Art and Visual Perception: A Psychology of the Creative Eye |
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Page 273
... color ; on the other hand , the expressive impact of color cannot be obtained by shape . Shape yields an immense variety of clearly distinguishable patterns , as faces , leaves , and fingerprints demonstrate . Shape rather than color is ...
... color ; on the other hand , the expressive impact of color cannot be obtained by shape . Shape yields an immense variety of clearly distinguishable patterns , as faces , leaves , and fingerprints demonstrate . Shape rather than color is ...
Page 299
... color that is complementary to the color of its environment , it may also be expected to " correct " suitable color arrangements in the sense of making them look like more complementary pairs or triads . This would be an ex- ample of ...
... color that is complementary to the color of its environment , it may also be expected to " correct " suitable color arrangements in the sense of making them look like more complementary pairs or triads . This would be an ex- ample of ...
Page 389
... color , schizo- thymes to shape . The former group comprises people whose temperament is represented in its pathological extreme by manic - depressive patients . They are warmhearted , emotional , sociable . The schizothymes are ...
... color , schizo- thymes to shape . The former group comprises people whose temperament is represented in its pathological extreme by manic - depressive patients . They are warmhearted , emotional , sociable . The schizothymes are ...
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Common terms and phrases
angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue