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original inventive genius, he had a peculiar and inimitable breadth of humour and drollery of illustration that served as potent auxiliaries to his clear and logical argument. Shortly after Mr Smith's death, a paper was published, entitled A Fragment on the Irish Roman Catholic Church, which he had left in an incomplete state. A Memoir of his life, with a selection from his Letters, was given to the world in 1855, by his daughter, Lady Holland.

Wit the Flavour of the Mind.

When wit is combined with sense and information; when it is softened by benevolence and restrained by principle; when it is in the hands of a man who can use it and despise it-who can be witty and something more than witty-who loves honour, justice, decency, good-nature, morality, and religion ten thousand times better than wit-wit is then a beautiful and delightful part of our nature. Genuine and innocent wit like this is surely the flavour of the mind. Man could direct his ways by plain reason, and support his life by tasteless food; but God has given us wit, and flavour, and brightness, and laughter, and perfumes, to enliven the days of man's pilgrimage, and to charm his pained steps over the burning marl.

Difficulty of Governing a Nation.

It would seem that the science of government is an unappropriated region in the universe of knowledge. Those sciences with which the passions can never interfere, are considered to be attainable only by study and by reflection; while there are not many young men who doubt of their ability to make a constitution, or to govern a kingdom; at the same time there cannot, perhaps, be a more decided proof of a superficial understanding than the depreciation of those difficulties which are inseparable from the science of government. To know well the local and the natural man; to track the silent march of human affairs; to seize, with happy intuition, on those great laws which regulate the prosperity of empires; to reconcile principles to circumstances, and be no wiser than the times will permit; to anticipate the effects of every speculation upon the entangled relations and awkward complexity of real life; and to follow out the theorems of the senate to the daily comforts of the cottage, is a task which they will fear most who know it best-a task in which the great and the good have often failed, and which it is not only wise, but pious and just in common men to avoid.

Means of Acquiring Distinction.

It is natural to every man to wish for distinction; and the praise of those who can confer honour by their praise, in spite of all false philosophy, is sweet to every human heart; but as eminence can be but the lot of a few, patience of obscurity is a duty which we owe not more to our own happiness than to the quiet of the world at large. Give a loose, if you are young and ambitious, to that spirit which throbs within you; measure yourself with your equals; and learn, from frequent competition, the place which nature has allotted to you; make of it no mean battle, but strive hard; strengthen your soul to the search of truth, and follow that spectre of excellence which beckons you on beyond the walls of the world to something better than man has yet done. It may be you shall burst out into light and glory at the last; but if frequent failure convince you of that mediocrity of nature which is incompatible with great actions, submit wisely and cheerfully to your lot; let no mean spirit of revenge tempt you to throw off your loyalty to your country, and to prefer a vicious celebrity to obscurity crowned with piety and virtue.

If you can throw new light upon moral truth, or by any exertions multiply the comforts or confirm the happiness of mankind, this fame guides you to the true ends of your nature; but in the name of God, as you tremble at retributive justice, and in the name of mankind, if mankind be dear to you, seek not that easy and accursed fame which is gathered in the work of revolutions; and deem it better to be for ever unknown, than to found a momentary name upon the basis of anarchy and irreligion.

Locking in on Railways.

Railway travelling is a delightful improvement of human life. Man is become a bird; he can fly longer and quicker than a solan goose. The mamma rushes sixty miles in two hours to the aching finger of her conjugating and declining grammar-boy. The early Scotchman scratches himself in the morning mists of the north, and has his porridge in Piccadilly before the setting sun. The Puseyite priest, after a rush of a hundred miles, appears with his little volume of nonsense at the breakfast of his bookseller. Everything is near, everything is immediate-time, distance, and delay are abolished. But, though charming and fascinating as all this is, we must not shut our eyes to the price we shall pay for it. There will be every three or four years some dreadful massacre-whole trains will be hurled down a precipice, and two hundred or three hundred persons will be killed on the spot. There will be every now and then a great combustion of human bodies, as there has been at Paris; then all the newspapers up in arms-a thousand regulations, forgotten as soon as the directors dare-loud screams of the velocity whistle-monopoly locks and bolts as before.

The locking plea of directors is philanthropy; and I admit that to guard men from the commission of moral evil is as philanthropical as to prevent physical suffering. There is, I allow, a strong propensity in mankind to travel on railways without paying; and to lock mankind in till they have completed their share of the contract is benevolent, because it guards the species from degrading and immoral conduct; but to burn or crush a whole train, merely to prevent a few immoral insides from not paying, is, I hope, a little more than Ripon or Gladstone will permit.

We have been, up to this point, very careless of our railway regulations. The first person of rank who is killed will put everything in order, and produce a code of the most careful rules. I hope it will not be one of the bench of bishops; but should it be so destined, let the burnt bishop-the unwilling Latimer-remember that, however painful gradual concoction by fire may be, his death will produce unspeakable benefits to the public. From that moment the bad effects of the monopoly Even Sodor and Man will be better than nothing. are destroyed; no more fatal deference to the directors; no despotic incarceration, no barbarous inattention to the anatomy and physiology of the human body; no We shall then find it possible voyager libre sans mourir. commitment to locomotive prisons with warrant.

A Model Bishop.

A grave elderly man, full of Greek, with sound views of the middle voice and preterperfect tense, gentle and kind to his poor clergy, of powerful and commanding eloquence; in parliament, never to be put down when the great interests of mankind were concerned; leaning to the government when it was right, leaning to the people when they were right; feeling that, if the Spirit of God had called him to that high office, he was called for no mean purpose, but rather that, seeing clearly, and acting boldly, and intending purely, he might confer lasting benefits on mankind.

All Curates hope to draw Great Prizes.

I am surprised it does not strike the mountaineers how very much the great emoluments of the church are flung open to the lowest ranks of the community. Butchers, bakers, publicans, schoolmasters, are perpetually seeing their children elevated to the mitre. Let a respectable baker drive through the city from the west end of the town, and let him cast an eye on the battlements of Northumberland House; has his little muffin-faced son the smallest chance of getting in among the Percies, enjoying a share of their luxury and splendour, and of chasing the deer with hound and horn upon the Cheviot Hills? But let him drive his alum-steeped loaves a little further, till he reaches St Paul's Churchyard, and all his thoughts are changed when he sees that beautiful fabric; it is not impossible that his little penny-roll may be introduced into that splendid oven. Young Crumpet is sent to school-takes to his books-spends the best years of his life, as all eminent Englishmen do, in making Latin verses-knows that the crum in crumpet is long, and the pet shortgoes to the university-gets a prize for an Essay on the Dispersion of the Jews-takes orders becomes a bishop's chaplain-has a young nobleman for his pupil-publishes a useless classic, and a serious call to the unconverted-and then goes through the Elysian transitions of prebendary, dean, prelate, and the long train of purple, profit, and power.

FRANCIS JEFFREY.

FRANCIS JEFFREY, who exercised greater influence on the periodical literature and criticism of this century than any of his contemporaries, was a native of Edinburgh, born on the 23d of October 1773. His father was a depute-clerk in the Court of Session. After education at the High School of Edinburgh, two sessions at the university of Glasgow, and one session-from October to June 1791-92-at Queen's College, Oxford, Mr Jeffrey studied Scots law, and passed as an advocate in 1794. For many years his income did not exceed £100 per annum, but his admirable economy and independent spirit kept him free from debt, and he was indefatigable in the cultivation of his intellectual powers. He was already a Whig in politics. His literary ambition and political sentiment found scope in the Edinburgh Review, the first number of which appeared in October 1802. We have quoted Sydney Smith's account of the origin of this work; the following is a statement on the subject made by Jeffrey to Mr Robert Chambers in 1846:

I cannot say exactly where the project of the Edinburgh Review was first talked of among the projectors. But the first serious consultations about it and which led to our application to a publisher-were held in a small house, where I then lived, in Buccleuch Place (I forget the number). They were attended by S. Smith, F. Horner, Dr Thomas Brown, Lord Murray (John Archibald Murray, a Scottish advocate, and now one of the Scottish judges), and some of them also by Lord Webb Seymour, Dr John Thomson, and Thomas Thomson. The first three numbers were given to the publisher-he taking the risk and defraying the charges. There was then no individual editor, but as many of us as could be

This gentleman, distinguished for his liberality and munificence, died in Edinburgh, on the 7th of March 1859, aged

eighty-one.

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got to attend used to meet in a dingy room of Willison's printing-office, in Craig's Close, where the proofs of our own articles were read over and remarked upon, and attempts made also to sit in judgment on the few manuscripts which were then offered by strangers. But we had seldom patience to go through with this; and it was soon found necessary to have a responsible editor, and the office was pressed upon me. About the same time, Constable (the publisher) was told that he must allow ten guineas a sheet to the contributors, to which he at once assented; and not long after the minimum was raised to sixteen guineas, at which it remained during my reign. Two-thirds of the articles were paid much higher-averaging, I should think, from twenty to twenty-five guineas a sheet on the whole number. I had, I might say, an unlimited discretion in this respect, and must do the publishers the justice to say that they never made the slightest objection. Indeed, as we all knew that they had-for a long time, at least-a very great profit, they probably felt that they were at our mercy. Smith was by far the most timid of the confederacy, and believed that, unless our incognito was strictly maintained, we could not go on a day; and this was his object for making us hold our dark divans at Willison's office, to which he insisted on our repairing singly, and by back-approaches or different lanes. He had also so strong an impression of Brougham's indiscretion and rashness, that he would not let him be a member of our association, though wished for by all the rest. He was admitted, however, after the third number, and did more work for us than anybody. Brown took offence at some alterations Smith had made in a trifling article of his in the second number, and left us thus early; publishing at the same time, in a magazine, the fact of his secession-a step which we all deeply regretted, and thought scarcely justified by the provocation. Nothing of the kind occurred ever after.'

Jeffrey's memory had failed him as respects the first number of the Review, for Brougham wrote six of the articles in that number. In the Autobiography of the latter, it is stated that Jeffrey's salary as editor was for five or six years £300 a year, and afterwards £500. We have always understood that it was £50 each number from 1803 to 1809, and afterwards £200 each number. The youth of the Edinburgh reviewers was a fertile source of ridicule and contempt, but the fact was exaggerated. Smith, its projector, was thirty-one; Jeffrey, twenty-nine; Brougham, Horner, and Brown, twenty-four each-'excellent ages for such work,' as Henry Cockburn, the biographer of Jeffrey, has remarked. The world was all before the young adventurers! The only critical journal of any reputation was the Monthly Review, into which Mackintosh, Southey, and William Taylor of Norwich, occasionally threw a few pages of literary or political speculation, but without aiming at such lengthy disquisitions or severe critical analysis as those attempted by the new aspirants.

The chief merit and labour attaching to the continuance and the success of the Edinburgh Review fell on its accomplished editor. From 1803 to 1829 Mr Jeffrey had the sole management of the Review; and when we consider the distinguished ability which it has uniformly displayed,

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and the high moral character it has upheld, together with the independence and fearlessness with which from the first it has promulgated its canons of criticism on literature, science, and government, we must admit that few men have exercised such influence as Francis Jeffrey on the whole current of contemporary literature and public opinion. Besides his general superintendence, Mr Jeffrey was a large contributor to the Review. The departments of poetry and elegant literature seem to have been his chosen field; and he constantly endeavoured, as he says, 'to combine ethical precepts with literary criticism, and earnestly sought to impress his readers with a sense both of the close connection between sound intellectual attainments and the higher elements of duty and enjoyment, and of the just and ultimate subordination of the former to the latter.' This was a vocation of high mark and responsibility, and on the whole the critic discharged his duty with honour and success. As a moral writer he was unimpeachable. In poetical criticism he sometimes failed. This was conspicuously the case as regards Wordsworth and Coleridge, whose originality and rich imaginative genius he would not or could not appreciate. To Montgomery, Lamb, and other young authors he was harsh and unjust. Flushed with success and early ambition, Jeffrey and his coadjutors were more intent on finding fault than in discovering beauties, and were more piqued by occasional deviation from old established conventional rules than gratified by meeting with originality of thought or traces of true inventive genius. They improved in this respect as they grew older, and Jeffrey lived to express regret for the undue severity into which he was occasionally betrayed. Where no prejudice or prepossession intervened, he was an admirable critic. If he was not profound, he was interesting and graceful. His little dissertations on the style and works of Cowper, Crabbe, Byron, and Scott (always excepting the review of Marmion, which is a miserable piece of nibbling criticism), as well as his observations on moral science and the philosophy of life, are eloquent and discriminating, and conceived in a fine spirit of humanity. He seldom gave full scope to the expression of his feelings and sympathies, but they do occasionally break forth and kindle up the pages of his criticism. At times, indeed, his language is poetical in a high degree. The following glowing tribute to the universal genius of Shakspeare is worthy of the subject:

On the Genius of Shakspeare.

Many persons are very sensible of the effect of fine poetry upon their feelings, who do not well know how to refer these feelings to their causes; and it is always a delightful thing to be made to see clearly the sources from which our delight has proceeded, and to trace the mingled stream that has flowed upon our hearts to the remoter fountains from which it has been gathered; and when this is done with warmth as well as precision, and embodied in an eloquent description of the beauty which is explained, it forms one of the most attractive, and not the least instructive, of literary exercises. In all works of merit, however, and especially in all works of original genius, there are a thousand retiring and less obtrusive graces, which escape hasty and superficial observers, and only give out their beauties to fond and patient contemplation; a thousand slight and |

harmonising touches, the merit and the effect of which are equally imperceptible to vulgar eyes; and a thousand indications of the continual presence of that poetical spirit which can only be recognised by those who are in some measure under its influence, and have prepared themselves to receive it, by worshipping meekly at the shrines which it inhabits. In the exposition of these there is room enough for originality, and more room than Mr Hazlitt has yet filled. In many points, however, he has acquitted himself excellently; particularly in the development of the principal characters with which Shakspeare has peopled the fancies of all English readers-but principally, we think, in the delicate sensibility with which he has traced, and the natural eloquence with which he has pointed out, that familiarity with beautiful forms and images-that eternal recurrence to what is sweet or majestic in the simple aspects of nature that indestructible love of flowers and odours, and dews and clear waters-and soft airs and sounds, and bright skies, and woodland solitudes, and moonlight bowers, which are the material elements of poetry-and that fine sense of their undefinable relation to mental emotion, which is its essence and vivifying soul—and which, in the midst of Shakspeare's most busy and atrocious scenes, falls like gleams of sunshine on rocks and ruins-contrasting with all that is rugged and repulsive, and reminding us of the existence of purer and brighter elements-which he alone has poured out from the richness of his own mind without effort or restraint, and contrived to inter

mingle with the play of all the passions, and the vulgar instant the proper business of the scene, or appearing course of this world's affairs, without deserting for an to pause or digress from love of ornament or need of repose; he alone who, when the subject requires it, is always keen, and worldly, and practical, and who yet, without changing his hand, or stopping his course, scatters around him, as he goes, all sounds and shapes of sweetness, and conjures up landscapes of immortal fragrance and freshness, and peoples them with spirits of glorious aspect and attractive grace, and is a thousand times more full of imagery and splendour than those who, for the sake of such qualities, have shrunk back declined the discussion of human duties and cares. from the delineation of character or passion, and More full of wisdom, and ridicule, and sagacity, than all the moralists and satirists in existence, he is more wild, airy, and inventive, and more pathetic and fantastic, than all the poets of all regions and ages of the world; and has all those elements so happily mixed up in him, and bears his high faculties so temperately, that the most severe reader cannot complain of him for want of strength or of reason, nor the most sensitive for defect of ornament or ingenuity. Everything in him is in unmeasured abundance and unequalled perfection; but everything so balanced and kept in subordination as not to jostle or disturb or take the place of another. The most exquisite poetical conceptions, images, and descriptions are given with such brevity, and introduced with such skill, as merely to adorn without loading the sense they accompany. Although his sails are purple, and perfumed, and his prow of beaten gold, they waft him on his voyage, not less, but more rapidly and directly, than if they had been composed of baser materials. All his excellences, like those of Nature herself, are thrown out together; and instead of interfering with, support and recommend each other. His flowers are not tied up in garlands, nor his fruits crushed into baskets, but spring living from the soil, in all the dew and freshness of youth; while the graceful foliage in which they lurk, and the ample branches, the rough and vigorous stem, and the wide-spreading roots on which they depend, are present along with them, and share, in their places, the equal care of their creator.

Of the invention of the steam-engine, Jeffrey remarks, with a rich felicity of illustration:

It has become a thing stupendous alike for its force and its flexibility for the prodigious power which it can exert, and the ease, and precision, and ductility with which it can be varied, distributed, and applied. The trunk of an elephant, that can pick up a pin or rend an oak, is as nothing to it. It can engrave a seal, and crush masses of obdurate metal before it draw out, without breaking, a thread as fine as gossamer, and lift up a ship of war like a bauble in the air. embroider muslin and forge anchors, cut steel into ribbons, and impel loaded vessels against the fury of the winds and waves.

It can

How just, also, and how finely expressed, is the following refutation of a vulgar error that even Byron condescended to sanction-namely, that genius is a source of peculiar unhappiness to its

possessors:

Men of Genius generally Cheerful. Men of truly great powers of mind have generally been cheerful, social, and indulgent; while a tendency to sentimental whining or fierce intolerance may be ranked among the surest symptoms of little souls and inferior intellects. In the whole list of our English poets we can only remember Shenstone and Savagetwo certainly of the lowest-who were querulous and discontented. Cowley, indeed, used to call himself melancholy; but he was not in earnest, and at anyrate was full of conceits and affectations, and has nothing to make us proud of him. Shakspeare, the greatest of them all, was evidently of a free and joyous temperament; and so was Chaucer, their common master. The same disposition appears to have predominated in Fletcher, Jonson, and their great contemporaries. The genius of Milton partook something of the austerity of the party to which he belonged, and of the controversies in which he was involved; but even when fallen on evil days and evil tongues, his spirit seems to have retained its serenity as well as its dignity; and in his private life, as well as in his poetry, the majesty of a high character is tempered with great sweetness, genial indulgences, and practical wisdom. In the succeeding age our poets were but too gay; and though we forbear to speak of living authors, we know enough of them to say with confidence, that to be miserable or to be hated is not now, any more than heretofore, the common lot of those who excel.

legal brethren, elected Dean of the Faculty of Advocates, and he then resigned the editorship of the Review into the hands of another Scottish advocate, MR MACVEY NAPIER (17771847). In 1830, on the formation of Earl Grey's ministry, Jeffrey was nominated to the first office and sat for some time in parliament. In 1834 he under the crown in Scotland-Lord Advocategladly exchanged the turmoil of politics for the duties of a Scottish judge; and as Lord Jeffrey, he sat on the bench until within a few days of his death, on the 26th of January 1850. As a judge he was noted for undeviating attention, uprightness, and ability; as a citizen, he was esteemed and beloved. He practised a generous though unostentatious hospitality, preserved all the finer qualities of his mind undiminished to the last, and delighted a wide circle of ever-welcome friends and visitors by his rich conversational powers, candour, and humanity. The more important of Jeffrey's contributions to the Edinburgh Review were collected by him in 1844, and published in four volumes, since reprinted in one large volume. We add part of a review of Campbell's Specimens of the British Poets, 1819.

The Perishable Nature of Poetical Fame.

Next to the impression of the vast fertility, compass, and beauty of our English poetry, the reflection that recurs most frequently and forcibly to us in accompanying Mr Campbell through his wide survey, is the perishable nature of poetical fame, and the speedy oblivion that has overtaken so many of the promised heirs of immortality. Of near two hundred and fifty authors, whose works are cited in these volumes, by far the greater part of whom were celebrated in their generation, there are not thirty who now enjoy anything that can be called popularity-whose works are to be found in the hands of ordinary readers, in the shops of ordinary booksellers, or in the press for republication. About fifty more may be tolerably familiar to men of taste or literature; the rest slumber on the shelves of collectors, and are partially known to a few antiquaries and scholars. Now, the fame of a poet is popular, or nothing. He does not address himself, like the man of science, to the learned, or those who desire to learn, but to all mankind; and his purpose being to delight and to be praised, necessarily extends to all who can receive pleasure, or join in applause. It is strange, and somewhat humiliating, to see how great a proportion of those who had once fought their way successfully to distinction, and surmounted the rivalry of contemporary envy, have again sunk into neglect. We admit that nothing but what is good can be permanently have great deference for public opinion; and readily popular. But though its vivat be generally oracular, its pereat appears to us to be often sufficiently capricious; and while we would foster all that it bids to live, we would willingly revive much that it leaves to die. The very multiplication of works of amusement necessarily withdraws many from notice that deserve to be kept in remembrance; for we should soon find it labour, and not amusement, if we were obliged to make use of them all, or even to take all upon trial. As the materials of enjoyment and instruction accumulate around us, more and more must thus be daily rejected and left to waste: for while our tasks lengthen, our lives remain as short as time itself is flying swiftly away. This superfluity and ever; and the calls on our time multiply, while our abundance of our treasures, therefore, necessarily renders much of them worthless; and the veriest accidents may, At the bar, Jeffrey's eloquence and intrepidity in such a case, determine what part shall be preserved, were not less conspicuous than his literary talents. and what thrown away and neglected. When an army In 1829 he was, by the unanimous suffrages of his | is decimated, the very bravest may fall; and many poets,

Innumerable observations of this kind, remarkable for ease and grace, and for original reflection, may be found scattered through Lord Jeffrey's critiques. His political remarks and views of public events are equally discriminating, but of course will be judged of according to the opinions of the reader. None will be found at variance with national honour or morality, which are paramount to all mere party questions. In his office of literary critic, when quite impartial, Lord Jeffrey exercised singular taste and judgment in making selections from the works he reviewed, and interweaving them, as it were, with the text of his criticism. Whatever was picturesque, solemn, pathetic, or sublime, caught his eye, and was thus introduced to a new and vastly extended circle of readers, besides furnishing matter for various collections of extracts and innumerable schoolexercises. The chief defect of his writing is the occasional diffuseness and carelessness of his style. He wrote as he spoke, with great rapidity and with a flood of illustration.

worthy of eternal remembrance, have been forgotten, merely because there was not room in our memories for all.

By such a work as the Specimens, however, this injustice of fortune may be partly redressed-some small fragments of an immortal strain may still be rescued from oblivion—and a wreck of a name preserved, which time appeared to have swallowed up for ever. There is something pious, we think, and endearing, in the office of thus gathering up the ashes of renown that has passed away; or rather, of calling back the departed life for a transitory glow, and enabling those great spirits which seemed to be laid for ever, still to draw a tear of pity, or a throb of admiration, from the hearts of a forgetful generation. The body of their poetry, probably, can never be revived; but some sparks of its spirit may yet be preserved, in a narrower and feebler

frame.

minister a sister of Dr Robertson the historian. This lady had a daughter, and Eleanora Syme became the wife of Henry Brougham, younger of Brougham Hall in Westmoreland. The first offspring of the marriage was a son, born September 19, 1778, and named Henry Peter. The latter name he seems early to have dropped. At an early age, Henry Brougham was sent to the High School of Edinburgh, and his contemporary, Lord Cockburn, in his Memorials of his Time, relates a characteristic anecdote, typical of Brougham's future career. Brougham,' he says, 'made his first public explosion in Fraser's (the Latin) class. He dared to differ from Fraser, a hot, but goodnatured old fellow, on some small bit of Latinity. The master, like other men in power, maintained his own infallibility, punished the rebel, and flattered When we look back upon the havoc which two himself that the affair was over. But Brougham hundred years have thus made in the ranks of our immortals—and, above all, when we refer their rapid to the charge before the whole class, and comreappeared next day, loaded with books, returned disappearance to the quick succession of new competitors, and the accumulations of more good works than pelled honest Luke to acknowledge he had been there is time to peruse-we cannot help being dismayed wrong. This made Brougham famous throughout at the prospect which lies before the writers of the the whole school. I remember having had him present day. There never was an age so prolific of pointed out to me as the fellow who had beat popular poetry as that in which we now live; and as the master.' From the High School, Brougham wealth, population, and education extend, the produce entered the university, and applied himself so is likely to go on increasing. The last ten years have assiduously to the study of mathematics, that in produced, we think, an annual supply of about ten 1796 he was able to contribute to the Philosophithousand lines of good staple poetry-poetry from the cal Transactions a paper on Experiments and very first hands that we can boast of that runs quickly Observations on the Inflection, Reflection, and to three or four large editions-and is as likely to be Colours of Light. In 1798 he had another paper permanent as present success can make it. Now, if this goes on for a hundred years longer, what a task will in the same work, General Theorems, chiefly await the poetical readers of 1919! Our living poets Porisms in the Higher Geometry. Thomas Campwill then be nearly as old as Pope and Swift are at bell, who then lived in Edinburgh, said the best present, but there will stand between them and that judges there regarded these theorems, as proceedgeneration nearly ten times as much fresh and fashion-ing from a youth of twenty, 'with astonishment.' able poetry as is now interposed between us and those writers; and if Scott, and Byron, and Campbell have already cast Pope and Swift a good deal into the shade, in what form and dimensions are they themselves likely to be presented to the eyes of their great-grandchildren? The thought, we own, is a little appalling; and, we confess, we see nothing better to imagine than that they may find a comfortable place in some new collection of specimens-the centenary of the present publication. There -if the future editor have anything like the indulgence and veneration for antiquity of his predecessor-there shall posterity still hang with rapture on the half of Campbell, and the fourth part of Byron, and the sixth of Scott, and the scattered tithes of Crabbe, and the three per cent. of Southey; while some good-natured critic shall sit in our mouldering chair, and more than half prefer them to those by whom they have been superseded! It is an hyperbole of good-nature, however, we

fear, to ascribe to them even those dimensions at the end of a century. After a lapse of two hundred and fifty years, we are afraid to think of the space they may have shrunk into. We have no Shakspeare, alas! to shed a never-setting light on his contemporaries; and if we continue to write and rhyme at the present rate for two hundred years longer, there must be some new art of short-hand reading invented, or all reading must be given up in despair.

HENRY, LORD BROUGHAM.

Of the original contributors to the Edinburgh Review, the most persevering, voluminous, and varied was HENRY BROUGHAM, also, like Jeffrey, a native of Edinburgh. His family, however, belonged to the north of England. The father of the future Lord Chancellor came to reside in Edinburgh, and lodged with the widow of a Scottish

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Having finished his university course, Henry Brougham studied for the Scottish bar, at which he practised till 1807. In 1803, besides co-oper ating zealously in the Edinburgh Review, he published an elaborate work in two volumes, An Inquiry into the Colonial Policy of the European Powers, in which he discussed the colonial systems of America, France, Spain, and England. His unwearied application, fearlessness, and vehement oratory made him distinguished as an English barrister, and in 1810 he entered the House of Commons, and joined the Whig opposition. There he rose to still greater eminence. His political career does not fall within the scope of this work, but it strikingly illustrates the sagacity of his friend, Francis Horner, who said of him in January 1810: 'I would predict that, though he about him to be felt by those with whom he is may very often cause irritation and uncertainty politically connected, his course will prove, in the main, serviceable to the true faith of liberty and liberal principles.' In the course of his ambitious career, Henry Brougham fell off from his early friends. We have no trace of him in the genial correspondence of Horner, Sydney Smith, or Jeffrey. Politicians neither love nor hate, according to Dryden; but though Brougham could not inspire affection, and was erratic and inconsistent in much of his conduct, amidst all his personal ambition, rashness, and indiscretion, he was the steady friend of public improvement, of slave abolition, popular education, religious toleration, free trade, and law reform. Here were ample grounds for public admiration; and when in 1830 he received the highest professional advancement,

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