Visual Methods in Social Research

Front Cover
SAGE, Mar 9, 2001 - Social Science - 224 pages
There has been an explosion of interest in visual culture - coming largely from work in sociology, anthropology and cultural studies and while there are a number of practical and technical manuals available for film, photographic and other visual media, there is a dearth of writing that combines both the practical and the technical. This book redresses this with a balanced approach that is written primarily for students in the social sciences who wish to use visual materials in the course of empirical, qualitative field research. It should also be of interest to experienced researchers who wish to expand their methodological approaches.

Visual methods provides empirical approaches to both image creation and image analysis, drawing on a wide range of examples: from research conducted on Egyptian television soap opera, to the sale of ethnographic photographs in London auction houses, to pornographic images on the Web. New technologies are also included, with image digitization and computer-based multimedia extensively covered. There are sections on using film and photographic archives, and useful practical advice on publishing and presenting the results of visual research.

Marcus Banks stresses the material nature of visual media, as objects that are entangled in social relations and argues for a humanistic, engaged and reflexive approach to social research.

This book will be an indispensable guide for the use and study of social images.

 

Contents

Chapter 1 Reading pictures
1
Chapter 2 Encountering the visual
13
Chapter 3 Material vision
49
Chapter 4 Research strategies
73
Chapter 5 Making images
111
Chapter 6 Presenting research results
139
Chapter 7 Perspectives on visual research
175
Further resources
181
Bibliography
183
Filmography
195
Index
197
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About the author (2001)

Marcus Banks is Professor of Visual Anthropoloigy at the University of Oxford. Having completed a doctorate in social anthropology at the University of Cambridge, with a study of Jain people in England and India, he trained as an ethnographic documentary filmmaker at the National Film and Television School, Beaconsfield, UK. He is the author Using Visual Data in Qualitative Research (2007) and co-editor of Rethinking Visual Anthropology (1997, with Howard Morphy), and Made to be Seen: Perspectives on the History of Visual Anthropology (2011, with Jay Ruby), as well as publishing numerous papers on visual research. He has published on documentary film forms and film practice in colonial India, and is currently conducting research on image production and use in forensic science practice.

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