Understanding the Elements of Literature: Its Forms, Techniques and Cultural Conventions |
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Page 4
Then one must begin to make deductions as to theme or themes , the larger ideas that are represented by the particular incidents of the work . A paraphrase of the plot or story , an account of what actually happens , is only the first ...
Then one must begin to make deductions as to theme or themes , the larger ideas that are represented by the particular incidents of the work . A paraphrase of the plot or story , an account of what actually happens , is only the first ...
Page 13
Areas of Critical Judgement Because both form and meaning are essential to literature , it is important to distinguish criticism or appreciation of the composition from that of the author's particular view of experience and its relation ...
Areas of Critical Judgement Because both form and meaning are essential to literature , it is important to distinguish criticism or appreciation of the composition from that of the author's particular view of experience and its relation ...
Page 65
2. Degree of character development . Regardless of what methods are used in characterisation , all characters are not developed to the same degree or depth . For the purpose of a particular plot and theme , the author may need ...
2. Degree of character development . Regardless of what methods are used in characterisation , all characters are not developed to the same degree or depth . For the purpose of a particular plot and theme , the author may need ...
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Contents
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Aesthetic Elements of Narrative Fiction | 48 |
Copyright | |
3 other sections not shown
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor No preview available - 1981 |
Common terms and phrases
action actual associations attitudes audience basic become character characteristics classical close combination common complete composition concern construction context contrast conventions course created culture depends developed devices direct drama effect elements emotional emphasise English especially example exists experience expression fact fiction figures force given gives hand historical human idea images imagination important individual interest kind language limited literary literature living look meaning merely method moral movement musical narrative narrator nature normal novel object original particular pattern period person phrases physical play plot poem poetry point of view possible present question reader reading recognise relation relationship represent rhyme rhythm scene sense sentence setting situation social society sound speech stage story stress structure style subject matter suggest takes techniques tenor theme tradition tragedy turn understanding units usually values vehicle verse writing written