Art and Visual Perception: A Psychology of the Creative Eye |
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Page 62
... turn left , walk two more blocks , turn right , walk one block .. When he is through , he will find himself at the point from which he started . This will probably surprise him . Although he has traced the entire contour , his ...
... turn left , walk two more blocks , turn right , walk one block .. When he is through , he will find himself at the point from which he started . This will probably surprise him . Although he has traced the entire contour , his ...
Page 328
... turns around and withdraws very quickly . Or A starts out in the " wrong " direction , moves slowly through the zigzag path indicated in Figure 258 , and after the last turn joins B very quickly . Presumably these demonstrations would ...
... turns around and withdraws very quickly . Or A starts out in the " wrong " direction , moves slowly through the zigzag path indicated in Figure 258 , and after the last turn joins B very quickly . Presumably these demonstrations would ...
Page 356
... turn , are made to deviate obliquely from the body- -a further element of animation . This motif of revival is taken up and developed into one of the two dominant themes of movement by the diagonal ridge of the hill , which , just broad ...
... turn , are made to deviate obliquely from the body- -a further element of animation . This motif of revival is taken up and developed into one of the two dominant themes of movement by the diagonal ridge of the hill , which , just broad ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue