Aldous Huxley |
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Page 25
... four chapters , since Huxley's purpose makes it initially necessary for the reader to become well acquainted with the protagonist ( and while doing so to meet most of the other characters and to absorb the setting ) . This is not in the ...
... four chapters , since Huxley's purpose makes it initially necessary for the reader to become well acquainted with the protagonist ( and while doing so to meet most of the other characters and to absorb the setting ) . This is not in the ...
Page 27
... Four , while it develops the main theme , also conveys the rudiments of an essay on a fundamental Huxleyan topic of the disparity between experience and all modes of communicating it . The pattern of linked independence is to be ...
... Four , while it develops the main theme , also conveys the rudiments of an essay on a fundamental Huxleyan topic of the disparity between experience and all modes of communicating it . The pattern of linked independence is to be ...
Page 64
... four stories are presented indicates an element in the genesis of the complex technique of Point Counter Point . The later novel is a network of parallels and contrasts , some of the principal ' ribs ' of which are made up of several ...
... four stories are presented indicates an element in the genesis of the complex technique of Point Counter Point . The later novel is a network of parallels and contrasts , some of the principal ' ribs ' of which are made up of several ...
Contents
A Variety of Fiction | 9 |
PART ONE NOVELS OF EXPLORATION | 21 |
PART TWO NOVELS OF CERTAINTY | 139 |
Copyright | |
2 other sections not shown
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Aldous Huxley Aldwinkle Anthony Beavis Anthony's Antic Hay Ape and Essence attitudes aware Bardo Barren Leaves beauty begins Bidlake Brave New World Calamy Cardan Chapter characters Chatto & Windus Chelifer Chelifer's comedy comic contrast conversation course critics Crome Yellow D. H. Lawrence death Denis Stone earlier effect elements emotions essay Eustace Eustace's example experience expressed Eyeless in Gaza fact Farnaby feeling fiction Goddess Gonister Grace Elver Gumbril Helen human Huxley's novels ideas impressive instance irony Island Jeremy Pordage Katy kind later Laura Archera Lawrence Letters Lypiatt means mind Mustapha Mond Myra narrative nature Obispo pain Pete Boone Philip Quarles Point Counter Point portrait present Propter Rampion reader reason remarks Rivers Rivers's satire Savage scene Scogan Sebastian seems sense sexual Shearwater Spandrell spirit story Stoyte Tantamount technique theme things thought Thriplow tion tone Viveash Wimbush words writing