Art and Visual Perception: A Psychology of the Creative Eye |
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Page 2
... described as a be described as a psychological " force . " If the disk is seen as striving toward the center of the square , it is being attracted by something not actually contained in the picture . The center point is not revealed to ...
... described as a be described as a psychological " force . " If the disk is seen as striving toward the center of the square , it is being attracted by something not actually contained in the picture . The center point is not revealed to ...
Page 34
... described ? The most accurate way would seem to be to determine the spatial locations of all the points that make up these features . This may be exemplified by a procedure highly recommended to the sculptors by the Renaissance ...
... described ? The most accurate way would seem to be to determine the spatial locations of all the points that make up these features . This may be exemplified by a procedure highly recommended to the sculptors by the Renaissance ...
Page 380
... described here as special examples of one of them - the rule of similarity . This also necessitates changes in terminology . P. 54. Figures 51-55 are adapted from Arnheim ( 18 ) , p . 200 . P. 56. " Similarity of direction " was called ...
... described here as special examples of one of them - the rule of similarity . This also necessitates changes in terminology . P. 54. Figures 51-55 are adapted from Arnheim ( 18 ) , p . 200 . P. 56. " Similarity of direction " was called ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue