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Oxford, the Oxford of the past, has many faults; and she has heavily paid for them in defeat, in isolation, in want of hold upon the modern world. Yet we in Oxford, brought up amidst the beauty and sweetness of that beautiful place, have not failed to seize one truth, the truth that beauty and sweetness are essential characters of a complete human perfection. When I insist on this, I am all in the faith and tradition of Oxford. I say boldly that this our sentiment for beauty and sweetness, our sentiment against hideousness and rawness, has been at the bottom of our attachment to so many beaten causes, of our opposition to so many triumphant movements. And the sentiment is true, and has never been wholly defeated, and has shown its power even in its defeat. We have not won our political battles, we have not carried our main points, we have not stopped our adversaries' advance, we have not marched victoriously with the modern world; but we have told silently upon the mind of the country, we have prepared currents of feeling which sap our adversaries' position when it seems gained, we have kept up our own communications with the future. Look at the course of the great movement which shook Oxford to its centre some thirty years ago! It was directed, as any one who reads Dr. Newman's Apology' may see, against what in one word may be called "Liberalism." Liberalism prevailed; it was the appointed force to do the work of the hour; it was necessary, it was inevitable that it should prevail. The Oxford movement was broken, it failed; our wrecks are scattered on every shore:

Quae regio in terris nostri non plena laboris ? 2

But what was it, this liberalism, as Dr. Newman saw it, and as it really broke the Oxford movement? It was the great middle-class liberalism, which had for the cardinal points of its belief the Reform Bill of 1832, and local self-government, in politics; in the social sphere, free-trade, unrestricted competition, and the making of large industrial fortunes; in the religious sphere, the Dissidence of Dissent and the Protestantism of the Protestant religion. I do not say that other and more intelligent forces than this were not

1 J. H. Newman (later Cardinal), Apologia pro Vita Sua 2 "What region in the world is not filled with the tale of our woe?"

opposed to the Oxford movement: but this was the force which really beat it; this was the force which Dr. Newman felt himself fighting with; this was the force which till only the other day seemed to be the paramount force in this country, and to be in possession of the future; this was the force whose achievements fill Mr. Lowe1 with such inexpressible admiration, and whose rule he was so horror-struck to see threatened. And where is this great force of Philistinism now? It is thrust into the second rank, it is become a power of yesterday, it has lost the future. A new power has suddenly appeared, a power which it is impossible yet to judge fully, but which is certainly a wholly different force from middle-class liberalism; different in its cardinal points of belief, different in its tendencies in every sphere. It loves and admires neither the legislation of middleclass Parliaments, nor the local self-government of middle-class vestries, nor the unrestricted competition of middle-class industrialists, nor the Dissidence of middle-class Dissent and the Protestantism of middleclass Protestant religion. I am not now praising this new force, or saying that its own ideals are better; all I say is, that they are wholly different. And who will estimate how much the currents of feeling created by Dr. Newman's movement, the keen desire for beauty and sweetness which it nourished, the deep aversion it manifested to the hardness and vulgarity of middle-class liberalism, the strong light it turned on the hideous and grotesque illusions of middle-class Protestantism, who will estimate how much all these contributed to swell the tide of secret dissatisfaction which has mined the ground under self-confident liberalism of the last thirty years, and has prepared the way for its sudden collapse and supersession? It is in this manner that the sentiment of Oxford for beauty and sweetness conquers, and in this manner long may it continue to conquer !

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Culture is always assigning to systemmakers and systems a smaller share in the bent of human destiny than their friends like. A current in people's minds sets towards new ideas; people are dissatisfied with their old

1 Robert Lowe (afterwards Lord Sherbrooke), a bitter opponent of Disraeli's Reform Bill

MATTHEW ARNOLD

narrow stock of Philistine ideas, Anglo-Saxon ideas, or any other; and some man, some Bentham1or Comte,2 who has the real merit of having early and strongly felt and helped the new current, but who brings plenty of narrowness and mistakes of his own into his feeling and help of it, is credited with being the author of the whole current, the fit person to be entrusted with its regulation and to guide the human race.

The excellent German historian of the mythology of Rome, Preller, relating the introduction at Rome under the Tarquins3 of the worship of Apollo, the god of light, healing, and reconciliation, will have us observe that it was not so much the Tarquins who brought to Rome the new worship of Apollo, as a current in the mind of the Roman people which set powerfully at that time towards a new worship of this kind, and away from the old run of Latin and Sabine religious ideas. In a similar way, culture directs our attention to the natural current there is in human affairs, and to its continual working, and will not let us rivet our faith upon any one man and his doings. It makes us see not only his good side, but also how much in him was of necessity limited and transient; nay, it even feels a pleasure, a sense of an increased freedom and of an ampler future, in so doing.

