The stately seates, the ladies bright of hewe, The palme-play", where, dispoyled for the game, The gravell grounde', wyth sleves tied on the helmes, The secret groves, which ofte we made resounde The wylde forest, the clothed holtes with grene*, brendered unfit, or unable, to play. [Despoiled, is the spogliato of the Italian: stripped for the game.—NOTT.] c dazzled eyes. to tempt, to catch. e The ladies were ranged on the leads, or battlements, of the castle to see the play. The ground, or area, was strown with gravel, where they were trained in chivalry. At tournaments they fixed the sleeves of their mistresses on some part of their "Avayle their tayles," to drop or lower. By that the welked Phebus gan AVAYLE And in the Faerie Queene, with the true But when his latter ebbe gins to AVALE. TO VALE, or avale, the bonnet, was a phrase for lowering the bonnet, or pulling off the hat. The word occurs in Chaucer, Troil. and Cress. iii. 627. That such a raine from heaven gan AVAILE. And in the fourth book of his Boethius, "The light fire ariseth into height, and the hevie yerthes AVAILEN by their weightes." pag. 394. col. 2. edit. Urr. From the French verb AVALER, which is from their adverb AVAL, downward. See also Hearne's Gloss. Rob. Br. p. 524. Drayton uses this word, where perhaps it is not properly understood. Ecl. iv. p. 1404. edit. 1753. The void vales" eke, that harbourd us ech nyght, The secret thoughtes imparted with such trust; And wyth this thought the bloud forsakes the face; * "O place of blisse, renewer of my woes! Give me accompt, where is my noble fereo, Whom in thy walles thou doest eche night enclose, Eccho, alas, that doth my sorrow rewer, In the poet's situation, nothing can be more natural and striking than the reflection with which he opens his complaint. There is also much beauty in the abruptness of his exordial exclamation. The superb palace, where he had passed the most pleasing days of his youth with the son of a king, was now converted into a tedious and solitary prison! This unexpected vicissitude of fortune awakens a new and interesting train of thought. The comparison of his past and present circumstances recals their juvenile sports and amusements; which were more to be regretted, as young Richmond was now dead. Having described some of these with great elegance, he recurs to his first idea by a beautiful n Probably the true reading is wales or walls. That is, lodgings, apartments, &c. These poems were very corruptly printed by Tottel. [The printed copy reads "wide vales." Dr. Nott has obtained the reading of the text from the Harrington MS., and illustrates it by observing: In Surrey's time, not only in noblemen's houses, but in royal palaces when the court was not resident, it was usual to take down all the tapestry and hangings. But why is vales suffered to stand when the same poem supplies us with the genuine orthography of Surrey? apostrophe. He appeals to the place of his confinement, once the source of his highest pleasures: "O place of bliss, renewer of my woes! And where is now my noble friend, my companion in these delights, who was once your inhabitant? Echo alone either pities or answers my question, and returns a plaintive hollow sound!" He closes his complaint with an affecting and pathetic sentiment, much in the style of Petrarch: "To banish the miseries of my present distress, I am forced on the wretched expedient of remembering a greater!" This is the consolation of a warm fancy. It is the philosophy of poetry. Some of the following stanzas, on a lover who presumed to compare his lady with the divine Geraldine, have almost the ease and gallantry of Waller. The leading compliment, which has been used by later writers, is in the spirit of an Italian fiction. It is very ingenious, and handled with a high degree of elegance. Give place, ye Lovers, here before That spent your bostes and bragges in vaine: The best of yours, I dare wel sayne, And therto hath a troth as just For what she sayth, ye may it trust, I could reherse, if that I would, I knowe, she swore with raging mynde, She could not make the like agayne. The versification of these stanzas is correct, the language polished, and the modulation musical. The following stanza, of another ode will hardly be believed to have been produced in the reign of Henry the Eighth. Spite drave me into Boreas' raigne", In an Elegy on the elder sir Thomas Wyat's death, his character is delineated in the following nervous and manly quatraines. A visage, sterne and milde; where both did growe, Amid great stormes, whom grace assured so, A hart, where dreade was never so imprest To hide the thought that might the troth avance; To swell in welth, or yeld unto mischance.” The following lines on the same subject are remarkable. Some that in presence of thy livelyhede Lurked, whose brestes envy with hate had swolne, Yeld Cesar's teares upon Pompeius' head.a There is great dignity and propriety in the following Sonnet on Wyat's PSALMS. In the riche ark Dan Homer's rimes he placed, What holy grave, what worthy sepulchre, To Wiattes Psalmes should Christians then purchàse? Of just David by perfite penitence. "Her anger drove me into a colder climate. y piercing. 2 Fol. 17. In princes hartes God's scourge imprinted depe Ought them awake out of their sinful slepe.d Probably the last lines may contain an oblique allusion to some of the king's amours. Some passages in his Description of the restlesse state of a Lover, are pictures of the heart, and touched with delicacy. I wish for night, more covertly to plaine, To seke the place where I myself had lost, The venom'd shaft, which doth its force restore Unto myself, unlesse this carefull song Print in your hart some parcel of For I, alas, in silence all too long, my tenef. Of mine old hurt yet fele the wound but grene. Surrey's talents, which are commonly supposed to have been confined to sentiment and amorous lamentation, were adapted to descriptive poetry and the representations of rural imagery. A writer only that viewed the beauties of nature with poetic eyes, could have selected the vernal objects which compose the following exquisite ode.h The soote season, that bud and blome forth brings, d Fol. 16. e behaviour, looks. f sorrow. 8 Fol. 2. h Fol. 2. *[The following lines from Turberville's poems, 1567, denote a close attention to Surrey. Since snakes do cast their shrivelled skinnes And bucks hange up their heads on pale; Since frisking fishes lose their finnes i destruction. f. 110.-PARK.] |