Poetry as a Representative Art: An Essay in Comparative Aesthetics |
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Page xi
... second , how Sounds accepted as Words are used in Different SENSES , and
how these represent Thought in Conventional and then in Poetic Words and
Phrases , 5 — Primitive Words are developed according to Principles of
Association ...
... second , how Sounds accepted as Words are used in Different SENSES , and
how these represent Thought in Conventional and then in Poetic Words and
Phrases , 5 — Primitive Words are developed according to Principles of
Association ...
Page xv
SACRIFICE OF SENSE TO SOUND CONTINUED 161-172 Omission of Words ,
or Ellipsis , indicating Crudeness , 161 – Leading to Obscurity because Meanings
are conveyed by Phrases as well as by Words , 164 — Misuse of Words ...
SACRIFICE OF SENSE TO SOUND CONTINUED 161-172 Omission of Words ,
or Ellipsis , indicating Crudeness , 161 – Leading to Obscurity because Meanings
are conveyed by Phrases as well as by Words , 164 — Misuse of Words ...
Page xvi
... Philosophical to suppose them largely developed by Tendencies underlying
the Formation of Primitive Words , 174– How these Tendencies lead to the Use of
the same Word in Different Senses , 175 - In the case of Words whose Meanings
...
... Philosophical to suppose them largely developed by Tendencies underlying
the Formation of Primitive Words , 174– How these Tendencies lead to the Use of
the same Word in Different Senses , 175 - In the case of Words whose Meanings
...
Page xvii
... 191 — Sounds fit Sense , 191 – Are used by us in Different Senses , 192 —
Figures represented in Compound Words Apparent , 192 — In general more
Significant , 193 — Why the English Language is fitted to remain Poetic , 194 .
XVIII .
... 191 — Sounds fit Sense , 191 – Are used by us in Different Senses , 192 —
Figures represented in Compound Words Apparent , 192 — In general more
Significant , 193 — Why the English Language is fitted to remain Poetic , 194 .
XVIII .
Page xviii
PURE DIRECT REPRESENTATION 213-224 In what Sense , and how far ,
Thought and Feeling can be Communicated Representatively , 213 — Pure
Representation , as used by Tennyson , 214 - Hunt , etc. , 215 — Pure Direct ...
PURE DIRECT REPRESENTATION 213-224 In what Sense , and how far ,
Thought and Feeling can be Communicated Representatively , 213 — Pure
Representation , as used by Tennyson , 214 - Hunt , etc. , 215 — Pure Direct ...
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Common terms and phrases
accent according appear applied artistic association beginning bright called cause CHAPTER character comes comparison connection considered corresponding course dark developed direct effects elements emotive example expression eyes fact fair falling feeling figurative force give given Greek hand hear ideas Idem illustrative imitative important indicates influence instance instinctive kind language less light live look Lost meaning measure mentioned methods mind move movement nature never Notice o'er objects origin pass passage picture pitch plain poem poet poetic poetry present principles produced pure reason reference reflective represent representation result rising round says seems sense sentence Shakespear side similar single soul sounds stream suggested sweet syllables Tennyson termed thing thou thought tion tone true utterance verse voice whole wind words
Popular passages
Page 168 - Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance it wore,— " Though thy crest be shorn and shaven, thou," I said, " art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore: Tell me what thy lordly name is on the Night's Plutonian shore !" Quoth the Raven,
Page 39 - River where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late : For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar.
Page 218 - They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand ; the gate With dreadful faces thronged, and fiery arms.
Page 282 - For I dipt into the future, far as human eye could see, Saw the Vision of the world, and all the wonder that would be ; Saw the heavens fill with commerce, argosies of magic sails, Pilots of the purple twilight, dropping down with costly bales ; Heard the heavens fill with shouting, and there rain'da ghastly dew From the- nations...
Page 153 - But his sagacious eye an inmate owns: By one, and one, the bolts full easy slide: — The chains lie silent on the footworn stones; The key turns, and the door...
Page 112 - While life's dark maze I tread, And griefs around me spread, Be Thou my guide; Bid darkness turn to day, Wipe sorrow's tears away, Nor let me ever stray From Thee aside. 4 When ends life's transient dream, When death's cold, sullen stream Shall o'er me roll, Blest Saviour, then, in love, Fear and distrust remove; O, bear me safe above, A ransomed souL KayPulmor.
Page 73 - E'en though it be a cross That raiseth me; Still all my song shall be, Nearer, my God, to thee, Nearer to Thee. 2 Though like the wanderer, The sun gone down, Darkness be over me, My rest a stone; Yet in my dreams I'd be Nearer, my God, to thee, Nearer to Thee.
Page 46 - I SPRANG to the stirrup, and Joris, and he ; I galloped, Dirck galloped, we galloped all three ; " Good speed ! " cried the watch, as the gatebolts undrew ; "Speed...
Page 71 - Stormed at with shot and shelL Boldly they rode and well; Into the jaws of Death. Into the mouth of Hell Rode the six hundred.
Page 155 - Saturn, quiet as a stone, Still as the silence round about his lair; Forest on forest hung about his head Like cloud on cloud. No stir of air was there, Not so much life as on a summer's day Robs not one light seed from the feather'd grass, But where the dead leaf fell, there did it rest.
Bibliographic information
| Title | Poetry as a Representative Art: An Essay in Comparative Aesthetics Volume 3 of Comparative æsthetics, George Lansing Raymond |
| Author | George Lansing Raymond |
| Edition | 7 |
| Publisher | G.P. Putnam's Sons, 1899 |
| Original from | the University of Michigan |
| Digitized | 9 Feb 2007 |
| ISBN | 0841472742, 9780841472747 |
| Length | 356 pages |
| Export Citation | BiBTeX EndNote RefMan |