Romance and Reformation: The Erasmian Spirit of Shakespeare's Measure for MeasureIt examines an assumption central to Shakespeare's inherited humanist tradition: that literature, and particularly drama, is capable of promoting a better society and it finds Shakespeare interrogating this assumption, asking whether drama that has been fashioned according to reformist principles of the great humanist educator Erasmus can, after all, achieve the remediating effects it seeks. |
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Page 9
... reading my typescript and provid- ing me with valuable guidance on ways to improve it . Their kind- ness , time , and good judgments I greatly appreciate . Throughout my career Jay Halio has been the first one to whom I have turned for ...
... reading my typescript and provid- ing me with valuable guidance on ways to improve it . Their kind- ness , time , and good judgments I greatly appreciate . Throughout my career Jay Halio has been the first one to whom I have turned for ...
Page 18
... readers , spectators , and performers of his plays the qualities of humility , piety , and tolerance that were central aims of humanist rhetoric , both as oratory and as drama . Joel Altman advances our understanding of the connection ...
... readers , spectators , and performers of his plays the qualities of humility , piety , and tolerance that were central aims of humanist rhetoric , both as oratory and as drama . Joel Altman advances our understanding of the connection ...
Page 21
... readers receive the play as humanist drama that provides a " mirror up to nature " and open themselves to those contexts that give meaning to the play's action , they may find in the fiction the basis for a kind of hope in their own ...
... readers receive the play as humanist drama that provides a " mirror up to nature " and open themselves to those contexts that give meaning to the play's action , they may find in the fiction the basis for a kind of hope in their own ...
Page 22
... of fornication and calumny . These social ills infect the two creative human faculties upon which society depends , procreation and language ; that they are part of the play's context should condition our reading of 22 INTRODUCTION.
... of fornication and calumny . These social ills infect the two creative human faculties upon which society depends , procreation and language ; that they are part of the play's context should condition our reading of 22 INTRODUCTION.
Page 23
... reading of the play's actions . Chapter 4 examines the political context of Shakespeare's first playgoers as that ... readers , theatrical audience , and performers . Appended at the end of this study is a discussion of Measure for ...
... reading of the play's actions . Chapter 4 examines the political context of Shakespeare's first playgoers as that ... readers , theatrical audience , and performers . Appended at the end of this study is a discussion of Measure for ...
Contents
24 | |
Measure for Measure as Comic Romance | 55 |
Fornication and Calumny The Conceptual Structure of Measure for Measure | 69 |
Factionalism and Social Reform The Dilemma of Humanist Drama | 88 |
The Rhetoric of the Logos in Measure for Measure | 102 |
Redemption and Damnation Measure for Measure and Othello as Contrasting Paired Visions | 150 |
Notes | 157 |
Works Cited | 176 |
Index | 185 |
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Common terms and phrases
Act Five action Angelo and Isabella audience authority bed-trick calumny Cambridge characters Christ Christian humanism Christian humanist classical Claudio comedy comic romance context D. H. Lawrence death Desiderius Erasmus disguise divine Dollimore drama Duke Vincentio Duke's dynamic Edited Elizabethan eloquence enforcement English Erasmian Erasmus Erasmus's Escalus fiction fornication Friar Friar Lodowick gelo grace Heraclitean Heraclitus Hooker human humanist rhetoric Iago Isabella James Jesus John judgment justice and mercy Lady Folly language LB IV literal literary Logos London Lucio Mariana means Measure for Measure mediating method Midsummer Night's Dream mind mirror moral Moria natural law Othello paradox person persuasion philosophical play play's playwright principle Puritan reciprocity redemption Renaissance role Saint scene Scripture sense sexual Shakespeare Survey Sileni slander society soul speak spirit Studies syphilis theatre things Thomas tion tradition truth University Press Vienna virtue vision words York
Popular passages
Page 117 - That skins the vice o' the top. Go to your bosom ; Knock there ; and ask your heart what it doth know That's like my brother's fault ; if it confess A natural guiltiness such as is his, Let it not sound a thought upon your tongue Against my brother's life.
Page 61 - Heaven doth with us as we with torches do ; Not light them for themselves : for if our virtues Did not go forth of us, 'twere all alike As if we had them not...
Page 42 - Do you hear, let them be well used ; for they are the abstract, and brief chronicles, of the time. After your death you were better have a bad epitaph, than their ill report while you live. Pol. My lord, I will use them according to their desert.
Page 82 - I'll give thee this plague for thy dowry : be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, go : farewell. Or, if thou wilt needs marry, marry a fool ; for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell.
Page 68 - But all the story of the night told over And all their minds transfigur'd so together, More witnesseth than fancy's images, And grows to something of great constancy ; But, howsoever, strange, and admirable.
Page 86 - But I say unto you, That every idle word that men shall speak, they shall give account thereof in the day of judgment. 37. For by thy words thou shall be justified, and by thy words thou shalt be condemned.
Page 166 - Some things she openeth by the sacred books of Scripture; some things by the glorious works of nature; with some things she inspireth them from above by spiritual influence; in some things she leadeth and traineth them only by worldly experience and practice.
Page 81 - In all speech, words and sense are as the body and the soul. The sense is as the life and soul of language, without which all words are dead.