Art and Visual Perception: A Psychology of the Creative Eye |
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Page 101
... Representation Two examples projective realism and certain aspects of modern art — have been cited to show how and why artistic form may deviate from elementary visual conception . A third phenomenon , to which earlier references have ...
... Representation Two examples projective realism and certain aspects of modern art — have been cited to show how and why artistic form may deviate from elementary visual conception . A third phenomenon , to which earlier references have ...
Page 136
... representation has its motor source in descrip- tive movement . The hand that traces the shape of an animal in the air dur- ing a conversation is not far from fixating this trace in the sand or on a wall . Gestures often describe the ...
... representation has its motor source in descrip- tive movement . The hand that traces the shape of an animal in the air dur- ing a conversation is not far from fixating this trace in the sand or on a wall . Gestures often describe the ...
Page 227
... representation of solids has been acquired . Figure 211 epitomizes a method of spatial representation found everywhere at an early stage of development . Children discover it , and rarely go beyond it unless helped by adults . It is ...
... representation of solids has been acquired . Figure 211 epitomizes a method of spatial representation found everywhere at an early stage of development . Children discover it , and rarely go beyond it unless helped by adults . It is ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue