A Book of Seventeenth Century LyricsFelix Emmanuel Schelling |
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Page x
... later forms of Puri- tanism , which became stern and austere , unmollified by grace and unsweetened with charity . Nothing could better illustrate the essential relation which exists in art between truth and that typical presentation of ...
... later forms of Puri- tanism , which became stern and austere , unmollified by grace and unsweetened with charity . Nothing could better illustrate the essential relation which exists in art between truth and that typical presentation of ...
Page xi
... the school which in our own day has given rise to the phrase " art for art's sake , " a school accompanying 1 Shakespeare , Literary Studies , I , 169 . whose æsthetic posturings we sooner or later behold the cynical INTRODUCTION . xi.
... the school which in our own day has given rise to the phrase " art for art's sake , " a school accompanying 1 Shakespeare , Literary Studies , I , 169 . whose æsthetic posturings we sooner or later behold the cynical INTRODUCTION . xi.
Page xii
Felix Emmanuel Schelling. whose æsthetic posturings we sooner or later behold the cynical leer of satire . Take the following : If when the sun at noon displays His brighter rays , Thou but appear , He then , all pale with shame and fear ...
Felix Emmanuel Schelling. whose æsthetic posturings we sooner or later behold the cynical leer of satire . Take the following : If when the sun at noon displays His brighter rays , Thou but appear , He then , all pale with shame and fear ...
Page xiv
... later poetical period too , it is his lofty artistic purpose and his ethical nobility which lift Milton out of his own time and convert him into a world poet , despite a certain hardness of spirit which bitter partizanship had fostered ...
... later poetical period too , it is his lofty artistic purpose and his ethical nobility which lift Milton out of his own time and convert him into a world poet , despite a certain hardness of spirit which bitter partizanship had fostered ...
Page xvi
... later pastorals of Wither and Browne . For , Drayton aside , the last two poets are the only followers of Spenser who have achieved the unity and repression of a successful lyric ; and by the accession of King Charles , Browne had ...
... later pastorals of Wither and Browne . For , Drayton aside , the last two poets are the only followers of Spenser who have achieved the unity and repression of a successful lyric ; and by the accession of King Charles , Browne had ...
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Common terms and phrases
Amoret appears beauty Ben Jonson bright Carew Castara century Charles Charles Cotton charming Clorinda conceit Cowley Crashaw crown Dean Prior dear death delight devotional Donne Donne's dost doth earth edition EDMUND WALLER Elizabethan Lyrics English eyes face fair fate flame flowers glory grace Grosart hast hath heart heaven Herbert Herrick Hesperides JAMES SHIRLEY Jasper Mayne JOHN DRYDEN JOHN MILTON Jonson King kiss Lady light literature live Lord Love's lover Milton mistress night passion Pattison Phyllis play poem poetical poetry poets praise prose Quarles Queen reads reign RICHARD CRASHAW ROBERT HERRICK rose Sandys sense shade sing smile SONG sonnet soul Spenser spring stanza stars stay sweet baby sleep tears thee thine things Thomas Carew THOMAS FLATMAN thou thought Thyrsis unto Vaughan verse Waller whilst WILLIAM HABINGTON wings Wit's Recreations Wither word written youth ΙΟ
Popular passages
Page 256 - It seems she hangs upon the cheek of night Like a rich jewel in an Ethiop's ear; Beauty too rich for use, for earth too dear!
Page 275 - There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore; — Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more.
Page 254 - WHENAS in silks my Julia goes, Then, then, methinks, how sweetly flows That liquefaction of her clothes! Next, when I cast mine eyes and see That brave vibration each way free, — O how that glittering taketh me ! Robert Herrick 121.
Page 217 - From harmony, from heavenly harmony This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Page 134 - WHEN Love with unconfined wings Hovers within my gates, And my divine Althea brings To whisper at the grates — When I lie tangled in her hair And fettered to her eye, The birds that wanton in the air Know no such liberty.
Page 216 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser, men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
Page 159 - Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life.
Page 21 - Now the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail, bounteous May, that dost inspire Mirth and youth and warm desire ; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And welcome thee, and wish thee long.
Page 22 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving; And, so sepulchred, in such pomp dost lie, That kings for such a tomb would wish to die.
Page 144 - But ah, my soul with too much stay Is drunk, and staggers in the way! Some men a forward motion love, But I by backward steps would move, And, when this dust falls to the urn, In that state I came, return.