Art and Visual Perception: A Psychology of the Creative Eye |
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Page 41
... pattern ; and the overlapping corners of b have no of b have no simple relationship to the structures of the rectangles d and e , into which they intrude . Why does the whole pattern hold together nevertheless ? Some of the simplifying ...
... pattern ; and the overlapping corners of b have no of b have no simple relationship to the structures of the rectangles d and e , into which they intrude . Why does the whole pattern hold together nevertheless ? Some of the simplifying ...
Page 185
... pattern itself , but also in the spatial orientation of the pattern . The two Maltese crosses in Figure 172 are identical except for their orientation to the framework of the visual field . Under these conditions the cross whose main ...
... pattern itself , but also in the spatial orientation of the pattern . The two Maltese crosses in Figure 172 are identical except for their orientation to the framework of the visual field . Under these conditions the cross whose main ...
Page 371
... pattern- reaches out toward the arm of Adam as though an animating spark , leaping from fingertip to fingertip , was transmitted from the creator to the creature . The bridge of the arm visually connects two separate worlds : the self ...
... pattern- reaches out toward the arm of Adam as though an animating spark , leaping from fingertip to fingertip , was transmitted from the creator to the creature . The bridge of the arm visually connects two separate worlds : the self ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue