Art and Life: A Ruskin Anthology |
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Page 24
... character , as essays on art , is their bringing everything to a root in human passion or human hope . Arising first not in any de- sire to explain the principles of art , but in the endeavor to defend an individual painter from ...
... character , as essays on art , is their bringing everything to a root in human passion or human hope . Arising first not in any de- sire to explain the principles of art , but in the endeavor to defend an individual painter from ...
Page 25
... character of generations . A bad woman may have a sweet voice ; but that sweetness of voice comes of the past morality of her race . That she can sing with it at all , she owes to the determina- tion of laws of music by the morality of ...
... character of generations . A bad woman may have a sweet voice ; but that sweetness of voice comes of the past morality of her race . That she can sing with it at all , she owes to the determina- tion of laws of music by the morality of ...
Page 28
... character of Greek art is not Beauty , but Design : and the Dorian Apollo - worship and Athenian Virgin- worship are both expressions of adoration of divine Wisdom and Purity . Next to these great deities rank , in power over the ...
... character of Greek art is not Beauty , but Design : and the Dorian Apollo - worship and Athenian Virgin- worship are both expressions of adoration of divine Wisdom and Purity . Next to these great deities rank , in power over the ...
Page 31
... character becomes passionate in the art , and intensifies itself in all its noblest or meanest delights . Nay , not only as in a microscope , but as un- der a scalpel , and in dissection ; for a man may hide himself from you , or ...
... character becomes passionate in the art , and intensifies itself in all its noblest or meanest delights . Nay , not only as in a microscope , but as un- der a scalpel , and in dissection ; for a man may hide himself from you , or ...
Page 32
... character . - Modern Painters , III . , p . 114 . THE EQUESTRIAN STATUE OF THE DUKE OF WELL- INGTON . You have a portrait of the Duke of Welling- ton at the end of the North Bridge - one of the thou- sand equestrian statues of Modernism ...
... character . - Modern Painters , III . , p . 114 . THE EQUESTRIAN STATUE OF THE DUKE OF WELL- INGTON . You have a portrait of the Duke of Welling- ton at the end of the North Bridge - one of the thou- sand equestrian statues of Modernism ...
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Common terms and phrases
architecture artist Athena beautiful better birds Brantwood Chace character cloud color Coniston Correggio creature dark delight Denmark Hill Deucalion drawing dress dust earth England English entirely eyes father feel flowers garden Giorgione Giotto girls give gold Gothic Greek green ground hand heart heaven Herne Hill honor human imagination kind labor leaves Lect less light Lilies living look master means mind Modern Painters mountain nation natural ness never noble once painting passion peasants perfect persons picture pleasure poor Pre-Raphaelitism Proserpina Pulveris pure purple religious rock Ruskin sculpture shadow side soul stone Stones of Venice strength suppose thing thought Tide Tintoret tion Titian true truth Turner Ulverstone Unto This Last Venetian Venice vulgar walls Warwick Castle waves wealth whole Wild Olive wind words
Popular passages
Page 561 - I find this conclusion more impressed upon me, — that the greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, — all in one.
Page 218 - Stuarts' throne; The bigots of the iron time Had called his harmless art a crime. A wandering Harper, scorned and poor, He begged his bread from door to door, And tuned, to please a peasant's ear, The harp a king had loved to hear.
Page 169 - ... signs of the life and liberty of every workman who struck the stone ; a freedom of thought and rank in scale of being, such as no laws, no charters, no charities can secure ; but which it must be the first aim of all Europe at this day to regain for her children.
Page 174 - ... a confusion of delight, amidst which the breasts of the Greek horses are seen blazing in their breadth of golden strength, and the St. Mark's Lion, lifted on a blue field covered with stars, until at last, as if in ecstasy, the crests of the arches break into a marble foam, and toss themselves far into the blue sky in flashes and wreaths of sculptured spray, as if the breakers on the Lido shore had been frost-bound before they fell, and the seanymphs had inlaid them with coral and amethyst.
Page 121 - ... images of the burning clouds, which fall upon them in flakes of crimson and scarlet, and give to the reckless waves the added motion of their own fiery flying.
Page 190 - THERE is NO WEALTH BUT LIFE.— Life, including all its powers of love, of joy, and of admiration. That country is the richest which nourishes the greatest number of noble and happy human beings...
Page 494 - To watch the corn grow, and the blossoms set; to draw hard breath over ploughshare or spade; to read, to think, to love, to hope, to pray — these are the things that make men happy; they have always had the power of doing these, and they never will have power to do more.
Page 481 - ... glossy traverses of silken change, yet all subdued and pensive, and framed for simplest, sweetest offices of grace. They will not be gathered, like the flowers, for chaplet or love-token ; but of these the wild bird will make its nest, and the wearied child his pillow.
Page 381 - The man's power is active, progressive, defensive. He is eminently the doer, the creator, the discoverer, the defender. His intellect is for speculation and invention ; his energy for adventure, for war, and for conquest, wherever war is just, wherever conquest necessary.
Page 181 - AMONG the delusions which at different periods have possessed themselves of the minds of large masses of the human race, perhaps the most curious — certainly the least creditable — is the modern soi-disant science of political economy, based on the idea that an advantageous code of social action may be determined irrespectively of the influence of social affection.