Poetry as a Representative Art: An Essay in Comparative Aesthetics |
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Page xv
... Pure , 132 - Orotund , 132 - Illustrations of Poetic Effects of all these Kinds when com- bined , 133 . XII . EFFECTS OF POETIC QUALITY CONTINUED PAGE 136-149 Imitative Effects of Letter - Sounds corresponding to Aspirate Quality ...
... Pure , 132 - Orotund , 132 - Illustrations of Poetic Effects of all these Kinds when com- bined , 133 . XII . EFFECTS OF POETIC QUALITY CONTINUED PAGE 136-149 Imitative Effects of Letter - Sounds corresponding to Aspirate Quality ...
Page xviii
... Pure Representation is solely Representa- tive , 212 - Alloyed Representation contains some Presentation , 212 . PAGE XX . PURE DIRECT REPRESENTATION 213-224 In what Sense , and how far , Thought and Feeling can be Com- municated ...
... Pure Representation is solely Representa- tive , 212 - Alloyed Representation contains some Presentation , 212 . PAGE XX . PURE DIRECT REPRESENTATION 213-224 In what Sense , and how far , Thought and Feeling can be Com- municated ...
Page xix
... Pure , 263 — Tendencies in Poetic Composition lead- ing to Alloyed Representation , 264 - In Direct Representation , 264 —In Illustrative Representation , 265 — Lawful to enlarge by Illus- trations an Idea Great and Complex , 265 — Or ...
... Pure , 263 — Tendencies in Poetic Composition lead- ing to Alloyed Representation , 264 - In Direct Representation , 264 —In Illustrative Representation , 265 — Lawful to enlarge by Illus- trations an Idea Great and Complex , 265 — Or ...
Page 35
... Pure instinct leads to fast time , reflective instinct to slow time , and the general movement or measure is the resultant of both . The degrees of instinctive influence connected with reflective feeling are represented in force ; of ...
... Pure instinct leads to fast time , reflective instinct to slow time , and the general movement or measure is the resultant of both . The degrees of instinctive influence connected with reflective feeling are represented in force ; of ...
Page 72
... : Touch her not scornfully , Think of her mournfully , Gently , and humanly . Not of the stains of her , All that remains of her Now is pure womanly . Make no deep scrutiny Into her mutiny , Rash and 72 POETRY AS A REPRESENTATIVE ART .
... : Touch her not scornfully , Think of her mournfully , Gently , and humanly . Not of the stains of her , All that remains of her Now is pure womanly . Make no deep scrutiny Into her mutiny , Rash and 72 POETRY AS A REPRESENTATIVE ART .
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Common terms and phrases
accented syllable æsthetic alloyed artistic beginning breath cæsura CHAPTER character circumflex clouds comparison connection corresponding dark developed direct representation effects elements elocution elocutionary emotive expression eyes fact falling feeling feet figurative language force G. P. PUTNAM'S SONS give Greek heaven heigh-ho hexameter Homer ideas Idem Iliad illustrative representation imitative sounds indicates inflection instance instinctive Jean Ingelow kind light Locksley Hall Longfellow meaning metaphors methods metonymy metre Milton mind movement nature Notice o'er Othello Paradise Lost passage pause picture pitch plain language pleonasm poem poet poetic poetry present principles produced prose quotations reason reference reflective repre rhymes rhythm rising says sense sentence Shakespear simile singing Song soul stanza stream stress suggested sweet syllables tendency Tennyson termed terminal thee theory thing thou tion tone triple measure truth unaccented syllables utterance verse voice vowels wind words