I remember, when I was under the influence of a mind to which I feel the greatest obligations, the mind of a man who was the very incarnation of sanity and clear sense, a man the most considerable, it seems to me, whom America has yet produced, - Benjamin Franklin, I remember the relief with which, after long feeling the sway of Franklin's imperturbable common-sense, I came upon a project of his for a new version of the Book of Job, to replace the old version, the style of which, says Franklin, has become obsolete, and thence less agreeable. "I give," he continues, "a few verses, which may serve as a sample of the kind of version I would recommend." We all recollect the famous verse

1 Jeremy Bentham (1748-1832), founder of Utilitarianism, the doctrine that virtue consists in acting for the greatest happiness of the greatest number 2 Auguste Comte (1798-1857), founder of Positivism, the doctrine that only the verifiable facts of existence are to be attended to in philosophy 3 mythical kings of Rome a race incorporated with the Romans

in our translation: "Then Satan answered the Lord and said: 'Doth Job fear God for nought?"" Franklin makes this: "Does your Majesty imagine that Job's good conand affection?" I well remember how, when duct is the effect of mere personal attachment first I read that, I drew a deep breath of relief, and said to myself: "After all, there is a stretch of humanity beyond Franklin's victorious good sense!" So, after hearing Bentham cried loudly up as the renovator of modern society, and Bentham's mind and ideas proposed as the rulers of our future, I open the Deontology. There I read: "While Xenophon was writing his history and Euclid teaching geometry, Socrates and Plato were talking nonsense under pretence of talking wisdom and morality. This morality of theirs consisted in words; this wisdom of theirs was the denial of matters known to every man's experience." From the moment of reading that, I am delivered from the bondage of Bentham! the fanaticism of his adherents can touch me no longer. I feel the inadequacy of his mind and ideas for supplying the rule of human society, for perfection.

Culture tends always thus to deal with the men of a system, of disciples, of a school; with men like Comte, or the late Mr. Buckle, or Mr. Mill. However much it may find to admire in these personages, or in some of them, it nevertheless remembers the text: "Be not ye called Rabbi!" and it soon passes on from any Rabbi. But Jacobinism loves a Rabbi; it does not want to pass on from its Rabbi in pursuit of a future and still unreached perfection; it wants its Rabbi and his ideas to stand for perfection, that they may with the more authority recast the world; and for Jacobinism, therefore, culture,eternally passing onwards and seeking, -is an impertinence and an offence. But culture, just because it resists this tendency of Jacobinism to impose on us a man with limitations and errors of his own along with the true ideas of which he is the organ, really does the world and Jacobinism itself a service.

So, too, Jacobinism, in its fierce hatred of the past and of those whom it makes liable for the sins of the past, cannot away with the inexhaustible indulgence proper to culture, the consideration of circumstances, the severe

1 "The theory of what is proper" 2 rationalistic philosophers

judgment of actions joined to the merciful judgment of persons. "The man of culture is in politics," cries Mr. Frederic Harrison, "one of the poorest mortals alive!" Mr. Frederic Harrison wants to be doing business, and he complains that the man of culture stops him with a "turn for small fault-finding, love of selfish ease, and indecision in action." Of what use is culture, he asks, except for "a critic of new books or a professor of belles lettres"? Why, it is of use because, in presence of the fierce exasperation which breathes, or rather, I may say, hisses through the whole production in which Mr. Frederic Harrison asks that question, it reminds us that the perfection of human nature is sweetness and light. It is of use because, like religion, that other effort after perfection, it testifies that, where bitter envying and strife are, there is confusion and every evil work.

The pursuit of perfection, then, is the pursuit of sweetness and light. He who works for sweetness and light, works to make reason and the will of God prevail. He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light. It has one even yet greater! the passion for making them prevail. It is not satisfied till we all come to a perfect man; it knows that the sweetness and light of the few must be imperfect until the raw and unkindled masses of humanity are touched with sweetness and light. If I have not shrunk from saying that we must work for sweetness and light, so neither have I shrunk from saying that we must have a broad basis, must have sweetness and light for as many as possible. Again and again I have insisted how those are the happy moments of humanity, how those are the marking epochs of a people's life, how those are the flowering times for literature and art and all the creative power of genius, when there is a national glow of life and thought, when the whole of society is in the fullest measure permeated by thought, sensible to beauty, intelligent and alive. Only it must be real thought and real beauty; real sweetness and real light. Plenty of people will try to give the masses, as they call them, an intellectual food prepared and adapted in the way they think proper for the actual condition of The ordinary popular literature is an example of this way of working on

the masses.

