Art and Visual Perception: A Psychology of the Creative Eye |
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Page 41
... whole pattern ; and the overlapping corners of b have no of b have no simple relationship to the structures of the rectangles d and e , into which they intrude . Why does the whole pattern hold together nevertheless ? Some of the ...
... whole pattern ; and the overlapping corners of b have no of b have no simple relationship to the structures of the rectangles d and e , into which they intrude . Why does the whole pattern hold together nevertheless ? Some of the ...
Page 49
... whole is thus lawfully controlled by the familiar prin- ciple . How about compact figures ? Figure 42 is an unbroken , unified disk to everybody ; Figure 43 is a star , characterized by a subdivision into spikes ; but in Figure 44 the ...
... whole is thus lawfully controlled by the familiar prin- ciple . How about compact figures ? Figure 42 is an unbroken , unified disk to everybody ; Figure 43 is a star , characterized by a subdivision into spikes ; but in Figure 44 the ...
Page 53
... whole can be called a part . This definition is the only possible one when we are dealing with something homogeneous . Any section of the blue sky is as good as any other . But homogeneous structures are rare . Most are subdivided ...
... whole can be called a part . This definition is the only possible one when we are dealing with something homogeneous . Any section of the blue sky is as good as any other . But homogeneous structures are rare . Most are subdivided ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue