Art and Visual Perception: A Psychology of the Creative Eye |
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Page 290
... YELLOW violet yellow red green yellow blue and red orange green purple red yellow green blue RED YELLOW BLUE These mixtures can serve as stages of transition between the funda- mentals ; but the three values in the central column , each ...
... YELLOW violet yellow red green yellow blue and red orange green purple red yellow green blue RED YELLOW BLUE These mixtures can serve as stages of transition between the funda- mentals ; but the three values in the central column , each ...
Page 291
... yellow and a reddish blue with that of a reddish yellow and a bluish red . The first pair will be found to combine smoothly , whereas the second often seems to produce mutual repulsion . What is the difference ? Both contain a common ...
... yellow and a reddish blue with that of a reddish yellow and a bluish red . The first pair will be found to combine smoothly , whereas the second often seems to produce mutual repulsion . What is the difference ? Both contain a common ...
Page 292
... yellow and blue yellow Yellow blue and red blue Here again ( Figure 236 ) each pair is placed symmetrically in relation to one pole , but this time the two mixtures lie close to that pole , that is , they share the dominant . The ...
... yellow and blue yellow Yellow blue and red blue Here again ( Figure 236 ) each pair is placed symmetrically in relation to one pole , but this time the two mixtures lie close to that pole , that is , they share the dominant . The ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow yellow blue