Understanding the Elements of Literature: Its Forms, Techniques and Cultural Conventions |
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Page 12
Sounds varied in pitch and duration are themselves rather abstract and have little native relationship or relevance ... Literary Composition and Relation to Life Literature is certainly the least pure of all arts and the least capable ...
Sounds varied in pitch and duration are themselves rather abstract and have little native relationship or relevance ... Literary Composition and Relation to Life Literature is certainly the least pure of all arts and the least capable ...
Page 13
Areas of Critical Judgement Because both form and meaning are essential to literature , it is important to distinguish criticism or appreciation of the composition from that of the author's particular view of experience and its relation ...
Areas of Critical Judgement Because both form and meaning are essential to literature , it is important to distinguish criticism or appreciation of the composition from that of the author's particular view of experience and its relation ...
Page 70
the analysis of setting in relation to character and action is always revealing . In fact , setting need not even be physical in terms of time and space , but may well be constituted of psychological or moral conditions which are common ...
the analysis of setting in relation to character and action is always revealing . In fact , setting need not even be physical in terms of time and space , but may well be constituted of psychological or moral conditions which are common ...
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Contents
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Aesthetic Elements of Narrative Fiction | 48 |
Copyright | |
3 other sections not shown
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor No preview available - 1981 |
Common terms and phrases
action actual associations attitudes audience basic become character characteristics classical close combination common complete composition concern construction context contrast conventions course created culture depends developed devices direct drama effect elements emotional emphasise English especially example exists experience expression fact feeling fiction figures force given gives hand historical human idea images imagination important individual interest kind language limited literary literature living look meaning merely method moral movement musical narrative narrator nature normal novel object original particular pattern period person phrases physical play plot poem poetry possible present question reader reading recognise relation relationship represent rhyme rhythm scene sense sentence setting situation social society sound speech stage story stress structure style subject matter suggest takes techniques tenor theme tradition tragedy turn understanding units usually values vehicle verse writing written