Chota Nagpur 118-139 ... A Possible Ethnic Basis for the Sanskritio Element in the Munda ...
... Languages 30-39 300-310 23-29 311-325 416 417-418 ... ... 419-420 1-22 ... ... 179-208 11. Roy , Sarat Chandra , M.A. , Rai Bahadur.- Exorcism in Chota Nagpur 118-139 ... A Possible Ethnic Basis for the Sanskritio Element in the Munda ...
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... Languages , The by Jainath Pati Last Campaign of Aurangzib The , 1705 by Jadunath Sarkar , M.A. ... ... Maharajah Kalyan Singh's Khulasat - ut - Tawarikh by Khan Bahadur Sarfaraz Hussain Khan Nalanda Excavations ( with plates ) by J. A. ...
... Languages , The by Jainath Pati Last Campaign of Aurangzib The , 1705 by Jadunath Sarkar , M.A. ... ... Maharajah Kalyan Singh's Khulasat - ut - Tawarikh by Khan Bahadur Sarfaraz Hussain Khan Nalanda Excavations ( with plates ) by J. A. ...
Page 56
... language used by both . Vatsyāyana's advice on the other hand is not original but based on others . It is followed in Avimar , but only under a strong protest from Vidūṣaka . The confident assertion in Kamasutra would be unintelligible ...
... language used by both . Vatsyāyana's advice on the other hand is not original but based on others . It is followed in Avimar , but only under a strong protest from Vidūṣaka . The confident assertion in Kamasutra would be unintelligible ...
Page 171
... language of the Dusta is a sort of Old Magadhi , the earlier stage of the Grammatical and Dramatic Magadhi . 3 Characterization of Dramatic Magadhi . General . - The mixture of dialects in the Indian Drama has been interpreted in ...
... language of the Dusta is a sort of Old Magadhi , the earlier stage of the Grammatical and Dramatic Magadhi . 3 Characterization of Dramatic Magadhi . General . - The mixture of dialects in the Indian Drama has been interpreted in ...
Page 172
... language but obeyed the convention . Similarly in Greek Tragedy , the chorus sings in a dialect different from the rest of the play . The Doric chorus in the Attic drama is a conventional language based on Doric dialects and corresponds ...
... language but obeyed the convention . Similarly in Greek Tragedy , the chorus sings in a dialect different from the rest of the play . The Doric chorus in the Attic drama is a conventional language based on Doric dialects and corresponds ...
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5th-6th century 7th-8th century A.D. Abdullah Khan Ahmad Shah Durranee Amirul Umra appointed army Aśoka Asvaghosa Avestan Bahadur Berad bhālā Bharata Bhāsa bhut Bihar Bihar and Orissa Bodhisatva Buddha Buddhist chhōṛu māyā mōh Deccan Dravidian dynasty Farrukh Siyar Ganga Ghaziuddin Khan guru sumirānā karu Harṣa Hindu Hiuen Tsang Hon'ble Ibid India inscription Jātaka Jayaswal Kālidāsa Kalinga Kāma Kapila karu guru sumirānā Kautilya King Lahore lākā Lambhur Lambi language later letter literature Magadhi Magha Mahrattas mainā Manu mātā māyā Mirza Mohammad Shah monastery Mughal Nadir Shah Najaf Khan Nalanda Nanyadeva Nepal Nizam-ul-Mulk origin Orissa Orissa Research Society painting Pāṇini Patanjali Patna Phasso Pidia Pischel Pratijñā Raja saka Samkhya Samsamuddaulah Sanskrit Shahjahanabad Singh slaves stupa sumirānā karu deo Sumirānā karu guru sumiro sūn deo bhāi Sutanukā sutras third century A.D. thithi Umra Vedanā Vedic Viññānam Vipassi Wazier Wazirul Mumalik words