Poetry as a Representative Art: An Essay in Comparative Aesthetics |
From inside the book
Results 1-5 of 42
Page xvii
PLAIN AND FIGURATIVE LANGUAGE 195-207 Two kinds of Language used in
Poetry , that depending for its Meaning on Association and that depending on
Comparison , 195 -Distinction between the Term Figurative Language , as
applied ...
PLAIN AND FIGURATIVE LANGUAGE 195-207 Two kinds of Language used in
Poetry , that depending for its Meaning on Association and that depending on
Comparison , 195 -Distinction between the Term Figurative Language , as
applied ...
Page xix
... to Extreme the Tendency in Plain Language , becomes Didactic ; if the
Tendency in Figurative Language , it becomes Ornate , 278 – Didactic Alloy
explains and appeals to the Elaborative Faculty , not the Imagination , 279 -
Rhetoric instead ...
... to Extreme the Tendency in Plain Language , becomes Didactic ; if the
Tendency in Figurative Language , it becomes Ornate , 278 – Didactic Alloy
explains and appeals to the Elaborative Faculty , not the Imagination , 279 -
Rhetoric instead ...
Page 44
When Ajax strives some rock's vast weight to throw , The line too labors and the
words move slow ; Not so when swift Camilla scours the plain , Flies o'er the
bending corn , and skims along the plain . -Essay on Criticism : Pope . It has been
...
When Ajax strives some rock's vast weight to throw , The line too labors and the
words move slow ; Not so when swift Camilla scours the plain , Flies o'er the
bending corn , and skims along the plain . -Essay on Criticism : Pope . It has been
...
Page 76
... frequently with terminal double measure ; l.g .: I wield the flail of the lashing hail
, And whiten the green plains under ; And then again I dissolve it in rain ; And
laugh as I pass in thunder , - The Cloud : Shelley . In some compositions all forms
...
... frequently with terminal double measure ; l.g .: I wield the flail of the lashing hail
, And whiten the green plains under ; And then again I dissolve it in rain ; And
laugh as I pass in thunder , - The Cloud : Shelley . In some compositions all forms
...
Page 141
Pour'd forth profuse on hill and dale and plain . -4 , Idem . O'er which the mantling
vine Lays forth her purple grape , and gently creeps Luxuriant , meanwhile
murmuring waters fall Down the slope hills dispersed or in a lake . -Idem . R has
a ...
Pour'd forth profuse on hill and dale and plain . -4 , Idem . O'er which the mantling
vine Lays forth her purple grape , and gently creeps Luxuriant , meanwhile
murmuring waters fall Down the slope hills dispersed or in a lake . -Idem . R has
a ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
accent according appear applied artistic association beginning bright called cause CHAPTER character comes comparison connection considered corresponding course dark developed direct effects elements emotive example expression eyes fact fair falling feeling figurative force give given Greek hand hear ideas Idem illustrative imitative important indicates influence instance instinctive kind language less light live look Lost meaning measure mentioned methods mind move movement nature never Notice o'er objects origin pass passage picture pitch plain poem poet poetic poetry present principles produced pure reason reference reflective represent representation result rising round says seems sense sentence Shakespear side similar single soul sounds stream suggested sweet syllables Tennyson termed thing thou thought tion tone true utterance verse voice whole wind words
Popular passages
Page 168 - Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance it wore,— " Though thy crest be shorn and shaven, thou," I said, " art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore: Tell me what thy lordly name is on the Night's Plutonian shore !" Quoth the Raven,
Page 39 - River where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late : For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar.
Page 218 - They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand ; the gate With dreadful faces thronged, and fiery arms.
Page 282 - For I dipt into the future, far as human eye could see, Saw the Vision of the world, and all the wonder that would be ; Saw the heavens fill with commerce, argosies of magic sails, Pilots of the purple twilight, dropping down with costly bales ; Heard the heavens fill with shouting, and there rain'da ghastly dew From the- nations...
Page 153 - But his sagacious eye an inmate owns: By one, and one, the bolts full easy slide: — The chains lie silent on the footworn stones; The key turns, and the door...
Page 112 - While life's dark maze I tread, And griefs around me spread, Be Thou my guide; Bid darkness turn to day, Wipe sorrow's tears away, Nor let me ever stray From Thee aside. 4 When ends life's transient dream, When death's cold, sullen stream Shall o'er me roll, Blest Saviour, then, in love, Fear and distrust remove; O, bear me safe above, A ransomed souL KayPulmor.
Page 73 - E'en though it be a cross That raiseth me; Still all my song shall be, Nearer, my God, to thee, Nearer to Thee. 2 Though like the wanderer, The sun gone down, Darkness be over me, My rest a stone; Yet in my dreams I'd be Nearer, my God, to thee, Nearer to Thee.
Page 46 - I SPRANG to the stirrup, and Joris, and he ; I galloped, Dirck galloped, we galloped all three ; " Good speed ! " cried the watch, as the gatebolts undrew ; "Speed...
Page 71 - Stormed at with shot and shelL Boldly they rode and well; Into the jaws of Death. Into the mouth of Hell Rode the six hundred.
Page 155 - Saturn, quiet as a stone, Still as the silence round about his lair; Forest on forest hung about his head Like cloud on cloud. No stir of air was there, Not so much life as on a summer's day Robs not one light seed from the feather'd grass, But where the dead leaf fell, there did it rest.
Bibliographic information
| Title | Poetry as a Representative Art: An Essay in Comparative Aesthetics Volume 3 of Comparative æsthetics, George Lansing Raymond |
| Author | George Lansing Raymond |
| Edition | 7 |
| Publisher | G.P. Putnam's Sons, 1899 |
| Original from | the University of Michigan |
| Digitized | 9 Feb 2007 |
| ISBN | 0841472742, 9780841472747 |
| Length | 356 pages |
| Export Citation | BiBTeX EndNote RefMan |