Canons of Criticism: An Introduction to the Development of English Poetry |
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Page 11
... images of virtues , vices , or what else , with that delightful teaching which must be the right describing note to know a poet by he coupleth the general notion with the particular example . " * * * * That in this we have a criterion ...
... images of virtues , vices , or what else , with that delightful teaching which must be the right describing note to know a poet by he coupleth the general notion with the particular example . " * * * * That in this we have a criterion ...
Page 12
... Austin's vague term- " transfigura- tion , ” — in that he takes cognizance of its cause , the " feigning of notable images . " Turn to the lines from " The Leech - Gatherer , " in which the presence of this so - styled " 12.
... Austin's vague term- " transfigura- tion , ” — in that he takes cognizance of its cause , the " feigning of notable images . " Turn to the lines from " The Leech - Gatherer , " in which the presence of this so - styled " 12.
Page 13
... images " or figures of Sir Philip Sidney , yet does the question remain whether , after all , this " transfiguration , ” this “ feigning of notable images " or figures , is the essential and peculiar element of Poetry , since at the ...
... images " or figures of Sir Philip Sidney , yet does the question remain whether , after all , this " transfiguration , ” this “ feigning of notable images " or figures , is the essential and peculiar element of Poetry , since at the ...
Page 18
... . " Adonais . SHELLEY . or " he coupleth the general notion " -life- " with the particular example " -dome of many- colored glass , — “ feigning notable images , ” or figures . While in contrast with this the Philoso- pher 18.
... . " Adonais . SHELLEY . or " he coupleth the general notion " -life- " with the particular example " -dome of many- colored glass , — “ feigning notable images , ” or figures . While in contrast with this the Philoso- pher 18.
Page 72
... images . " Though different terms are here employed , -wit and the ludicrous , -yet may these defi- nitions be accepted as typical of all attempts to define that generic Humor which includes any and all sources of humorous amusement ...
... images . " Though different terms are here employed , -wit and the ludicrous , -yet may these defi- nitions be accepted as typical of all attempts to define that generic Humor which includes any and all sources of humorous amusement ...
Other editions - View all
Canons of Criticism: An Introduction to the Development of ..., Pages 1-94 C. W. Macfarlane No preview available - 2017 |
Canons of Criticism: An Introduction to the Development of English Poetry Charles William MacFarlane No preview available - 2015 |
Common terms and phrases
abstract Alfred Austin amusement attempts to define Austin beauty belittles Byron ceptions character Coleridge combining of conceptions conceptions at remove conceptions brought concrete coupleth creation criterion degra degradation difference discordia concors Don Quixote English Poetry evidence their genius evidences his genius expressing of thought expressing thought Fanciful Poetry feigning of notable find vent Flatter the mountain-top giving place greater greatest Poetry healthfulness hence Herbert Spencer highest Poetry Humor specific Imaginative and Fanciful intellectual Leigh Hunt lines living sapphires Matthew Arnold maximum remove maximum similarity means of figure measure of poetic mind morn notable images notion ofttimes particular example pathos Philosopher evidence Poet Poet's genius poetic excellence poetic merit Prose protozoa Queen Mab question regard scene or conception Shakespeare Shakespeare's Poetry Shelley Simon Lee Sir Philip Sidney sober livery Sonnet sound of music source of pleasure strong emotions sublime subtile subtilties thought by means tion transfiguration true Wordsworth written
Popular passages
Page 64 - tis true I have gone here and there And made myself a motley to the view, Gored mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
Page 49 - Now came still evening on, and twilight gray Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests Were slunk, all but the wakeful nightingale, She all night long her amorous descant sung...
Page 54 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines...
Page 65 - gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long...
Page 56 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes?
Page 41 - FROM low to high doth dissolution climb, And sink from high to low, along a scale Of awful notes, whose concord shall not fail ; A musical but melancholy chime, Which they can hear who meddle not with crime, Nor avarice, nor over-anxious care. Truth fails not ; but her outward forms that bear The longest date do melt like frosty rime, That in the morning whitened hill and plain And is no more ; drop like the tower sublime Of yesterday, which royally did wear His crown of weeds, but could not even...
Page 93 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven, And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy; •• Or in the night, imagining some fear, How easy is a bush supposed a bear?
Page 24 - But, look, the morn in russet mantle clad, Walks o'er the dew of yon high eastern hill.
Page 67 - Sir, I am a true labourer. I earn that I eat, get that I wear, owe no man hate, envy no man's happiness, glad of other men's good, content with my harm; and the 70 greatest of my pride is to see my ewes graze and my lambs suck.
Page 64 - Now all is done, have what shall have no end! Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.