Poetry as a Representative Art: An Essay in Comparative Aesthetics |
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Page xi
... SENSES , and how these represent Thought in Conventional and then in Poetic Words and Phrases , 5 - Primitive Words are de- veloped according to Principles of Association and Comparison , partly Instinctively , as in Ejaculations ...
... SENSES , and how these represent Thought in Conventional and then in Poetic Words and Phrases , 5 - Primitive Words are de- veloped according to Principles of Association and Comparison , partly Instinctively , as in Ejaculations ...
Page xv
... SENSE TO SOUND 150-160 Verse in which Attention to Sound prevents Representation of Thought , 150 - Violating Laws of Natural Expression or Gram- matical Construction , 151 - Excellences exaggerated , the Sources of these Faults , 152 ...
... SENSE TO SOUND 150-160 Verse in which Attention to Sound prevents Representation of Thought , 150 - Violating Laws of Natural Expression or Gram- matical Construction , 151 - Excellences exaggerated , the Sources of these Faults , 152 ...
Page xvi
... Senses , 175 - In the case of Words whose Meanings depend on Association , 175 - How what refers to the Material comes to refer to the Immaterial , 176 - Words whose Meanings depend on Comparison , 176 - What refers to the Material is ...
... Senses , 175 - In the case of Words whose Meanings depend on Association , 175 - How what refers to the Material comes to refer to the Immaterial , 176 - Words whose Meanings depend on Comparison , 176 - What refers to the Material is ...
Page xvii
... Sense , 191 - Are used by us in Different Senses , 192 — Figures represented in Compound Words Apparent , 192 - In general more Significant , 193 — Why the Eng- lish Language is fitted to remain Poetic , 194 . XVIII . PLAIN AND ...
... Sense , 191 - Are used by us in Different Senses , 192 — Figures represented in Compound Words Apparent , 192 - In general more Significant , 193 — Why the Eng- lish Language is fitted to remain Poetic , 194 . XVIII . PLAIN AND ...
Page xviii
... Sense , and how far , Thought and Feeling can be Com- municated Representatively , 213 - Pure Representation , as used by Tennyson , 214 - Hunt , etc. , 215 - Pure Direct Representation , as used by Homer , Milton , Shakespear , Morris ...
... Sense , and how far , Thought and Feeling can be Com- municated Representatively , 213 - Pure Representation , as used by Tennyson , 214 - Hunt , etc. , 215 - Pure Direct Representation , as used by Homer , Milton , Shakespear , Morris ...
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Common terms and phrases
accented syllable æsthetic alloyed artistic beginning breath cæsura CHAPTER character circumflex clouds comparison connection corresponding dark developed direct representation effects elements elocution elocutionary emotive expression eyes fact falling feeling feet figurative language force G. P. PUTNAM'S SONS give Greek heaven heigh-ho hexameter Homer ideas Idem Iliad illustrative representation imitative sounds indicates inflection instance instinctive Jean Ingelow kind light Locksley Hall Longfellow meaning metaphors methods metonymy metre Milton mind movement nature Notice o'er Othello Paradise Lost passage pause picture pitch plain language pleonasm poem poet poetic poetry present principles produced prose quotations reason reference reflective repre rhymes rhythm rising says sense sentence Shakespear simile singing Song soul stanza stream stress suggested sweet syllables tendency Tennyson termed terminal thee theory thing thou tion tone triple measure truth unaccented syllables utterance verse voice vowels wind words