English Congregational Hymns in the Eighteenth CenturyHistorians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature. |
From inside the book
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... at Olney History & Prophecy Of Things to Come V. William Cowper: Exemplary Tradition & the Loss of Control Master Craftsman Cowper's Private Vision VI. Conclusion Notes Index The Congregational Hymn: Requirements & Resources I The ...
... vision suggest the coming of a new age of poetry. In Newton's many failed hymns, which are little more than versified sermonettes exploring a text or analogy in dry, pedantic fashion, he speaks to the singers as a preacher rather than ...
... vision and the public requirements of his call. Finally, hymn singing was sufficiendy revolutionary that the to an originator had to understand precisely what he was Isaac Watts's Divine Delight In Defense of Hymnody.
... visions were relevant only insofar as they were representative and were controlled by didactic purpose. An intriguing complex of convictions is manifest in the Christian poetic apologia of the combined prefaces. Watts appears to our ...
... vision is combined with a distinctly eighteenth-century view of literary moral purpose and affective-didactic method. Readers, or singers, were to be moved toward virtuous understanding, in this case devotional response, by means of the ...
Contents
Self Sense the Revival | |
John Newton Olney Prophet | |
Exemplary Tradition the Loss of Control | |
Conclusion | |
Notes | |
Other editions - View all
English Congregational Hymns in the Eighteenth Century Madeleine Forell Marshall,Janet Todd Limited preview - 1982 |
English Congregational Hymns in the Eighteenth Century Madeleine Forrell Marshall,Janet M. Todd No preview available - 2014 |