Arcadia, 184
Arcadian Nuptials, 202
Birth-Day, The, 209
Chace, The, 212
Clariana, 149
Constant Nymph, 62, 183
Dione, 189
Faithful Shepherd, The, 175
Fickle Shepherdess, 187
Florimene, 164
Judgment of Paris, 94, 196
Love and Innocence, III,
204
Lynce and Pollidore, 208
Maydes Metamorphosis, The,
158
Parthenia, 108-109, 203
Pastoral pleasant Comedie
of Robin Hood and Little
John, A, 158
Pastor Fidus, 154
Philander and Rose, 209
Unnamed Play (late seven-
teenth-century MS.), 66,
Anon., Whitsuntide, 191
Apollo turn'd Stroller (Anon.), 210
Arbanes (Anon.), 211
Arcadia (Anon.), 184
Arcadian Nuptials, The (Anon.),
Argensola, L. L., Philis, 150
Argenti, A., Lo Sfortunato, 10-11,
Carleton, R., Conceal'd Royalty of
May Queen, 58, 182
Castelletti, C., Amarilli, 13, 144
Catalogues and Libraries, 139
Chace, The (Anon.), 212
Chambers, E. K., English Pas-
torals, 2, 214
Characters, Types in Pastoral, 130
Cibber, C., Myrtillo, 87, 189;
Love in a Riddle, 37-38, 86, 87-
90, 105, 118, 129, 132, 189;
Damon and Phillida, 90-91, III,
132, 190
Cibber, T., Patie and Peggy, 193;
Damon and Daphne, 197
Cintio, C. B. G., Egle, 9, 143
Clariana (Anon.), 149
Classification of Pastoral Plays,
Cobb, J., The shepherdess of Cheap-
side, 211
Collections consulted, 139
Collier, J., Short View of the Pro-
faneness and Immorality of the
English Stage, 41
Congreve, W., Judgment of Paris,
85, 86, 128, 185; Semele, 77–78,
186
Constant Nymph (Anon.), 62, 183
Correggio, N., Cefalo, 8, 143
Court Element in Pastoral, 33-34
Cowley, A., Love's Riddle, 86, 166
Cox, R., 36; Actæon and Diana,
or Enone, 57-58, 59, 169
Craven, Lady, The Arcadian Pas-
toral, 208
Critical Works, Pastoral, Bib.,
214-219
Crowne, J., Calisto, 59-62, 104,
127, 132, 182
Cunningham, J., The Royal Shep-
herds, 203
Dancer, J., Aminta, 173
Daniel, S., The Queen's Arcadia,
159; Hymen's Triumph, 159
D'Avenant, W., 36
Davidson, T., Maria, 66, 185;
The Shepherd of Snowdon, 185
D. D., Gent, The Faithful Shep-
herd, 154
Decay of Pastoral, 132, 133
Definitions of Pastoral, 19-34; to
define to limit, 19
Denny, W., The Sheepheard's Holi-
day, 168
Dibdin, C., Shepherdess of the Alps,
179; Damon and Phillida, 91,
190; Shepherd's Artifice, 109, 203
Divisions of Pastoral Literature,
17-18
Dodsley, R., The Extravagant
Shepherd, 211
Doran, J., Annals of English Stage,
35
Dryden, J., 43, 74
Du Bois, P. B., Aminta, 173
Dymock, E., Pastor Fido, 154
Eclogue, Classical antecedents of,
3; introduction 'into England, 3-
5; expansion into romance, 5;
importance of, in seventeenth
and eighteenth centuries, 126
Edwards, H. S., History of the
Opera, 44; The Lyrical Drama,
44
Egger, M. E., La Poesie Pastorale
avant les Poètes Bucoliques, 214
Eighteenth-century attitude toward
Pastoral, 22-28
Einstein, L., Italian Renaissance in
English Pastoral Plays, Bib., 153-
Enzina, J., The Esquire that turns
Shepherd, 149; Shepherds that
turn Courtiers, 149; Religious
Pastorals, 149
Faithful Shepherd, The (Anon.),
175
Fanshawe, R., Il Pastor Fido, 13,
155; La Fido Pastora, 155
Feilde, M., Vertumnus and Pomona,
208
Fernandez, L., Farsa, 149
Ferrario, G., Poèsie Pastorale et
Rusticale, 215
Fickle Shepherdess (Anon.), 187
Fleay, F. G., Chron. Eng. Drama,
51
Flecknoe, R., Love's Dominion,
169; Love's Kingdom, 169
Fletcher, J., The Faithful Shep-
herdess, 11, 16, 17, 18, 53, 54,
64, 97, 127, 128, 132, 159
Fletcher, P., Sicelides, 162
Florimene (Anon.), 164
Fontenelle, B., Defence of Pastoral,
19-20, 21; Poèsie Pastorale, 19–
20, 215
Forde, T., Love's Labyrinth, 170
Fountain, J., Rewards of Virtue, 54
Foyos, J., Pastoral Poetry, 215
Fraunce, A., Countess of Pembroke's
Ivychurch, 153; Lamentations of
Amintas, 153
Granville, G., The British En-
Graves, R., Echo and Narcissus,
207
Greber, G., Loves of Ergasto, 68,
187
