Art and Visual Perception: A Psychology of the Creative Eye |
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Page 164
... front wall . At the higher stage this leads to Figure 1474. The use of both side faces , however ( Figure 1476 ) , satisfies elementary visual thinking better because the symmetry of the whole is maintained . To present one side and to ...
... front wall . At the higher stage this leads to Figure 1474. The use of both side faces , however ( Figure 1476 ) , satisfies elementary visual thinking better because the symmetry of the whole is maintained . To present one side and to ...
Page 175
... front and back and the two profiles . Finally , the sculptor can concentrate at any particular moment upon a relatively closed partial composition , which he can survey without changing his point of observation . He may work first on ...
... front and back and the two profiles . Finally , the sculptor can concentrate at any particular moment upon a relatively closed partial composition , which he can survey without changing his point of observation . He may work first on ...
Page 386
... front than circles , par- ticularly when the squares were in normal , vertical - horizontal orientation . Larger figures were seen in front more often than smaller ones . Figures in central position seemed to lie in front more readily ...
... front than circles , par- ticularly when the squares were in normal , vertical - horizontal orientation . Larger figures were seen in front more often than smaller ones . Figures in central position seemed to lie in front more readily ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue