DESPONDENCY, AN ODE. [This, and the "Ode to Ruin" are on the same subject, and were composed on the same occasion as the foregoing. It is sad to think of the author, who was even then in the bloom of young manhood-only 27 years old-writing thus, and reverting to his "enviable early days." And how tender and beautiful is the closing apostrophe to the younger portion of his Ayrshire compeers: "Ye tiny elves that guiltless sport, like linnets in the bush, Ye little know the ills ye court, when Manhood is your wish!" In one of his letters written about the same period, he says "The consequences of my follies may perhaps make it impracticable for me to stay at home; and besides, I have for some time been pining under secret wretchedness, from causes which you pretty well know-the pang of disappointment, the sting of pride, with some wandering stabs of remorse, which never fail to settle on my vitals like vultures, when attention is not called away by the vagaries of the Muse."] OPPRESS'D with grief, oppress'd with care, I set me down and sigh: Still caring, despairing, Must be my bitter doom; Happy! ye sons of Busy-life, Ev'n when the wished end's deny'd, Meet ev'ry sad-returning night, And joyless morn the same. You, bustling and justling, Find ev'ry prospect vain. How blest the Solitary's lot, The cavern wild with tangling roots, His thoughts to Heaven on high, Than I, no lonely Hermit plac'd The lucky moment to improve, But ah! those pleasures, Loves and Joys, Which I too keenly taste, The Solitary can despise, Can want, and yet be blest! He needs not, he heeds not, Oh, enviable, early days, When dancing thoughtless Pleasure's maze, How ill exchang'd for riper times, Of others, or my own! Ye tiny elves that guiltless sport, That active man engage; MAN WAS MADE TO MOURN, A DIRGE. [Lockhart remarks, "The indignation with which Burns through life contemplated the inequality of human condition, and particularly (and who shall say with absolute injustice?) the contrast between his own felt intellectual strength and his worldly circumstances, were never more bitterly nor more loftily expressed than in some of these stanzas:-See yonder poor, o'erlabour'd wight, &c. The hint for this production was derived from an old Scots dirge called "The Life and Age of Man," which his mother had committed to memory while yet a little girl. The poet tells Mrs. Dunlop in one of his letters, that an old granduncle of his, with whom his mother was brought up, and who was long blind before he died, experienced great enjoyment in sitting beside her and crying while she sung over to him the metrical history of Man, which is so pathetically told in the song. Cromek recovered the old words from the recitation of the poet's mother.] WHEN chill November's surly blast Made fields and forests bare, Young stranger, whither wand'rest thou? Does thirst of wealth thy step constrain, Or haply, prest with cares and woes, To wander forth, with me, to mourn The Sun that overhangs yon moors, O Man! while in thy early years, Which tenfold force gives Nature's law, Look not alone on youthful Prime, But see him on the edge of life, With Cares and Sorrows worn, Then Age and Want, Oh! ill-match'd pair! Show Man was made to mourn. A few seem favourites of Fate, In Pleasure's lap carest; Yet, think not all the Rich and Great, Are likewise truly blest. But Oh! what crouds in ev'ry land, All wretched and forlorn, Thro' weary life this lesson learn, Many and sharp the num'rous Ills More pointed still we make ourselves, And Man, whose heav'n-erected face, Makes countless thousands mourn! See, yonder poor, o'erlabour'd wight, If I'm design'd yon lordling's slave, Or why has Man the will and pow'r Yet, let not this too much, my Son, The poor, oppressed, honest man Had never, sure, been born, O Death! the poor man's dearest friend, Welcome the hour, my aged limbs The Great, the Wealthy fear thy blow, But Oh! a blest relief for those That weary-laden mourn! |