Green, E. B., Essay on Pastoral
Poetry, 215
Greene, R., Menaphon, 49, 57, 58
Greswell, W. P., Memoirs of San-
nazarius, 215
Grotesque, 32
Groto, L., Calisto, 10, 143; Il
Pentimento Amoroso, 10, 144
Grove, W., The Faithful Shepherd,
176
Guarini, B., Il Pastor Fido, 11,
13-14, 64, 66, 71, 87, 93, 97,
102, 104, 126, 128, 144, 150;
Trans. by Dymock, E., 154 ;
D. D., Gent, 154; Anon., 154,
Fanshawe, R., 155; Settle, E.,
174; Rossi, G., 175; Bellamy,
D., 175; Anon., 175; Grove,
W., 176
Habitations of Pastoral, 30-31,
130-131
Harris, J., The Spring, 107, 201-
202; Daphnis and Amaryllis,
Hawkins, W., The Enlisted Shep-
herds, 209
Heywood, T., Amphrisa, 165;
Apollo and Daphne, 165; War
Without Blows, etc., 51
Hill, A., Daraxes, 105-107, 109,
Hoadly, J., Love's Revenge, 96–97,
Hughes, J., Cupid and Hymen's
Holiday, 190; Apollo and Daphne,
84, 190
Idealism of Pastoral, 30
Immorality of Plays, 40-46; its
40-43; degeneration
necessary for popularity, 127;
plays indecent rather than im-
moral, 132-133
Importance of Pastoral Literature,
126-127
Ingegneri, A., La Danza di Venere,
13, 144
Integer (pseud.), attitude toward
Pastoral, 26-27; Mirrour, 22, 27,
216
Italian Opera in England, 44-45
Italian Pastoral Plays, 137; Bib.,
143-145
Jerram, C. S., The Lycidas and
Epitaphium Damonis, 216
Johnson, S., Defence of Pastoral,
25-26; on court element in Pas-
toral, 34; The Rambler, 26, 34,
216; The Adventurer, 216
Jonson, B., Chlorinda, 161; The
Sad Shepherd, 12, 16, 17, 18, 50,
94, 161; Pan's Anniversary, 161;
The May Lord, 161
J. S., Gent., Filli Di Sciro, 155
Judgment of Paris (Anon.), 94, 196
J. W., The Deceit, 198; The
Country Wedding, 198
Houghton, W., and Chettle, H., Keate, G., The Monument in
Killigrew, T., 36; Bellamira, 51-
54, 57, 105, 127, 128, 180
Kirke, E., Introduction to Spenser's
Shepheardes Calender, 216
Kirkman, F., Introduction to Web-
ster's Thracian Wonder, 48, 49,
Klein, J. L., 21; Geschichte des
Drama's, 216
Kluge, F., Spenser's Shepherd's
Calendar und Mantuan's Eclogen,
216; Bemerkungen über Spenser's
Shepheards Calendar und die
frühere Bukolik, 217
Knevet, R., Rhodon and Iris, 162
Lang, A., Theocritus, Bion and
Learmont, J., The Unequal Rivals,
Lecky, W. E. H., History of Eng-
land in Eighteenth Century, 30
Lennox, C., Philander, 104, 201
Linley, G., The Gentle Shepherd,
194
Lloyd, R., The Capricious Lovers,
177; Phillis at Court, 177;
Arcadia, 107, 201
Lollio, A., L'Aretusa, 10, 143
Longus, Daphnis and Chloe, 6
Love and Innocence (Anon.), III,
204
Love, J., The Village Wedding,
109-111, 204
Lower, W., The Enchanted Lovers,
170
Lyly, J., Midas, 16, 156; Gal-
lathea, 16, 157; The Woman in
the Moon, 16, 157; Love's Meta-
morphosis, 157
Lynce and Pollidore (Anon.), 208
Lyrics, Pastoral, Popularity of, 16-17
Machado, S., Comedias du Pastora
Alfea, 150
Mansell, W., Fairy Hill, 120-121,
208
Mantuanus, B., 3, 4
Maxwell, J., The Shepherd's Opera,
197
Maydes Metamorphosis, The (Anon.),
158
Mendez, M., The Chaplet, 199;
The Shepherd's Lottery, 98, 199
M'Laren, A., The Gentle Shepherd,
196
Montague, W., The Shepherd's
Paradise, 160
Montalvan, J., Orfèo, 150
Montemayor, J., Diana, 6
Moore, T., The Arcadian Lovers,
67-68, 185
More, H., The Search after Happi-
ness, 114-116, 205-206
Morgan, M., Philoclea, 99, 200;
Florizel and Perdita, 99-100, 200
Morley, H., Clement Marot, 217
Meschus, 2, II
Motteux, P. A., Lack of wit, 79;
marks transition from old tradi-
tion to new, 127; The Temple of
Love, 69–72, 127, 176; Love's
Triumph, 72-76, 176; The
Novelty, 1. Thyrsis, 63-65, 127,
183; Acis and Galatea, 68-69,
186; Roger and Joan, 186
Murphy, A., The Choice, 206-207
Mythological elements in Pastoral,
15, 32
Nature symbolism, diametrically
opposed to allegorizing tendency,
33
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