Fugitive Pieces, on Various Subjects, Volume 1R. and J. Dodsley, 1761 - English essays |
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Page 7
... turning toward CRITO , if you have ever found Leisure and Calmnefs enough to think fteadily on fo uncertain , and fo engaging a Subject ; why fhould not you oblige us with the Re- fult of your Thoughts upon it ? Let me beg it of you ...
... turning toward CRITO , if you have ever found Leisure and Calmnefs enough to think fteadily on fo uncertain , and fo engaging a Subject ; why fhould not you oblige us with the Re- fult of your Thoughts upon it ? Let me beg it of you ...
Page 9
... Turn , that I mean real perfonal Beauty , ) would fall under one or other of these Four Heads ; Color , Form , Expreffion , and Grace . The Two former of which I should look upon as the Body , and the Two latter as the Soul , of Beauty ...
... Turn , that I mean real perfonal Beauty , ) would fall under one or other of these Four Heads ; Color , Form , Expreffion , and Grace . The Two former of which I should look upon as the Body , and the Two latter as the Soul , of Beauty ...
Page 13
... Turn of each Part , as well as the Symmetry of the whole Body , even to the Turn [ d ] The Look here meant is moft frequently expreft by the best Paint . ers in their Magdalens ; in which , if there were no Tears on the Face , you would ...
... Turn of each Part , as well as the Symmetry of the whole Body , even to the Turn [ d ] The Look here meant is moft frequently expreft by the best Paint . ers in their Magdalens ; in which , if there were no Tears on the Face , you would ...
Page 14
... Turning of the Neck , the ex- tending of the Hand , the Placing of a Foot ; and fo on to the moft minute Particulars . The general Cause of Beauty in the Form or Shape in both Sexes is a Proportion , or an Union and Harmony [ e ] , in ...
... Turning of the Neck , the ex- tending of the Hand , the Placing of a Foot ; and fo on to the moft minute Particulars . The general Cause of Beauty in the Form or Shape in both Sexes is a Proportion , or an Union and Harmony [ e ] , in ...
Page 17
... Turn , but not formal . The Cheeks fhould not be wide ; fhould have a Degree of Plumpness with the Red and White finely blended together ; and fhould look firm and foft . The Ear fhould be rather small then large ; well folded , and ...
... Turn , but not formal . The Cheeks fhould not be wide ; fhould have a Degree of Plumpness with the Red and White finely blended together ; and fhould look firm and foft . The Ear fhould be rather small then large ; well folded , and ...
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Common terms and phrases
Accompliſhments againſt almoſt anſwer Apollo Belvedere Beauty becauſe beſt Cafe Cauſe Charms chooſe Cicero Color Confequence confider Converfation CRITO defcribing defigned defire deformed Perfons Delicacy Difpofition diſcover Drefs eafy Efteem Elegance Eunuchs Expreffion faid fame feems feveral fhall fhew fhould fince firft firſt fmall fome fometimes foon fpeaking ftill fuch fure give Grace greateſt Happineſs hath higheſt himſelf Honour Houſe human Inftance itſelf juft juſt Ladies laft leaft leaſt lefs Love Mankind Manner ment MILESIUS Mind moft moſt muft muſt myſelf Nature neceffary never Number obferved Occafion Ovid Paffions pafs Philocles Philofopher pleafing pleaſe Pleaſure poffible polite preſent Pretty Gentleman Purpoſe raiſed Reaſon refined Refpect rife ſay ſcarce ſee ſeems ſeen Senfe Senſe ſhall ſhe ſome Sophronius Sort ſpeak ſuch Tafte thefe themſelves theſe thing thofe thoſe Thouſand Tibullus TIMANTHES tion Underſtanding univerfal uſed Virtue Weakneſs whilft whofe World