The Western in the Global South

Front Cover
MaryEllen Higgins, Rita Keresztesi, Dayna Oscherwitz
Routledge, Apr 24, 2015 - Performing Arts - 286 pages

The Western in the Global South investigates the Western film genre's impact, migrations, and reconfigurations in the Global South. Contributors explore how cosmopolitan directors have engaged with, appropriated, and subverted the tropes and conventions of Hollywood and Italian Westerns, and how Global South Westerns and Post-Westerns in particular address the inequities brought about by postcolonial patriarchy, globalization and neoliberalism. The book offers a wide range of historical engagements with the genre, from African, Caribbean, South and Southeast Asian, Central and South American, and transnational directors. The contributors employ interdisciplinary cultural studies approaches to cinema, integrating aesthetic considerations with historical, political, and gender studies readings of the international appropriations and U.S. re-appropriations of the Western genre.

 

Contents

The Western in the Global South
1
Colonial Circulations of the Western in the Global South
9
The Western in SubSaharan Africa and the Caribbean
79
The Western in Australia and Asia
127
South American Mexican and Borderlands Westerns
181
Contributors
253
Index
257
Copyright

Other editions - View all

Common terms and phrases

About the author (2015)

MaryEllen Higgins is Associate Professor of English at The Pennsylvania State University, Greater Allegheny Campus, USA

Rita Keresztesi is Associate Professor of English at the University of Oklahoma, USA

Dayna Oscherwitz is Associate Professor of French and Francophone Studies at Southern Methodist University, USA

Bibliographic information