Understanding the Elements of Literature: Its Forms, Techniques and Cultural Conventions |
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Page 70
the analysis of setting in relation to character and action is always revealing . In fact , setting need not even be physical in terms of time and space , but may well be constituted of psychological or moral conditions which are common ...
the analysis of setting in relation to character and action is always revealing . In fact , setting need not even be physical in terms of time and space , but may well be constituted of psychological or moral conditions which are common ...
Page 79
by Mrs Dean , an elderly woman who had been housekeeper in the family at the time of the action some years before . Mr Lockwood is , of course , a fairly neutral intermediary , but Mrs Dean is obviously biased towards Catherine Earnshaw ...
by Mrs Dean , an elderly woman who had been housekeeper in the family at the time of the action some years before . Mr Lockwood is , of course , a fairly neutral intermediary , but Mrs Dean is obviously biased towards Catherine Earnshaw ...
Page 103
The Illusion of Reality The immediate and physical re - creation of action before an audience introduces certain limitations as well as offering creative possibilities . One of the most serious limitations is the risk of unthinking ...
The Illusion of Reality The immediate and physical re - creation of action before an audience introduces certain limitations as well as offering creative possibilities . One of the most serious limitations is the risk of unthinking ...
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Contents
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Aesthetic Elements of Narrative Fiction | 48 |
Copyright | |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor No preview available - 1981 |
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action actual associations attitudes audience basic become character characteristics classical close combination common complete composition concern construction context contrast conventions course created culture depends developed devices direct drama effect elements emotional emphasise English especially example exists experience expression fact feeling fiction figures force given gives hand historical human idea images imagination important individual interest kind language limited literary literature living look meaning merely method moral movement musical narrative narrator nature normal novel object original particular pattern period person phrases physical play plot poem poetry possible present question reader reading recognise relation relationship represent rhyme rhythm scene sense sentence setting situation social society sound speech stage story stress structure style subject matter suggest takes techniques tenor theme tradition tragedy turn understanding units usually values vehicle verse writing written