Understanding the Elements of Literature: Its Forms, Techniques and Cultural Conventions |
From inside the book
Results 1-3 of 48
Page 169
Another kind of comparison altogether is achieved by bringing into play some image or idea which recalls to the reader's mind an outside , but known and universally recognisable image , personage or happening . Vehicles of this type are ...
Another kind of comparison altogether is achieved by bringing into play some image or idea which recalls to the reader's mind an outside , but known and universally recognisable image , personage or happening . Vehicles of this type are ...
Page 178
393-4 ) A third kind of symbol is one which allows a wider possibility of interpretation , usually by setting up a larger structure of images in much the same way as an analogy or allegory , but without a defined or specific meaning .
393-4 ) A third kind of symbol is one which allows a wider possibility of interpretation , usually by setting up a larger structure of images in much the same way as an analogy or allegory , but without a defined or specific meaning .
Page 199
In fact , the measurement of rhythm is quite unrelated to themes or human experience , and the questions to ask are : What kind of experience is the poem trying to communicate ? What part does the rhythm play in that communication ?
In fact , the measurement of rhythm is quite unrelated to themes or human experience , and the questions to ask are : What kind of experience is the poem trying to communicate ? What part does the rhythm play in that communication ?
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Aesthetic Elements of Narrative Fiction | 48 |
Copyright | |
3 other sections not shown
Other editions - View all
Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor No preview available - 1981 |
Common terms and phrases
action actual associations attitudes audience basic become character characteristics classical close combination common complete composition concern construction context contrast conventions course created culture depends developed devices direct drama effect elements emotional emphasise English especially example exists experience expression fact fiction figures force given gives hand historical human idea images imagination important individual interest kind language limited literary literature living look meaning merely method moral movement musical narrative narrator nature normal novel object original particular pattern period person phrases physical play plot poem poetry point of view possible present question reader reading recognise relation relationship represent rhyme rhythm scene sense sentence setting situation social society sound speech stage story stress structure style subject matter suggest takes techniques tenor theme tradition tragedy turn understanding units usually values vehicle verse writing written