A Handbook to the Works of William ShakespeareG. Bell, 1907 - 463 pages |
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Page 11
... earlier , and the third a later determining force . Next , the Romantic Drama of Italy , some of which was classical in origin ; and together with this , the Italian romance generally . Third , the Miracle Plays , Moralities , Inter ...
... earlier , and the third a later determining force . Next , the Romantic Drama of Italy , some of which was classical in origin ; and together with this , the Italian romance generally . Third , the Miracle Plays , Moralities , Inter ...
Page 28
... earlier play suffers little when compared with the same elements in the later . But although literary progress is harder to trace along these lines , it is most marked if we follow the development of poetic form , and taste , and style ...
... earlier play suffers little when compared with the same elements in the later . But although literary progress is harder to trace along these lines , it is most marked if we follow the development of poetic form , and taste , and style ...
Page 41
... earlier works - are often formed on classic models , and thus easily he links the madman with the lover and the poet ; again we refer to Plato — Τρίτη δὲ ἀπὸ Μουσῶν κατοκωχὴ τε καὶ μανία 1 ( Phaedrus , 245 A ) ; and as to Shakespeare's ...
... earlier works - are often formed on classic models , and thus easily he links the madman with the lover and the poet ; again we refer to Plato — Τρίτη δὲ ἀπὸ Μουσῶν κατοκωχὴ τε καὶ μανία 1 ( Phaedrus , 245 A ) ; and as to Shakespeare's ...
Page 44
... earlier writings — of making language conceal his thoughts . And in line 14 some ambiguity attaches to the word " imagination " ; one interpretation of the passage may be as follows : " and whereas by the faculty of imagination we ...
... earlier writings — of making language conceal his thoughts . And in line 14 some ambiguity attaches to the word " imagination " ; one interpretation of the passage may be as follows : " and whereas by the faculty of imagination we ...
Page 52
... earlier literary training we know little or nothing ; but granting that all his maturer writings have come down to us , 1 we may safely assume the existence at one time of a mass of experimental work , prose as well as verse , some of ...
... earlier literary training we know little or nothing ; but granting that all his maturer writings have come down to us , 1 we may safely assume the existence at one time of a mass of experimental work , prose as well as verse , some of ...
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Common terms and phrases
acted Antony appears artist authorship Bacon beauty Brutus Chapter character Cleopatra comedy contemporary Coriolanus Critical Remarks Cymbeline death drama dramatist edition element example fact Falstaff Folio further genius Hamlet Henry Henry VI Historical Particulars honour humour Iago ideal Interval Julius Caesar King John King Lear later less lines literary Love's Labour's Lost Lucrece Macbeth Marlowe mentioned Merchant of Venice Merry Wives Midsummer Night's Dream moral moreover noticed Othello partly passage passion Pericles poems poet poet's poetic poetry Portia possibly printed prose published Quarto Queen refer regard rhyme Richard Richard II Romeo and Juliet scene Shake Shakespeare Shakespeare's play Sonnets speare speare's speech stage story style Tempest theatre thought Timon tion title-page Titus Andronicus tragedy tragic Troilus and Cressida Twelfth Night Venus verse VIII Winter's Tale woman words writing
Popular passages
Page 379 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 12 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Page 67 - Only, if your Honour seem but pleased, I account myself highly praised; and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a godfather, and never after ear so barren a land, for fear it yield me still so bad a harvest.
Page 252 - His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Page 113 - The true Tragedie of Richard Duke of Yorke, and the death of good King Henrie the Sixt, with the whole contention betweene the two Houses Lancaster and Yorke, as it was sundrie times acted by the Right Honourable the Earle of Pembrooke his seruants.
Page 297 - M. William Shak-speare : His True Chronicle Historic of the life and death of King Lear and his three Daughters.
Page 373 - ... to shake All evil dreams of power — a sacred name. And when she spake, Her words did gather thunder as they ran, And as the lightning to the thunder Which follows it, riving the spirit of man, Making earth wonder, So was their meaning to her words. No sword Of wrath her right arm whirl'd, But one poor poet's scroll, and with his word She shook the world.
Page 25 - The lunatic, the lover, and the poet, Are of imagination all compact: One sees more devils than vast hell can hold: That is the madman; the lover, all as frantic, Sees Helen's beauty in a brow of Egypt...
Page 329 - THE LATE, | And much admired Play, | Called | Pericles, Prince | of Tyre. | With the true Relation of the whole Historie, | aduentures, and fortunes of the said Prince : | As also, | The no lesse strange, and worthy accidents, | in the Birth and Life, of his Daughter | MARIANA. \ As it hath been diuers and sundry times acted by | his Maiesties Seruants, at the Globe on | the Banck-side. | By William Shakespeare. | Imprinted at London for Henry Gosson, and are | to be sold at the signe of the Sunne...
Page 240 - There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by.