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the masses. Plenty of people will try to indoctrinate the masses with the set of ideas and judgments constituting the creed of their own profession or party. Our religious and political organisations give an example of this way of working on the masses. I condemn neither way; but culture works differently. It does not try to teach down to the level of inferior classes; it does not try to win them for this or that sect of its own, with readymade judgments and watchwords. It seeks to do away with classes; to make the best that has been thought and known in the world current everywhere; to make all men live in an atmosphere of sweetness and light, where they may use ideas, as it uses them itself, freely, nourished, and not bound by them.

This is the social idea; and the men of culture are the true apostles of equality. The great men of culture are those who have had a passion for diffusing, for making prevail, for carrying from one end of society to the other, the best knowledge, the best ideas of their time; who have laboured to divest knowledge of all that was harsh, uncouth, difficult, abstract, professional, exclusive; to humanise it, to make it eflicient outside the clique of the cultivated and learned, yet still remaining the best knowledge and thought of the time, and a true source, therefore, of sweetness and light. Such a man was Abelard1 in the Middle Ages, in spite of all his imperfections; and thence the boundless emotion and enthusiasm which Abelard excited. Such were Lessing2 and Herder3 in Germany, at the end of the last century; and their services to Germany were in this way inestimably precious. Generations will pass, and literary monuments will accumulate, and works far more perfect than the works of Lessing and Herder will be produced in Germany; and yet the names of these two men will fill a German with a reverence and enthusiasm such as the names of the most gifted masters will hardly awaken. And why? Because they humanised knowledge; because they broadened the basis of life and intelligence; because they worked powerfully to diffuse sweetness and light, to make reason and the will of God prevail. With Saint

1 Pierre Abelard (1079-1142), a brilliant teacher and philosopher 2 G. E. Lessing (17291781), famous German dramatist and critic 3 J. G. von Herder (1744-1803), poet and critic

MATTHEW ARNOLD

Augustine they said: "Let us not leave thee alone to make in the secret of thy knowledge, as thou didst before the creation of the firmament, the division of light from darkness; let the children of thy spirit, placed in their firmament, make their light shine upon the earth, mark the division of night and day, and announce the revolution of the times; for the old order is passed, and the new arises; the . night is spent, the day is come forth; and thou shalt crown the year with thy blessing, when thou shalt send forth labourers into thy harvest sown by other hands than theirs; when thou shalt send forth new labourers to new seedtimes, whereof the harvest shall be not yet."

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One last look at the white-wall'd town,
And the little grey church on the windy shore.
Then come down.

She will not come though you call all day.
Come away, come away.

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Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam;
Where the salt weed sways in the stream;
Where the sea-beasts, rang'd all round,
Feed in the ooze of their pasture-ground; 40
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world forever and aye?

When did music come this way?
Children dear, was it yesterday?

Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,

45

50

On a red gold throne in the heart of the

sea,

And the youngest sate on her knee.

She comb'd its bright hair, and she tended it

well,

When down swung the sound of the far-off bell.
She sigh'd, she look'd up through the clear

green sea.

She said: "I must go, for my kinsfolk pray
In the little grey church on the shore to-day,
'Twill be Easter-time in the world
And I lose my poor soul, Merman, here with
-ah me!

thee."

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I said: "Go up, dear heart, through the

waves.

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But, children, at midnight,
When soft the winds blow;
When clear falls the moonlight;
When spring-tides are low;
When sweet airs come seaward
From heaths starr'd with broom;
And high rocks throw mildly
On the blanch'd sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry,

We will gaze, from the sand-hills,

At the white, sleeping town;

At the church on the hill-side-
And then come back down.
Singing, "There dwells a lov'd one,
But cruel is she.

She left lonely forever
The kings of the sea."

TO MARGUERITE

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130

140

IN RETURNING A VOLUME OF THE LETTERS OF ORTIS1

Yes! in the sea of life enisl'd,2

With echoing straits between us thrown,

1 The Last Letters of Jacopo Ortis, a popular sentimental romance (1797) by Ugo Foscolo, an Italian poet and novelist 2 confined to islands

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