The Works of Shakspeare: From the Text of Johnson, Steevens, and Reed |
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Page lv
I am the more bold to offer you this particular instance , because the late Mr. Addison , while I sat by him , to see the scene acted , made the same observation ; asking me , with some surprise , if I thought Hamlet should be in so ...
I am the more bold to offer you this particular instance , because the late Mr. Addison , while I sat by him , to see the scene acted , made the same observation ; asking me , with some surprise , if I thought Hamlet should be in so ...
Page lvii
Garrick was often present at these scenes of misery , and used to say that it gave him the first idea of Lear's madmess . ... When Garrick re - entered the scene , with the body dagger in his hand , he was absolutely scared out of his ...
Garrick was often present at these scenes of misery , and used to say that it gave him the first idea of Lear's madmess . ... When Garrick re - entered the scene , with the body dagger in his hand , he was absolutely scared out of his ...
Page lix
His scene with the Ghost was all that the most critical judgment could require ; for without once degenerating into rant , he was imcontinued before him , his eye was fixed in eager pressive in the highest degree .
His scene with the Ghost was all that the most critical judgment could require ; for without once degenerating into rant , he was imcontinued before him , his eye was fixed in eager pressive in the highest degree .
Page lx
In the scene where his fiend - like wife persuades him to assassinate his guest , the noble burst tia's dead ! " it was the voice of nature whispered from the heart of a stoic . The way in which he relieved his drowsy page from bis ...
In the scene where his fiend - like wife persuades him to assassinate his guest , the noble burst tia's dead ! " it was the voice of nature whispered from the heart of a stoic . The way in which he relieved his drowsy page from bis ...
Page lxi
From the first scene of Iago to the last , his excellence was of the highest order : we notice one passage by way of ... That Cassio's not alive , ' Cooke's acting throughout the last scenes was amazingly energetic ; the horrors of the ...
From the first scene of Iago to the last , his excellence was of the highest order : we notice one passage by way of ... That Cassio's not alive , ' Cooke's acting throughout the last scenes was amazingly energetic ; the horrors of the ...
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answer appear Attendants bear Beat better blood bring brother comes Count daughter dear death desire doth Duke Enter Exeunt Exit eyes face fair faith father fear follow fool Ford fortune gentle give gone grace hand hast hath head hear heard heart heaven hold honour hope hour husband I'll John keep kind king lady leave Leon live look lord madam marry master mean meet mind mistress nature never night noble once peace play poor pray present prince reason rest Rich SCENE seems servant serve Shakspeare soul speak Speed spirit stand stay sure sweet tell thank thee thing thou thou art thought tongue true truth turn wife woman young
Popular passages
Page 152 - It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Page 304 - All murder'd : for within the hollow crown That rounds the mortal temples of a king Keeps Death his court, and there the antic sits, Scoffing his state and grinning at his pomp...
Page 265 - The times have been That, when the brains were out, the man would die, And there an end ; but now they rise again, With twenty mortal murders on their crowns, And push us from our stools.
Page 104 - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Page 292 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.
Page 115 - ... the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt : The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven ; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name.
Page 107 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath. That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Page 155 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines...
Page lx - Antiquity, like every other quality that attracts the notice of mankind has undoubtedly votaries that reverence it, not from reason, but from prejudice. Some seem to admire indiscriminately whatever has been long preserved without considering that time has sometimes co-operated with chance ; all perhaps are more willing to honour past than present excellence; and the mind contemplates genius through the shades of age as the eye surveys the sun through artificial opacity. The great contention of criticism...
Bibliographic information
| Title | The Works of Shakspeare: From the Text of Johnson, Steevens, and Reed |
| Author | William Shakespeare |
| Illustrated by | William Harvey, Robert Seymour, Cornelius Janssen van Ceulen |
| Contributor | Sherwood and Co. (London) |
| Publisher | proprietors of the "London stage", 1825 |
| Original from | Harvard University |
| Digitized | 10 Feb 2006 |
| Length | 896 pages |
| Export Citation | BiBTeX EndNote RefMan |