Understanding the Elements of Literature: Its Forms, Techniques and Cultural Conventions |
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Page 117
During the Neo - Classical age and through the early Modern period , most plays were conventionally broken into three ... In contemporary drama almost any method of combination might be used , depending on the construction of the play ...
During the Neo - Classical age and through the early Modern period , most plays were conventionally broken into three ... In contemporary drama almost any method of combination might be used , depending on the construction of the play ...
Page 122
The physical type of the person to be chosen for a part is largely determined by the qualities of the play , but a certain amount of freedom exists ... In the first place , the actor must look the part of the character to be played .
The physical type of the person to be chosen for a part is largely determined by the qualities of the play , but a certain amount of freedom exists ... In the first place , the actor must look the part of the character to be played .
Page 132
Even plays such as those of Henrik Ibsen and George Bernard Shaw , which benefit from a high degree of realistic ... As a consequence , the significance of the play as well as its inner construction come under closer scrutiny .
Even plays such as those of Henrik Ibsen and George Bernard Shaw , which benefit from a high degree of realistic ... As a consequence , the significance of the play as well as its inner construction come under closer scrutiny .
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Contents
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Aesthetic Elements of Narrative Fiction | 48 |
Copyright | |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor No preview available - 1981 |
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action actual associations attitudes audience basic become character characteristics classical close combination common complete composition concern construction context contrast conventions course created culture depends developed devices direct drama effect elements emotional emphasise English especially example exists experience expression fact fiction figures force given gives hand historical human idea images imagination important individual interest kind language limited literary literature living look meaning merely method moral movement musical narrative narrator nature normal novel object original particular pattern period person phrases physical play plot poem poetry point of view possible present question reader reading recognise relation relationship represent rhyme rhythm scene sense sentence setting situation social society sound speech stage story stress structure style subject matter suggest takes techniques tenor theme tradition tragedy turn understanding units usually values vehicle verse writing written