Renaissance Tragicomedy: Explorations in Genre and PoliticsNancy Klein Maguire |
Contents
The Generic Context | 11 |
Guarini and the Presence of Genre | 33 |
vii | 43 |
Copyright | |
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action Amarillis Amoret Arbaces Arcadia audience Bessus Carolean century characters Charles Charles II classical Clorin comedy comic Compendio Corneille court Cressida critical death dénouement discussion disguised divine dramatist Dryden edition elements emotional English Eroclea essay example Faithful Shepherdess final Fletcher Fletcherian tragicomedy Ford form of tragicomedy genre Guarini Guarinian happy ending hero honor human Il Pastor Fido Italian Jacobean John King kingship literary London Lope de Vega Lover's Melancholy lovers Mardonius masque medieval Meleander miracle Mirtillo mode modern moral paradox Pastor Fido pastoral tragicomedy pattern Peribáñez perspective play's playwrights poetic poetry political popular problem plays providential Queen reality recognize Renaissance Renaissance tragicomedy Restoration reversal rhymed heroic play romance royalist Salassa satire scene sense Shakespeare Shakespearean tragicomedy Shepherd Silvio Spanish stage story structure subgenres suggests term theatre theatrical theme tragedy and comedy tragic tragicomedy tragicomic Troilus Troilus and Cressida University Press W. W. Greg