After the Heavenly Tune: English Poetry and the Aspiration to SongAfter the Heavenly Tune offers an expansive answer to the basic question central to the history of poetry and poetics: what do poets mean when they write "I sing?" Berley's chapters on Shakespeare and Milton unfold the remarkable development of these two "speculative musical poetics" who are central to the history of English poetry. And in his last two chapters on romanticism and modernism, he draws an intriguing line from Wordsworth to Stevens, in which the aspiration to song becomes a dazzling means of exploring, scrutinizing, and redefining the burdens and achievements--poetic, philosophical, social, and personal--for individual poets in their times. After the Heavenly Tune offers not only groundbreaking studies of The Merchant of Venice and Milton's theory of prophecy, but also compelling new readings of classical and medieval literary theory, the burdens of romanticism, and the resolutions of modernism. This work will appeal to a broad audience: Renaissance, classical, and romantic literary scholars; philosophers; musicologists; theologians; and general readers interested in English poetry and Literary Studies. |
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Page 18
... practical conception of poetry either holds the Muses to be still harmonious or sees their fragmentation as inconsequential . For a poet with either of these practical conceptions , po- etry is a kind of music , for poetry is composed ...
... practical conception of poetry either holds the Muses to be still harmonious or sees their fragmentation as inconsequential . For a poet with either of these practical conceptions , po- etry is a kind of music , for poetry is composed ...
Page 40
... practical study is , as we see in the Republic , like a patriotic guitar les- son in which one learns to play the National Anthem with- out distortion . In ancient Greece , the main purpose of the practical study of music was to educate ...
... practical study is , as we see in the Republic , like a patriotic guitar les- son in which one learns to play the National Anthem with- out distortion . In ancient Greece , the main purpose of the practical study of music was to educate ...
Page 377
... Practical Music , ed . R. Alec Harman ( 1963 ; New York : Norton , 1973 ) 101 : " Music is either speculative or practical . Speculative is that kind of music which , by mathematical helps , seeketh the causes , properties and natures ...
... Practical Music , ed . R. Alec Harman ( 1963 ; New York : Norton , 1973 ) 101 : " Music is either speculative or practical . Speculative is that kind of music which , by mathematical helps , seeketh the causes , properties and natures ...
Contents
ONE Platos True Musician and the Trope | 27 |
Beyond Aristotelian Praxis | 36 |
Platonic SelfRule and Neoplatonic Frenzy | 45 |
Copyright | |
21 other sections not shown
Common terms and phrases
ability achieve Adorno ancient cycle Aristotle aspiration to song assert become Blake Blue Guitar Christian claim to song conception conceptual metaphor condition of music confront desire discord divine inspiration Donoghue early poems earthly ennobling Harmony Ficino God's hear heaven heavenly tune Hesiod Homer human Il Penseroso imagination Jessica John Keats John Milton Keats Keats's Kerrigan L'Allegro language lative Lorenzo Lorenzo's speech M. H. Abrams Maimonides means Merchant Merchant of Venice merriment merry metaphor Milton mind modern Muses nature Neoplatonic Nightingale one's Oxford Penseroso Phaedrus philosophic Plato play poet poet's poetic song Portia practical music Prelude Princeton prophecy prophetic Pythagoras reattuning relationship Renaissance rhetorical romantic says Shakespeare Shelley Shylock Sidney silence sing singer Socrates soul sounds speak speculative music Stevens Stevens's sweet theory things thou thought tion trans trope of song truth Vendler verse voice Wallace Stevens words Wordsworth writes Yeats York