Art and Visual Perception: A Psychology of the Creative Eye |
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Page 51
... organization as the things of nature . Subdivision in the Arts In the visual arts subdivision is an essential means of composition . It takes place at different levels , which in every work of art are organized in a hier- archy . A ...
... organization as the things of nature . Subdivision in the Arts In the visual arts subdivision is an essential means of composition . It takes place at different levels , which in every work of art are organized in a hier- archy . A ...
Page 104
... organization remains , as it were , unmodu- lated . The tendency to simple shape operates unhampered in the void . The result is order as such , with little left to be ordered . Remnants of thoughts and experiences are organized , not ...
... organization remains , as it were , unmodu- lated . The tendency to simple shape operates unhampered in the void . The result is order as such , with little left to be ordered . Remnants of thoughts and experiences are organized , not ...
Page 169
... organization step by step , and it might well be maintained that the task of mastering space is more difficult in sculpture than in the pictorial arts because of the added dimension . When the child works out his first circle in drawing ...
... organization step by step , and it might well be maintained that the task of mastering space is more difficult in sculpture than in the pictorial arts because of the added dimension . When the child works out his first circle in drawing ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue