Chinese Painting: Leading Masters and Principles, Volume 5 |
Contents
THEORY AND PRACTICE OF THE LATER MING PAINTERS | 1 |
VARIOUS CENTRES OF LANDSCAPEPAINTING | 25 |
FIGUREPAINTERS | 55 |
Copyright | |
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according album album-leaves Anhui artistic bamboos beauty brush and ink brushwork calligraphy Ch'an Ch'i Ch'ien-lung Ch'ing Chang Kêng Chêng Chin Nung Chinese painting colophons colours composition dated dynasty emperor epidendrums executed expression famous flower-paintings flowers genius grasped handscroll Hsien Huang Kung-wang Hui's imitations imperial inscription inspired Kiangsu kind known Ku-kung collection Kuan Kung Kuo-ch'ao landscape-painting landscapes life-breath long handscrolls Manchu manner of painting Mi Fei Ming dynasty Ming period mist models monk motifs mountains Museum Nanking nature old masters Ōsaka Pa-ta shan-jên painter pavilion pictorial picture pine-trees plum-blossoms poems quoted represents reproduced river rocks scroll Shan Shên Chou shih Shih-ku Shih-t'ao Shina Nanga shu-hua spirit stream studies style stylistic Suchou T'ang Taoist tion traditional trees Tsan Tung Ch'i-ch'ang Tung Yüan Wang Hui Wang Mêng Wang Shih-min Wang Wei Wang Yüan-ch'i Wên Wu Chên Wu Li Yangchou Yüan masters