Art and Visual Perception: A Psychology of the Creative Eye |
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Page 206
... spatial vicinity of the booths would make for interaction , so that every listener at the receiving end would hear a jumble of all six messages , then indeed the spatial arrangement of the booths would have to be seriously considered ...
... spatial vicinity of the booths would make for interaction , so that every listener at the receiving end would hear a jumble of all six messages , then indeed the spatial arrangement of the booths would have to be seriously considered ...
Page 220
... spatial frameworks coincide . If , however , the horizon of the environment differs from that of the body , one of three things can happen : ( 1 ) The environment , or ground , establishes the spatial framework of the whole picture . In ...
... spatial frameworks coincide . If , however , the horizon of the environment differs from that of the body , one of three things can happen : ( 1 ) The environment , or ground , establishes the spatial framework of the whole picture . In ...
Page 254
... spatial orientation . Shading , then , can serve to convey volume and depth with the means of the two - dimensional medium . The resulting spatial effect depends strictly upon the distribution of brightness values . Apart from the ...
... spatial orientation . Shading , then , can serve to convey volume and depth with the means of the two - dimensional medium . The resulting spatial effect depends strictly upon the distribution of brightness values . Apart from the ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue