INDIAN DRAMA IN ENGLISH

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PHI Learning Pvt. Ltd., Oct 10, 2014 - Literary Criticism - 440 pages
Kaustav Chakraborty (PhD) is Assistant Professor, Department of English, Southfield (formerly Loreto) College, Darjeeling, West Bengal. He has authored one book and also edited a volume of critical essays. Dr. Chakraborty has contributed many articles in reputed national journals and anthologies. This edited volume on Indian Drama in English, including Indian plays in English translation, with contributions from experts specializing on the different playwrights, covers the works of major dramatists who have given a distinctive shape to this enormous mass of creative material. This comprehensive and well-researched text, in its second edition, continues to explore the major Indian playwrights in English. It encompasses works like Rabindranath Tagore’s Red Oleanders; Vijay Tendulkar’s Silence! The Court is in Session, Kanyadaan, The Vultures, and Kamala; Girish Karnad’s Hayavadana, Tughlaq, Naga Mandala, and The Fire and the Rain; Mahasweta Devi’s The Mother of 1084; Mahesh Dattani’s Final Solutions, Tara, Dance Like a Man, and Bravely Fought the Queen; Habib Tanvir’s Charandas Chor; Indira Parthasarathy’s Auranzeb; and Badal Sircar’s Evam Indrajit. The book focuses on different aspects of their plays and shows how the Indian Drama in English, while maintaining its relation with the tradition, has made bold innovations and fruitful experiments in terms of both thematic and technical excellence. New to This Edition The new edition incorporates two new essays on very popular plays of all times—one, Manipuri dramatist Ratan Thiyam’s Chakravyuh, and the second, Maharashtrian playwright, Mahesh Elkunchwar‘s Desire in the Rocks. The essays added give a panoramic view of the plays in succinct style and simple language. The book is intended for the undergraduate and postgraduate students of English literature. Besides, it will also be valuable for those who wish to delve deeper into the plays covered and analyzed in the text.
 

Contents

Representative Playwrights of Indian English Drama
1
A Thematic Study
19
Chapter 3 Translation of Symbols and Other Tropes and Schemes in Red Oleanders
31
Samant in Silence The Court is in Session
53
Legal Institutionalization of a Womans Victimization
68
Critiquing Womens Position in Indian Society through Tendulkars Silence The Court is in Session ...
74
Negotiating Social Truths
82
A Study in Violence
96
Chapter 20 Terrors of Immortality in Girish Karnads The Fire and the Rain
240
Political Drama Redefined
250
Rereading Mahasweta Devis Mother of 1084
255
A Reconsideration
264
An Analysis of Final Solutions
279
Writing the Contested Body in Dattanis Tara
288
Chapter 26 Form and Content in Mahesh Dattanis Dance Like a Man
296
Revisiting the Title
303

An Interface between Feminist Critique and Existential Angst
102
The Infusion of Family Gender and Social Opportunism in Vijay Tendulkars Kamala ...
122
Chapter 11 Girish Karnads Hayavadana Revisited
130
A Theatregoers Response
157
Chapter 13 Casteism and Karnads Hayavadana
175
Reading Tughlaq as a Medley of Voices and Conflicting Personas in Girish Karnads Tughlaq ...
187
Chapter 15 And Why should I Deserve that Madness? The Strange Case of Karnadian Tughlaq ...
199
A Reading into Girish Karnads Naga Mandala
205
Chapter 17 Desires from the World beyond and the Women in Naga Mandala
219
Girish Karnads The Fire and the Rain
226
Chapter 19 Fire and Rain in The Fire and the Rain
236
A Reading of Dattanis Bravely Fought the Queen
319
Reimagining the Folk
334
Chapter 30 Rereading Indira Parthasarathys Aurangzeb as ReligioPolitical Diatribe Beneath a Historical Façade ...
341
Indias First Authentic Voice
351
Towards a New Hermeneutics of Entrapment and Alienation
360
An Appraisal of Badal Sircars Evam Indrajit
367
Chapter 34 The Poetics of Protest in Ratan Thiyams Chakravyuha
388
Stereotyping the Destereotype in Elkunchwars Desire in the Rocks
406
Author IndexName Index
415
Subject Index
419
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About the author (2014)

Kaustav Chakraborty (PhD) is Assistant Professor, Department of English, Southfield (formerly Loreto) College, Darjeeling, West Bengal. He has authored one book and also edited a volume of critical essays. Dr. Chakraborty has contributed many articles in reputed national journals and anthologies.

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