Movement and Mimesis: The Idea of Dance in the Sanskritic TraditionThe most comprehensive view of the evolution of dancing in India is one that is derived from Sanskrit textual sources. These texts are the basic material that students of the dance in India must examine in order to uncover its past. Since the rebirth of informed interest in dancing in early twentieth century, its antiquity has been acknowledged but precisely what the art was in antiquity remains unclear. Discovering the oldest forms of dancing in India requires, as do other historical quests, a reconstruction of the past and, again as in other historical investigations, the primary sources of knowledge are records from the past. In this case the records are treatises and manuals in Sanskrit that discuss and describe dancing. These are the sources that the present work sets out to mine. These texts taken collectively are more than records of a particular state of the art. They testify to the growth of the theory and practice of the art and thus establish it as an evolving rather than a fixed art form that changed as much in response to its own expanding aesthetic boundaries as to parallel or complementary forms of dance, drama and music that impinged upon it as India's social and political situation changed. When we place the Sanskrit treatises in chronological sequence it becomes clear that the understanding of the art has changed through time, in its infancy as well as in maturer periods. |
Other editions - View all
Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition Mandakranta Bose Limited preview - 1991 |
Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition Mandakranta Bose No preview available - 2012 |
Common terms and phrases
Abhinavagupta abhinaya Abhinayadarpaṇa angahāras angas anibandha anibandhanṛtta bandha bandhanṛtta Bh.P bhāṇa Bharata Bharatanatyam Bharatārṇava bhāva Bhoja bhramaris body movements carcari cări cāris century chapter classical Indian dancing commentary composition dance pieces dance-unit Dasarūpaka delicate described desi dance desi q.v. desi tradition desilāsya q.v. desinṛtta detail Dhananjaya Dhanika discussion dramatic presentation dvipadi feature of desilāsya follows gestures group dance hand-gestures Hemacandra includes India instrumental music kalāsa Kālidāsa karana karaṇas Kathak Kathakali kāvya Kohala lasya lāsyāngas later literature Mālavikāgnimitra Mānasollāsa maṇḍala mārga medieval period mentioned mimetic mimetic dance minor drama minor dramatic type minor types musical mode names Nartananirṇaya nāṭya nāṭyarāsaka Natyaśāstra NLRK nṛtta Nṛttaratnavali nṛtya nṛtyabhedas Odissi Pārsvadeva performed pindibandhas postures Pundarika Purāṇa rāga Raghavan rasa rāsaka refers rhythm rūpakas sangita Sangitadāmodara Sangitamakaranda Sangitaratnākara Sangitasamayasāra Sanskrit Sāradātanaya SDām song SSam sthānas tāla tāṇḍava term types of drama uparūpakas variety verses Warder