The Journal of the Bihar Research Society, Volume 9 |
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Page 4
... Master of the Law , who can explain fifty collections . Silabhadra alone has studied and understood the whole number . His eminent virtue and advanced age have caused him to be regarded as the chief member of the community . Within the ...
... Master of the Law , who can explain fifty collections . Silabhadra alone has studied and understood the whole number . His eminent virtue and advanced age have caused him to be regarded as the chief member of the community . Within the ...
Page 25
... Master , Behizad , who flourished at the end of the 15th and the begin- ning of the 16th century . The enlightened though illiterate Akbar the Great gave the first definite impulse to what came to be known as the Moghul School of ...
... Master , Behizad , who flourished at the end of the 15th and the begin- ning of the 16th century . The enlightened though illiterate Akbar the Great gave the first definite impulse to what came to be known as the Moghul School of ...
Page 27
... masters of the palette , by which I mean the making of the pigment itself and the blending of those wonderful colours into a harmonious whole . With the advent of the bigot Aurangzeb in the latter half of the 17th century the decadence ...
... masters of the palette , by which I mean the making of the pigment itself and the blending of those wonderful colours into a harmonious whole . With the advent of the bigot Aurangzeb in the latter half of the 17th century the decadence ...
Page 28
... master and his disciples ( shews specimens ) . They represent invariably scenes from Hindu mythology with inexpressible tenderness . I am of opinion that there were , also , what may be called various provincial schools of varying ...
... master and his disciples ( shews specimens ) . They represent invariably scenes from Hindu mythology with inexpressible tenderness . I am of opinion that there were , also , what may be called various provincial schools of varying ...
Page 29
... purely Indian traditions and are proof positive that modern India in striving towards a renaissance has but to follow its own great masters . A Hindu Text on Painting . By K. P. Jayaswal YOL , IX , PT . I. ] 29 INDIAN PAINTINGS ,
... purely Indian traditions and are proof positive that modern India in striving towards a renaissance has but to follow its own great masters . A Hindu Text on Painting . By K. P. Jayaswal YOL , IX , PT . I. ] 29 INDIAN PAINTINGS ,
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Common terms and phrases
5th-6th century 7th-8th century A.D. Abdullah Khan Ahmad Shah Durranee Amirul Umra appointed army Aśoka Asvaghosa Avestan Bahadur Berad bhālā Bharata Bhāsa bhut Bihar Bihar and Orissa Bodhisatva Buddha Buddhist chhōṛu māyā mōh Deccan Dravidian dynasty Farrukh Siyar Ganga Ghaziuddin Khan guru sumirānā karu Harṣa Hindu Hiuen Tsang Hon'ble Ibid India inscription Jātaka Jayaswal Kālidāsa Kalinga Kāma Kapila karu guru sumirānā Kautilya King Lahore lākā Lambhur Lambi language later letter literature Magadhi Magha Mahrattas mainā Manu mātā māyā Mirza Mohammad Shah monastery Mughal Nadir Shah Najaf Khan Nalanda Nanyadeva Nepal Nizam-ul-Mulk origin Orissa Orissa Research Society painting Pāṇini Patanjali Patna Phasso Pidia Pischel Pratijñā Raja saka Samkhya Samsamuddaulah Sanskrit Shahjahanabad Singh slaves stupa sumirānā karu deo Sumirānā karu guru sumiro sūn deo bhāi Sutanukā sutras third century A.D. thithi Umra Vedanā Vedic Viññānam Vipassi Wazier Wazirul Mumalik words