The Art of the Saracens in Egypt |
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Page vi
... Persia , India , and Central Asia in the east ; and Anatolia , Armenia , and even Turkey in Europe , between , have ... Persian art , Indian art ; or again , the Moresque decoration , and so forth ; but we must not forget that all these ...
... Persia , India , and Central Asia in the east ; and Anatolia , Armenia , and even Turkey in Europe , between , have ... Persian art , Indian art ; or again , the Moresque decoration , and so forth ; but we must not forget that all these ...
Page 13
... Persia , and the King of Abyssinia , constitute the staple of foreign affairs . To enumerate the events of each reign , or even the names of the fifty Mamluks who sat on the throne at Cairo , would be wearisome and unprofitable to the ...
... Persia , and the King of Abyssinia , constitute the staple of foreign affairs . To enumerate the events of each reign , or even the names of the fifty Mamluks who sat on the throne at Cairo , would be wearisome and unprofitable to the ...
Page 28
... Persian Ilkhan Baraka , which included a Korān , said to have been transcribed by the Khalif ' Othman , enclosed in a case of red silk embroidered with gold , over which was a leather cover lined with striped silk ; a throne encrusted ...
... Persian Ilkhan Baraka , which included a Korān , said to have been transcribed by the Khalif ' Othman , enclosed in a case of red silk embroidered with gold , over which was a leather cover lined with striped silk ; a throne encrusted ...
Page 112
... Persians . The church of St. Sophia , at Constantinople , presents fine examples of its Byzantine form ; but in later edifices of that style , constructional difficulties seem to have confined the architects to small domes . The ...
... Persians . The church of St. Sophia , at Constantinople , presents fine examples of its Byzantine form ; but in later edifices of that style , constructional difficulties seem to have confined the architects to small domes . The ...
Page 144
... Persian , for there can be no doubt that the source of these admirable designs was the art of Mesopotamia , where the traditions of ancient Persian and Assyrian art still survived in the metal - work of the artists of Mōsil and other ...
... Persian , for there can be no doubt that the source of these admirable designs was the art of Mesopotamia , where the traditions of ancient Persian and Assyrian art still survived in the metal - work of the artists of Mōsil and other ...
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Common terms and phrases
Aleppo Amir arabesque Arabic Arabic inscription arches architecture arranged artists Ayyub Baghdad band Barkūk beasts beautiful Beybars Beysary birds blue border bowls bronze Cairene CARVED PANEL chased chief Citadel cloth colours Coptic churches Copts court Damascus decoration Demy 8vo designs dome doors Egypt Egyptian El-Ashraf El-Makrizy El-Melik En-Nasir enamel enclosed examples Fatimy Khalifs fess figures floral fourteenth century Fustat glass lamps gold houses Ibn-Tūlūn inlaid with silver ivory Kaït KAIT BEY Kalaun key-pattern Khalifs Koran Korāns lattice LATTICE-WORK lord Mamluk Mamluk Sultan marble medallions meshrebiya Mesopotamia metal-work minaret Mohammad Mohammadan mosaic Mōsil mosque Muslim Naskhy niche P. G. TAIT palace pattern Persian plaster plates princes pulpit reign rosettes round royal Saladin Saracenic art seen side silk South Kensington Museum spandrils stalactites stone style Sultan Hasan Syria thirteenth century throne tiles tomb two-headed eagle wall WEKALA OF KAIT wood Zenky عز لمولانا
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Page 37 - A band of lawless adventurers, slaves in origin, butchers by choice, turbulent, bloodthirsty, and too often treacherous, these slave kings had a keen appreciation for the arts which would have done credit to the most civilized ruler that ever sat on a constitutional throne.
Page 11 - ... to all appearance barbarians, prone to shed blood, merciless to their enemies, tyrannous to their subjects, yet delighting in the delicate refinements which art could afford them in their home life, lavish in the endowment of pious foundations, magnificent in their mosques and palaces, and fastidious in the smallest details of dress and furniture. Allowing all that must be allowed for the passion of the barbarian for display, we are still far from an explanation how the Turks chanced to be the...
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