Sangeet Natak, Issues 43-46

aamad abhinaya actor aesthetic alapana Arohana arohana and avarohana artists Audava audience Avarohana basic Bharata Birju Maharaj bols character classical complex repetitive raga compositions costume cultural dancer danseuse Delhi dhruvapad distinctive drama drummer effect expression female-impersonator film folk music gamaka give rise Hamsadhwani Indian music instruments interval Jairazbhoy Janaka Janaka Melas Janya Janya raga Kathak dance Kathak item Kathak recital Kathakali Kerala Khyal lahraa laya M.S. Subbulakshmi Ma₁ Madhyamavati mandapa mass media meaning media-expression Melakartas melas Melodic context merely modal tonic Mohana monochords movement mudrās murchana musicians Ni₂ notes ornaments parent melas patterns performance play present programmes puppets Rabindra Bhavan rhythm rhythmic Ri₂ ritual Sa-Sa Sambha Murty Sangeet Natak Akademi Sanskrit Shadava shift of modal singing songs stage string styles stylised Suddha saveri swaras syllables symmetry taal tatkaar temple thaat theatre tion traditional upanga raga vandanaa vina vocal zithers